<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2634109004886959016</id><updated>2012-01-19T10:48:18.631+01:00</updated><category term='exposición'/><category term='combinación'/><category term='tony meadows'/><category term='ecoutopia'/><category term='robert smithson'/><category term='soleri'/><category term='1989'/><category term='cotti'/><category term='piranesi'/><category term='suuronen'/><category term='1762'/><category term='jencks'/><category term='lefebvre'/><category term='papanek'/><category term='arquitectura movil'/><category term='19741975'/><category term='habitat flotante'/><category term='Erskine'/><category term='emmerich'/><category 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term='estructura'/><category term='petrovic'/><category term='DOMOBILES'/><category term='katavolos'/><category term='olivier morgue'/><category term='víctimas'/><category term='templos contemporáneos'/><category term='takis zenetos'/><category term='robert grosvenor'/><category term='Mies'/><category term='bibliografía relacional'/><category term='de feo'/><category term='1962'/><category term='1973'/><category term='1946'/><category term='archigram'/><category term='1960'/><category term='saharon'/><category term='1976'/><category term='montaje'/><category term='warren chalk'/><category term='fisher'/><category term='telepresencia'/><category term='3h design'/><category term='schiedhelm'/><category term='soviets'/><category term='chalk'/><category term='moma'/><category term='escala'/><category term='stinco'/><category term='cambio de pensamiento'/><category term='1840'/><category term='1951'/><category term='atomville'/><category term='todo es arquitectura'/><category term='moretti'/><category term='allan wexler'/><category term='1984'/><category term='hiperrealidad'/><category term='obsolescencia'/><category term='Goff'/><category term='1961'/><category term='intercambios de información'/><category term='gerhard rühm'/><category term='Williams'/><category term='vesnin'/><category term='pabellon temporal'/><category term='theo jansen'/><category term='arquitectura imaginaria'/><category term='ambiente'/><category term='poli'/><category term='strum'/><category term='wachman'/><category term='1975'/><category term='ciudades computerizadas'/><category term='cuerpo'/><category term='cibernético'/><category term='1983'/><category term='movilidad'/><category term='rottier'/><category term='modelo'/><category term='1978'/><category term='ciudad móvil'/><category term='munari'/><category term='franco raggi'/><category term='wii'/><category term='doenach'/><category term='posturas tecnológicas'/><category term='brombin'/><category term='1885'/><category term='expo67'/><category term='interiorismo'/><category term='1977'/><category term='michel ragon'/><category term='greene'/><category term='capsula'/><category term='europan'/><category term='Núcleo Infraestructural'/><category term='chernikov'/><category term='1954'/><category term='1982'/><category term='teatro móvil'/><category term='lugares de intercambio'/><category term='epcot'/><category term='ciudades acorazadas'/><category term='schoeller'/><category term='emilio ambasz'/><category term='identidad'/><category term='trigon69'/><category term='Gernot Nalbach'/><category term='Móvil habitable'/><title type='text'>Arqueología del Futuro</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default?start-index=101&amp;max-results=100'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>389</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4044501991420301058</id><published>2012-01-19T10:48:00.001+01:00</published><updated>2012-01-19T10:48:18.675+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ciudad instantánea'/><category scheme='http://www.blogger.com/atom/ns#' term='wiebenson'/><category scheme='http://www.blogger.com/atom/ns#' term='1968'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudad móvil'/><title type='text'>CIUDADES INSTANTÁNEAS 1968 Resurrection City</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-OZURk_gJtrA/TxfmJju7qcI/AAAAAAAAG6E/lFhQeKOyOX4/s1600/resurrection02blog.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://4.bp.blogspot.com/-OZURk_gJtrA/TxfmJju7qcI/AAAAAAAAG6E/lFhQeKOyOX4/s400/resurrection02blog.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Como parte de la "&lt;b&gt;Jr's Poor Peoples' Campaign&lt;/b&gt;", el arquitecto &lt;b&gt;John Wiebenson y sus alumnos de la Universidad de Maryland&lt;/b&gt; diseñaron una&lt;b&gt; ciudad instantánea&lt;/b&gt; (con dos unidades básicas, la dormitorio y la familiar, compuesta de un armazón estructural muy básico de madera, con un cerramiento informal de maderas, cartones, lonas...) construida en mayo de 1968 para albergar a 3000 manifestantes (que vivían bajo el umbral de la pobreza), que habitaron durante 6 semanas en esta ciudad situada junto al monumento del memorial a Lincoln en Washington.&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;He encontrado esta interesante reseña en un número de AD de 1968... que termina con esta interesante reseña del Comité sobre el proyecto:&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;"We feel that the expensive development and testing of shelter units was probably one of our most important accomplishments. The meet the goals of construction and enviroment".&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Un claro referente histórico a la &lt;b&gt;Instant City&lt;/b&gt; surgida en la Acampada de Sol...&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-S_VRKCcakfQ/TxfmKinKqiI/AAAAAAAAG6M/KiZ3Ve4eQ9Y/s1600/resurrection01blog.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="223" src="http://3.bp.blogspot.com/-S_VRKCcakfQ/TxfmKinKqiI/AAAAAAAAG6M/KiZ3Ve4eQ9Y/s400/resurrection01blog.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/--v8iYrLN1QA/TxfmH0zFALI/AAAAAAAAG58/Jd5nNM5wQ1s/s1600/resurrection03blog.