"The instruments.
We have obtained these instruments on the basis
of a conceptual and operative method we have been elaborating and perfecting
since the end of the 1960s: the CRITICAL MANNERISM. In this case, our interest
was directed particulary to the following points:
- visually evidencing historical references in
their complexity
- illusion, doubting, irony, also of a
self-critical type
- estrangement, destruction, parody
- metaphors
-poetry."
HAUSMANN,
Tris; HAUSMANN, Robert. Basilea: Hotel Le Plaza. En: Domus, nº668, 01/1986.
pp.40-43.
