"The
next project, a showroom in Houston
completed in 1975, was rather more drastic. James Wines, one of the principals
of SITE, describes the concept involved as the de-architecturization of the
facade and side walls. This has been achieved by extending the brick veneer
arbitrarily beyond the logical edge of the roofline, resulting in the
appearance of architecture somewhere between construction and demolition. To
intensify this ambiguity, a section of the central facade has been fragmented
and the waste bricks allowed to spill over the top of the pedestrian canopy "
(Arthur
Drexler, 1979, p.10)
Drexler,
Arthur: "Introduction" en: "Buildings for Best Products",
Museum of Modern Art, New York ,
1979, p.10.
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