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="260" src="http://4.bp.blogspot.com/--v8iYrLN1QA/TxfmH0zFALI/AAAAAAAAG58/Jd5nNM5wQ1s/s400/resurrection03blog.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-62XPwXaqWjo/TxfmHGyaQaI/AAAAAAAAG50/j2iojZfSbCM/s1600/resurrection04blog.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="272" src="http://2.bp.blogspot.com/-62XPwXaqWjo/TxfmHGyaQaI/AAAAAAAAG50/j2iojZfSbCM/s400/resurrection04blog.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Architectural Design 8/12 Agosto 1968&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://weekendamerica.publicradio.org/display/web/2008/05/08/1968_resurrection"&gt;http://weekendamerica.publicradio.org/display/web/2008/05/08/1968_resurrection&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://dome.mit.edu/handle/1721.3/19844?show=full"&gt;http://dome.mit.edu/handle/1721.3/19844?show=full&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://web.library.emory.edu/blog/resurrection-city-1968"&gt;http://web.library.emory.edu/blog/resurrection-city-1968&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4044501991420301058?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4044501991420301058/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4044501991420301058' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4044501991420301058'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4044501991420301058'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2012/01/ciudades-instantaneas-1968-resurrection.html' title='CIUDADES INSTANTÁNEAS 1968 Resurrection City'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-OZURk_gJtrA/TxfmJju7qcI/AAAAAAAAG6E/lFhQeKOyOX4/s72-c/resurrection02blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4410869931888209450</id><published>2012-01-13T15:43:00.002+01:00</published><updated>2012-01-13T15:47:06.214+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1966'/><category scheme='http://www.blogger.com/atom/ns#' term='fun palace'/><category scheme='http://www.blogger.com/atom/ns#' term='poli'/><category scheme='http://www.blogger.com/atom/ns#' term='megaestructuras'/><title type='text'>1966 PIER [R Gherardi + A Poli + S Pacini + R Russo F Spinelli]</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-B-0842dP2cA/TxBCzzr45GI/AAAAAAAAGuY/Uy5gob0xkXk/s1600/pierblog01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="141" src="http://2.bp.blogspot.com/-B-0842dP2cA/TxBCzzr45GI/AAAAAAAAGuY/Uy5gob0xkXk/s400/pierblog01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-u_kvHuWyR48/TxBCykUHT0I/AAAAAAAAGuQ/qRAwt7cZMr4/s1600/pierblog02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img border="0" height="232" src="http://2.bp.blogspot.com/-u_kvHuWyR48/TxBCykUHT0I/AAAAAAAAGuQ/qRAwt7cZMr4/s400/pierblog02.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: x-small;"&gt;Edificio para el tiempo libre diseñado por Gherardi, Pacini, Russo, Spinelli y Alessandro Poli en un curso dirigido por &lt;b&gt;Leonardo Savioli &lt;/b&gt;(megaestructuralista italiana al que dedicaré algún post futuro) en la &lt;b&gt;facultad de Arquitectura de Florencia.&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: x-small;"&gt;Con tics megaestructuralistas y archigrameros, Poli lo define como su entrada a una utopía (basada en movimientos como el beat, underground, hippie y pop) que ya nunca sería más como un año después promulgaba Herbert Marcuse en su conferencia de 1967 en la Free University de Berlín...&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: x-small;"&gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: x-small;"&gt;Other Space Odysseys [2010] Giovanna Borasi Mirko Zardini&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4410869931888209450?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4410869931888209450/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4410869931888209450' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4410869931888209450'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4410869931888209450'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2012/01/1966-pier-r-gherardi-poli-s-pacini-r.html' title='1966 PIER [R Gherardi + A Poli + S Pacini + R Russo F Spinelli]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-B-0842dP2cA/TxBCzzr45GI/AAAAAAAAGuY/Uy5gob0xkXk/s72-c/pierblog01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4155226501178451597</id><published>2012-01-10T20:26:00.005+01:00</published><updated>2012-01-10T20:27:17.985+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1973'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><title type='text'>1973 Future City [Conklin &amp; Rossant]</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-B9DIiUwJFHc/TwyQwZOCxgI/AAAAAAAAGoE/GsNasfLtqsw/s1600/futurecityblog.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="351" src="http://2.bp.blogspot.com/-B9DIiUwJFHc/TwyQwZOCxgI/AAAAAAAAGoE/GsNasfLtqsw/s400/futurecityblog.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: left;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;Primeros bosquejos de una ciudad futura ideada por Conklin y Rossantsupeditada a un sistema interior de comunicaciones ( a partir de people moversy monorraíles) y uno exterior de usos (privados y públicos colectivos). Unaespecie de Pompidou invertido como opción de futuro. &lt;/span&gt;&lt;/strong&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: left;"&gt;&lt;strong&gt;&lt;span lang="EN-US"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: left;"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-weight: normal;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;UNBUILT AMERICA [1976] Alison Sky+ Michelle Stone&lt;/span&gt;&lt;span style="font-family: Cambria, serif; font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4155226501178451597?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4155226501178451597/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4155226501178451597' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4155226501178451597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4155226501178451597'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2012/01/1973-future-city-conklin-rossant.html' title='1973 Future City [Conklin &amp; Rossant]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-B9DIiUwJFHc/TwyQwZOCxgI/AAAAAAAAGoE/GsNasfLtqsw/s72-c/futurecityblog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-1622973424556852000</id><published>2011-12-30T16:33:00.003+01:00</published><updated>2011-12-30T16:33:44.287+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1974'/><category scheme='http://www.blogger.com/atom/ns#' term='design'/><category scheme='http://www.blogger.com/atom/ns#' term='bicicleta. movilidad'/><title type='text'>LA MOVILIDAD COMO OPCIÓN DE FUTURO. Concurso para una bibcleta del futuro 1974</title><content type='html'>&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Interesante artículo de la revista inglesa&lt;/span&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt; DESIGN del número 302 de 1974&lt;/b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt; sobre un concurso japonés sobre innovación relacionada con la bicicleta. Dejo todas las imágenes del mismo porque las propuestas no tiene desperdicio!!!&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-DxOBIJAhosE/Tv3ZnZkKgxI/AAAAAAAAGY0/ElYi-16bs68/s1600/bike01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img border="0" height="282" src="http://2.bp.blogspot.com/-DxOBIJAhosE/Tv3ZnZkKgxI/AAAAAAAAGY0/ElYi-16bs68/s400/bike01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-nHEwQU9RNkY/Tv3ZmoJ9qQI/AAAAAAAAGYs/SRnZSxBdMIQ/s1600/bike02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img border="0" height="282" src="http://2.bp.blogspot.com/-nHEwQU9RNkY/Tv3ZmoJ9qQI/AAAAAAAAGYs/SRnZSxBdMIQ/s400/bike02.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-M16N9zxeDhQ/Tv3Zlru3hVI/AAAAAAAAGYk/1n3pW1RdsMY/s1600/bike03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img border="0" height="282" src="http://4.bp.blogspot.com/-M16N9zxeDhQ/Tv3Zlru3hVI/AAAAAAAAGYk/1n3pW1RdsMY/s400/bike03.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-s76sKc8hVcQ/Tv3Zk5A7ecI/AAAAAAAAGYc/gcuaxTjaCXo/s1600/bike04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="282" src="http://4.bp.blogspot.com/-s76sKc8hVcQ/Tv3Zk5A7ecI/AAAAAAAAGYc/gcuaxTjaCXo/s400/bike04.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; text-align: center;"&gt;Si quieres ver el artículo original:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://vads.ahds.ac.uk/diad/article.php?title=302&amp;amp;year=1974&amp;amp;article=d.302.34"&gt;http://vads.ahds.ac.uk/diad/article.php?title=302&amp;amp;year=1974&amp;amp;article=d.302.34&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;DESIGN Journal nº302 1974&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-1622973424556852000?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/1622973424556852000/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=1622973424556852000' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1622973424556852000'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1622973424556852000'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/la-movilidad-como-opcion-de-futuro.html' title='LA MOVILIDAD COMO OPCIÓN DE FUTURO. Concurso para una bibcleta del futuro 1974'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-DxOBIJAhosE/Tv3ZnZkKgxI/AAAAAAAAGY0/ElYi-16bs68/s72-c/bike01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-2972427082201770359</id><published>2011-12-26T09:03:00.002+01:00</published><updated>2011-12-26T09:04:31.264+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='caducidad'/><category scheme='http://www.blogger.com/atom/ns#' term='1968'/><title type='text'>ARQUITECTURA CON FECHA DE CADUCIDAD. 1968 Community Center as a straddle structure [Hardy, Holzman &amp; Pfeiffer]</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-hb9EnsXsCec/TvgqKfts_rI/AAAAAAAAGXQ/mX42yj_jWU0/s1600/CommunityCenter01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="352" src="http://1.bp.blogspot.com/-hb9EnsXsCec/TvgqKfts_rI/AAAAAAAAGXQ/mX42yj_jWU0/s400/CommunityCenter01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Sin duda alguna, desde la aparición del proyecto para un&lt;/span&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt; Fun Palace [1961/63] de Cedric Price, &lt;/b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;muchos arquitectos se cuestionan la &lt;/span&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt;fecha de caducidad&lt;/b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt; de sus arquitecturas, parámetro antes incuestionable. Este proyecto de Hardy, Holzman y Pfeiffer propone la &lt;/span&gt;&lt;b style="font-family: Arial, Helvetica, sans-serif;"&gt;reutilización de una antígua zona naviera de Brooklyn&lt;/b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt; a partir de una estructura temporal que sirva de centro de operaciones de la nueva zona en desarrollo y del barrio ya consolidado existente.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;ARTHROPODS New design futures [1971] Jim Burns Academy&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;New Directions in American Architecture [1969] Robert A M Stern&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-2972427082201770359?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/2972427082201770359/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=2972427082201770359' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2972427082201770359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2972427082201770359'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/arquitectura-con-fecha-de-caducidad.html' title='ARQUITECTURA CON FECHA DE CADUCIDAD. 1968 Community Center as a straddle structure [Hardy, Holzman &amp; Pfeiffer]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-hb9EnsXsCec/TvgqKfts_rI/AAAAAAAAGXQ/mX42yj_jWU0/s72-c/CommunityCenter01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6730804790216229942</id><published>2011-12-24T13:14:00.000+01:00</published><updated>2011-12-24T13:14:17.179+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='publicación'/><category scheme='http://www.blogger.com/atom/ns#' term='1973'/><category scheme='http://www.blogger.com/atom/ns#' term='shelter'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='movilidad'/><category scheme='http://www.blogger.com/atom/ns#' term='Vivienda Móvil'/><title type='text'>LA MOVILIDAD COMO OPCIÓN DE FUTURO 1973 Shelter</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/-EMRtMJb_x34/TvXBFDuS8yI/AAAAAAAAGWA/5FmDQm9jVKk/s1600/Shelter02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;img border="0" height="246" src="http://2.bp.blogspot.com/-EMRtMJb_x34/TvXBFDuS8yI/AAAAAAAAGWA/5FmDQm9jVKk/s400/Shelter02.jpg" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Hace unos meses me llegó al estudio el famoso libro &lt;b&gt;Shelter [1973] de Lloyd Khan y Bob Easton...&lt;/b&gt;Y a pesar de ser una re/edición y no un original setentero... quedé fascinado por toda la recopilación tipológica de asentamientos populares que los autores hacen. Como no podía ser de otra manera uno de los capítulos del libro lo dedican a Viviendas Móviles, con decenas de carromatos tuneados, barcos, biciletas... convertidos en una vivienda. Aquí dejo algunos de ellos y recomiendo ferviertemente el libro... &lt;b&gt;La Movilidad como opción de Futuro!&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://4.bp.blogspot.com/-JfIyot5DlAY/TvXBDfOH6GI/AAAAAAAAGVw/YjQL9yELLA8/s1600/Shelter04.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: left;"&gt;&lt;img border="0" height="215" src="http://4.bp.blogspot.com/-JfIyot5DlAY/TvXBDfOH6GI/AAAAAAAAGVw/YjQL9yELLA8/s400/Shelter04.jpg" width="400" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://1.bp.blogspot.com/-7yB__6vfk3M/TvXBF7oOBEI/AAAAAAAAGWI/gED9sVTWcY8/s1600/Shelter01.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: left;"&gt;&lt;img border="0" height="230" src="http://1.bp.blogspot.com/-7yB__6vfk3M/TvXBF7oOBEI/AAAAAAAAGWI/gED9sVTWcY8/s400/Shelter01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://3.bp.blogspot.com/-Rc3mOZPUUn8/TvXBEHii8PI/AAAAAAAAGV4/UgCT_GgL74A/s1600/Shelter03.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: left;"&gt;&lt;img border="0" height="245" src="http://3.bp.blogspot.com/-Rc3mOZPUUn8/TvXBEHii8PI/AAAAAAAAGV4/UgCT_GgL74A/s400/Shelter03.jpg" width="400" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Shelter [1973] Lloyd Kahn + Bob Easton&lt;/span&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6730804790216229942?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6730804790216229942/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6730804790216229942' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6730804790216229942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6730804790216229942'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/la-movilidad-como-opcion-de-futuro-1973.html' title='LA MOVILIDAD COMO OPCIÓN DE FUTURO 1973 Shelter'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-EMRtMJb_x34/TvXBFDuS8yI/AAAAAAAAGWA/5FmDQm9jVKk/s72-c/Shelter02.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7343716353110741599</id><published>2011-12-22T11:50:00.003+01:00</published><updated>2011-12-22T11:51:35.297+01:00</updated><title type='text'>LA MOVILIDAD COMO OPCIÓN DE FUTURO 1965 Bauwelt Septiembre 1965 Nº37</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-zvGOPAfmjaM/TvMLAZgngBI/AAAAAAAAGKs/tBJtYK3oZMw/s1600/bauwelt01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="273" src="http://1.bp.blogspot.com/-zvGOPAfmjaM/TvMLAZgngBI/AAAAAAAAGKs/tBJtYK3oZMw/s400/bauwelt01.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Sin duda alguna&lt;b&gt; la movilidad es una de las obsesiones sesenteras más arraigadas en el mundo de la arquitectura...&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Los arquitectos proyectan y proyectan dispositivos, casas portátiles e incluso ciudades instantáneas mientras la sociedad (siempre por delante de esas marionetas) se pobalba de carromatos nómadas, trenes / cama, transatlánticos que eran ciudades rococó e incluso autobuses como salones de música... Este número de Bauwelt da fe de todo aquello... &lt;b&gt;La movilidad como opción de futuro.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-ID_Tky5oW5U/TvMK_VEvfbI/AAAAAAAAGKk/agDNWMjxjhM/s1600/bauwelt02.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;img border="0" height="273" src="http://4.bp.blogspot.com/-ID_Tky5oW5U/TvMK_VEvfbI/AAAAAAAAGKk/agDNWMjxjhM/s400/bauwelt02.jpg" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-L3RO4Rc4vX4/TvMK-ZXfxwI/AAAAAAAAGKc/yljo6czyclc/s1600/bauwelt03.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;img border="0" height="273" src="http://2.bp.blogspot.com/-L3RO4Rc4vX4/TvMK-ZXfxwI/AAAAAAAAGKc/yljo6czyclc/s400/bauwelt03.jpg" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Bibliografía&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Bauwelt Septiembre 1965 Nº37&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7343716353110741599?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7343716353110741599/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7343716353110741599' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7343716353110741599'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7343716353110741599'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/la-movilidad-como-opcion-de-futuro-1965.html' title='LA MOVILIDAD COMO OPCIÓN DE FUTURO 1965 Bauwelt Septiembre 1965 Nº37'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-zvGOPAfmjaM/TvMLAZgngBI/AAAAAAAAGKs/tBJtYK3oZMw/s72-c/bauwelt01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6667178484796946415</id><published>2011-12-19T10:11:00.001+01:00</published><updated>2011-12-19T10:17:40.460+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='hipergráfica'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><category scheme='http://www.blogger.com/atom/ns#' term='vasarely'/><title type='text'>HIPERGRÁFICA. 1970 Fachada de Radio-Tele-Luxembourg en París [Vasarely]</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/--VbaCfTg_uw/Tu7_g48rM-I/AAAAAAAAGH0/EmWK4I3BM3Q/s1600/vasarely01blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/--VbaCfTg_uw/Tu7_g48rM-I/AAAAAAAAGH0/EmWK4I3BM3Q/s400/vasarely01blog.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Interesante construcción de fachada con estudio de &lt;b&gt;Vasarely&lt;/b&gt; a partir de la iluminación de la misma, de manera que aparezcan cinco anillos de luz (que puede ser regulada) a la manera de las ondas que se producen sobre una superficie de agua. El motivo cambia de intensidad y de color a gusto del cliente. &lt;b&gt;La fachada se convierte de nuevo en hipergráfica... &lt;/b&gt;y ahora animada (propuesta sin duda precursora de las fachadas de leds y grandes pantalllas animadas...).&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Architecture D'Aujourd'Hui [Nº160] [1972]&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6667178484796946415?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6667178484796946415/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6667178484796946415' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6667178484796946415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6667178484796946415'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/hipergrafica-1970-fachada-de-radio-tele.html' title='HIPERGRÁFICA. 1970 Fachada de Radio-Tele-Luxembourg en París [Vasarely]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--VbaCfTg_uw/Tu7_g48rM-I/AAAAAAAAGH0/EmWK4I3BM3Q/s72-c/vasarely01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7787700037502921015</id><published>2011-12-14T17:59:00.002+01:00</published><updated>2011-12-14T18:02:42.301+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ciudad instantánea'/><category scheme='http://www.blogger.com/atom/ns#' term='1974'/><category scheme='http://www.blogger.com/atom/ns#' term='ekuan'/><category scheme='http://www.blogger.com/atom/ns#' term='TANGE'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudad móvil'/><title type='text'>Instant Cities. 1974 Ciudad para peregrinos en Mina [Tange + Ekuan]</title><content type='html'>&lt;span class="Apple-style-span" &gt;&lt;a href="http://4.bp.blogspot.com/-2WxNK7llrjk/TujWWnPTJPI/AAAAAAAAGHY/V2D9vqvS_zA/s1600/mina01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 292px;" src="http://4.bp.blogspot.com/-2WxNK7llrjk/TujWWnPTJPI/AAAAAAAAGHY/V2D9vqvS_zA/s400/mina01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5686030213533869298" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Interesante propuesta de &lt;b&gt;ciudad temporal&lt;/b&gt; diseñada por &lt;b&gt;Kenzo tange y Kenji Ekuan&lt;/b&gt; para acoger peregrinos que van a rezar a la Meca durante el Hajj. La ciudad se divide &lt;b&gt;en una serie de equipamientos fijos&lt;/b&gt; incrustados en la montaña o Hardware y unas &lt;b&gt;construcciones móviles&lt;/b&gt; o Software que conforman &lt;b&gt;las viviendas para peregrino&lt;/b&gt;s que durante el resto del año se almacenan en la zona de los equipamientos más estables.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-HSrEUt5Ouks/TujWWbCp7uI/AAAAAAAAGHM/hG3p9bv8nQQ/s1600/mina02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span" &gt;&lt;img src="http://1.bp.blogspot.com/-HSrEUt5Ouks/TujWWbCp7uI/AAAAAAAAGHM/hG3p9bv8nQQ/s400/mina02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5686030210259611362" style="cursor: pointer; width: 400px; height: 298px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Project Japan, Metabolism Talks… [2011] Rem Koolhaas, Hans Ulrich Obrist&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7787700037502921015?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7787700037502921015/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7787700037502921015' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7787700037502921015'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7787700037502921015'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/instant-cities-1974-ciudad-para.html' title='Instant Cities. 1974 Ciudad para peregrinos en Mina [Tange + Ekuan]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-2WxNK7llrjk/TujWWnPTJPI/AAAAAAAAGHY/V2D9vqvS_zA/s72-c/mina01.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5528995987341402860</id><published>2011-12-11T18:21:00.003+01:00</published><updated>2011-12-11T18:29:56.931+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='emilio ambasz'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='eventos'/><title type='text'>Ambasz en Madrid!!!!!!!!! En el Reina Sofía hasta el 16 de Enero</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1.bp.blogspot.com/-wq1DlucVv3I/TuToE3KDRII/AAAAAAAAGE8/tZ7SfysvivI/s1600/ambaszito01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 148px;" src="http://1.bp.blogspot.com/-wq1DlucVv3I/TuToE3KDRII/AAAAAAAAGE8/tZ7SfysvivI/s400/ambaszito01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684923799871636610" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Si lo conoces, imprescindible y si no... corre a ver la expo de &lt;b&gt;Emilio Ambasz&lt;/b&gt; en &lt;b&gt;el museo Reina Sofía de Madrid [hasta el 16 de enero].&lt;/b&gt; El siempre genial Ambasz fue uno de los precursores de la simbiosis entre naturaleza y arquitectura a partir de su&lt;b&gt; Green Architecture...&lt;/b&gt; toda la expo está cargada de maquetas, fotografías y dibujos originales de sus propuestas... desde su green buildings hasta objetos de diseño, pasando por su gran labor de comisariado... Sin duda alguna exposición más que imprescindible... muy interesante el vídeo de la muestra en el que explica el significado de sus &lt;b&gt;PERVERSIONES NATURALES...&lt;/b&gt; &lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;"cualquier árbol que encontremos actualmente en el planeta Tierra o ha sido plantado por el hombre, o existe porque el hombre ha decidido no talarlo..."&lt;/i&gt; Olé!!!&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-V_c_JkP1NDo/TuToEksReTI/AAAAAAAAGEw/MKns6qqfoB8/s1600/ambaszito02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-V_c_JkP1NDo/TuToEksReTI/AAAAAAAAGEw/MKns6qqfoB8/s400/ambaszito02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684923794914900274" style="cursor: pointer; width: 400px; height: 148px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-0UOHJuUMff0/TuToEU3RwjI/AAAAAAAAGEo/j8VG5-500Pc/s1600/ambaszito03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-0UOHJuUMff0/TuToEU3RwjI/AAAAAAAAGEo/j8VG5-500Pc/s400/ambaszito03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684923790666089010" style="cursor: pointer; width: 400px; height: 148px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-F3aITQ1xpDw/TuToEPEG50I/AAAAAAAAGEc/2lPj5Ydtmsk/s1600/ambaszito04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-F3aITQ1xpDw/TuToEPEG50I/AAAAAAAAGEc/2lPj5Ydtmsk/s400/ambaszito04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684923789109290818" style="cursor: pointer; width: 400px; height: 148px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;+ info de Emilio Ambasz en Arqueología del Futuro:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://arqueologiadelfuturo.blogspot.com/2011/03/perversiones-naturales-emilio-ambasz-y.html"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;http://arqueologiadelfuturo.blogspot.com/2011/03/perversiones-naturales-emilio-ambasz-y.html&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5528995987341402860?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5528995987341402860/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5528995987341402860' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5528995987341402860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5528995987341402860'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/ambasz-en-madrid-en-el-reina-sofia.html' title='Ambasz en Madrid!!!!!!!!! En el Reina Sofía hasta el 16 de Enero'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-wq1DlucVv3I/TuToE3KDRII/AAAAAAAAGE8/tZ7SfysvivI/s72-c/ambaszito01.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6616084148302379611</id><published>2011-12-09T09:21:00.001+01:00</published><updated>2011-12-09T09:24:12.249+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='vivienda futura'/><category scheme='http://www.blogger.com/atom/ns#' term='1971'/><category scheme='http://www.blogger.com/atom/ns#' term='do it yourself'/><category scheme='http://www.blogger.com/atom/ns#' term='3h design'/><title type='text'>LA SOCIOLOGÍA DE MATERIAL. PLÁSTICOS DIY. 1971 Habitat en mousse de plastique [3H DESIGN]</title><content type='html'>&lt;span class="Apple-style-span" &gt;&lt;a href="http://3.bp.blogspot.com/-6bYio4TV81c/TuHFKRcW9-I/AAAAAAAAGD4/ynnmeO5S3M4/s1600/mousse01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 256px;" src="http://3.bp.blogspot.com/-6bYio4TV81c/TuHFKRcW9-I/AAAAAAAAGD4/ynnmeO5S3M4/s400/mousse01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684040984989988834" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-_i6g4KzQcRI/TuHFKB5f78I/AAAAAAAAGDs/yjMYZavhIpU/s1600/mousse02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 123px;" src="http://3.bp.blogspot.com/-_i6g4KzQcRI/TuHFKB5f78I/AAAAAAAAGDs/yjMYZavhIpU/s400/mousse02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684040980817244098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Interesante propuesta de &lt;b&gt;vivienda autoconstruida a partir de mousse plástica&lt;/b&gt; ligera de estructura celular, que presenta un buen aislamiento y gran resistencia a la interperie. La construcción se realiza a partir de una malla metálica, un recubrimiento de fibra de vidrio y un pulverizado de mousse plástica final. Al endurecerse, todo el conjunto se comporta como una estructura estable.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Este prototipo se presentó en la gran exposición de la vivienda plástica &lt;b&gt;IKA'71&lt;/b&gt;, en Lüdenscheid [Alemania](sueño plástico que terminó con la primera&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;+ Info sobre IKA'71:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://www.deutsche-wochenschau.de/details-647-5-130240-02_Luedenscheid_IKA_71_Internationale_Kunststoffhaus_Ausstellung_UFA0787"&gt;&lt;b&gt;http://www.deutsche-wochenschau.de/details-647-5-130240-02_Luedenscheid_IKA_71_Internationale_Kunststoffhaus_Ausstellung_UFA0787&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;span class="Apple-style-span" &gt;Architecture D'Aujourd'Hui [Nº160] [1972]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6616084148302379611?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6616084148302379611/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6616084148302379611' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6616084148302379611'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6616084148302379611'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/la-sociologia-de-material-plasticos-diy.html' title='LA SOCIOLOGÍA DE MATERIAL. PLÁSTICOS DIY. 1971 Habitat en mousse de plastique [3H DESIGN]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-6bYio4TV81c/TuHFKRcW9-I/AAAAAAAAGD4/ynnmeO5S3M4/s72-c/mousse01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6163909462979115559</id><published>2011-12-06T10:29:00.003+01:00</published><updated>2011-12-06T10:33:48.508+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='roger c.ferri'/><category scheme='http://www.blogger.com/atom/ns#' term='1976'/><title type='text'>PERVERSIONES NATURALES. 1976 Corporate Skyscraper for Madison Square [Roger C.Ferri]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-vFndMrLGzUw/Tt3gtBiTn0I/AAAAAAAAGDY/y1NdoPi1k3I/s1600/ferrysky01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 347px; height: 400px;" src="http://3.bp.blogspot.com/-vFndMrLGzUw/Tt3gtBiTn0I/AAAAAAAAGDY/y1NdoPi1k3I/s400/ferrysky01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682945368922496834" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Amante de las perversiones naturales, &lt;b&gt;Roger C.Ferri &lt;/b&gt;propone este rascacielos para una empresa con un aprovechamiento de la superficie en planta como mandan los cánones newyorkinos de ocupación pero en el lado en el que los volúmenes se desfasan con la altura genera un &lt;b&gt;parque en distintas alturas que une (de una manera más o menos forzada) todas las plantas del edificio.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Este singular espacio es aprovechado como zonas comunes de esparcimiento de los trabajadores de la empresa además de generar una dicotomía entre natural y articial similar a la &lt;b&gt;Arcadia de Peter Cook&lt;/b&gt;. Volúmenes regulares generados por tramas homogéneas acristaladas frente a una naturaleza artificiosamente natural que las invade, deforma y coloniza... &lt;b&gt;Perversiones Naturales!!!&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-dJ680Jvl-l8/Tt3gs_wyblI/AAAAAAAAGDI/pBRG-W4mpi8/s1600/ferrysky02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://1.bp.blogspot.com/-dJ680Jvl-l8/Tt3gs_wyblI/AAAAAAAAGDI/pBRG-W4mpi8/s400/ferrysky02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682945368446365266" style="cursor: pointer; width: 400px; height: 288px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;ARCADIA CITY aquí:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://arqueologiadelfuturo.blogspot.com/2011/02/perversiones-naturales-ii-197778.html"&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;http://arqueologiadelfuturo.blogspot.com/2011/02/perversiones-naturales-ii-197778.html&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Fantastic Architecture [1980] George R Collins&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6163909462979115559?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6163909462979115559/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6163909462979115559' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6163909462979115559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6163909462979115559'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/12/perversiones-naturales-1976-corporate.html' title='PERVERSIONES NATURALES. 1976 Corporate Skyscraper for Madison Square [Roger C.Ferri]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vFndMrLGzUw/Tt3gtBiTn0I/AAAAAAAAGDY/y1NdoPi1k3I/s72-c/ferrysky01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7269365233181328312</id><published>2011-11-30T17:58:00.003+01:00</published><updated>2011-11-30T18:01:30.259+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='barbarella'/><category scheme='http://www.blogger.com/atom/ns#' term='1968'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='moretti'/><category scheme='http://www.blogger.com/atom/ns#' term='1965'/><title type='text'>ANTES DE BARBARELLA... 1965/68 Santuario del Primato di San Pietro  [Luigi Moretti]</title><content type='html'>&lt;span class="Apple-style-span"&gt;&lt;a href="http://2.bp.blogspot.com/-RsgECJQApBQ/TtZg_8e2EoI/AAAAAAAAGCs/yRSr4lrPV9s/s1600/moretti01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 294px;" src="http://2.bp.blogspot.com/-RsgECJQApBQ/TtZg_8e2EoI/AAAAAAAAGCs/yRSr4lrPV9s/s400/moretti01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680834631657984642" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Antes de Barbarella..&lt;/b&gt;. &lt;b&gt;Moretti&lt;/b&gt; tres años antes de la aparición de la famosa película ya proyectaba este &lt;b&gt;santuario pseudonaturalista a la manera Barbarella invertida...&lt;/b&gt; O quizá cambió al asistir a la Premiere de la película en Roma!!!! Parafaseando a Efrén y Cristina en un famoso artículo de El Croquis: " El futuro ya no es Barbarella!!!".&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-_YTWCchlZQw/TtZg_mhdXYI/AAAAAAAAGCk/5uIh_zuI0M8/s1600/moretti02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://4.bp.blogspot.com/-_YTWCchlZQw/TtZg_mhdXYI/AAAAAAAAGCk/5uIh_zuI0M8/s400/moretti02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680834625763368322" style="cursor: pointer; width: 400px; height: 250px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Otro post de AF sobre Barbarella:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;a href="http://www.arqueologiadelfuturo.blogspot.com/2011/09/alguien-intento-construir-sogo-city-de.html"&gt;http://www.arqueologiadelfuturo.blogspot.com/2011/09/alguien-intento-construir-sogo-city-de.html&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Domus nº482 [1970] &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7269365233181328312?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7269365233181328312/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7269365233181328312' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7269365233181328312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7269365233181328312'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/antes-de-barbarella-196568-santuario.html' title='ANTES DE BARBARELLA... 1965/68 Santuario del Primato di San Pietro  [Luigi Moretti]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-RsgECJQApBQ/TtZg_8e2EoI/AAAAAAAAGCs/yRSr4lrPV9s/s72-c/moretti01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6716069536210695070</id><published>2011-11-29T10:04:00.003+01:00</published><updated>2011-11-29T10:08:47.485+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ciudades computerizadas'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='pompidu'/><category scheme='http://www.blogger.com/atom/ns#' term='cibernético'/><category scheme='http://www.blogger.com/atom/ns#' term='1972'/><title type='text'>CIUDADES COMPUTERIZADAS 1972 Concours Pompidou [Cacoub + Perugini + Heim de Balsac + Roa + de Rossi]</title><content type='html'>&lt;span class="Apple-style-span"&gt;&lt;a href="http://1.bp.blogspot.com/-OpYtYHM3iVY/TtSggmcsfwI/AAAAAAAAGBw/CAdJjnyVdZU/s1600/pomp01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 314px;" src="http://1.bp.blogspot.com/-OpYtYHM3iVY/TtSggmcsfwI/AAAAAAAAGBw/CAdJjnyVdZU/s400/pomp01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680341511958200066" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;Proyecto (no ganador) para el &lt;b&gt;concurso del Pompidou&lt;/b&gt; que intenta utilizar movimiento, electrónica y cibernética en la construcción de un edificio. &lt;b&gt;Todo el programa del edificio se estructura a partir de 4 hélices principales &lt;/b&gt;de movimiento entre las que se combinan una seri de tambores y hélices móviles que albergan los espacios de exposición. El concurso propone una programación de rutas por parte de los usuarios a partir de &lt;b&gt;tickets magnéticos&lt;/b&gt; para customizar tu visita. Las piezas en hélice se moverían en vertical para poder variair los espcios tambor según las necesidades del museo. Interesante&lt;b&gt; intento de arquitectura dinámica &lt;/b&gt;a pesar de la literalidad a partir de un cambio de escala de sistemas de movimiento ya conocidos y utilizados a pequeña escala en algunas máquinas.&lt;/span&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-yjl4_Aa40Ag/TtSggPLPuMI/AAAAAAAAGBk/yFdmQm-GpRI/s1600/pomp02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-yjl4_Aa40Ag/TtSggPLPuMI/AAAAAAAAGBk/yFdmQm-GpRI/s400/pomp02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680341505710995650" style="cursor: pointer; width: 400px; height: 191px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://4.bp.blogspot.com/-71VbJAS8VHE/TtSgfw9Oc1I/AAAAAAAAGBY/RawR5uI-eng/s1600/pomp03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-71VbJAS8VHE/TtSgfw9Oc1I/AAAAAAAAGBY/RawR5uI-eng/s400/pomp03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680341497599128402" style="cursor: pointer; width: 400px; height: 278px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-SZ7AFZ_zRAw/TtSgfZOeCfI/AAAAAAAAGBM/cAUBNQRiPCU/s1600/pomp04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-SZ7AFZ_zRAw/TtSgfZOeCfI/AAAAAAAAGBM/cAUBNQRiPCU/s400/pomp04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5680341491229002226" style="cursor: pointer; width: 400px; height: 324px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architecture D'Aujourd'Hui [Nº160] [1972]&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6716069536210695070?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6716069536210695070/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6716069536210695070' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6716069536210695070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6716069536210695070'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/ciudades-computerizadas-1972-concours.html' title='CIUDADES COMPUTERIZADAS 1972 Concours Pompidou [Cacoub + Perugini + Heim de Balsac + Roa + de Rossi]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-OpYtYHM3iVY/TtSggmcsfwI/AAAAAAAAGBw/CAdJjnyVdZU/s72-c/pomp01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6048125053153580427</id><published>2011-11-28T09:28:00.005+01:00</published><updated>2011-11-28T09:36:33.208+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='papanek'/><category scheme='http://www.blogger.com/atom/ns#' term='hennessey'/><category scheme='http://www.blogger.com/atom/ns#' term='reciclaje'/><category scheme='http://www.blogger.com/atom/ns#' term='mobiliario'/><category scheme='http://www.blogger.com/atom/ns#' term='1972'/><category scheme='http://www.blogger.com/atom/ns#' term='do it yourself'/><category scheme='http://www.blogger.com/atom/ns#' term='catálogo'/><title type='text'>DO IT YOURSELF. CATÁLOGO. Design for the Real World [1972] Victor Papanek / Nomadic Furniture I y II [1973] James Hennessey + Victor Papanek</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;Claro &lt;b&gt;referente Arqueológico&lt;/b&gt; para los actuales e interesantes trabajos de recopilación de sistemas de montaje, detalles constructivos y procedimientos de diseño compartido entre los que destacaré el de &lt;a href="http://www.inteligenciascolectivas.org/"&gt;&lt;b&gt;Inteligencias Colectivas&lt;/b&gt; &lt;/a&gt;(este post nace en una conversación con Manu Pascual de Colectivo Zuloark, uno de los impulsores de IC).&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Ya en los 70, &lt;b&gt;Victor Papanek&lt;/b&gt; (diseñador que asesora a la UNESCO entre otras organizaciones y facultades) escribió su gran &lt;b&gt;"Design for a Real World"&lt;/b&gt;, en el que hace hincapié en la &lt;b&gt;inteligencia colectiv&lt;/b&gt;a como base del diseño, abogando por sistemas &lt;b&gt;"Do it yourself" y de recilaje &lt;/b&gt;(a pesar de que el libro es un manual de diseño en toda regla). Junto a &lt;b&gt;James Hennessey&lt;/b&gt; también en los 70 escribe &lt;b&gt;dos volúmenes de su "Nomadic Furniture"&lt;/b&gt;, catálogos de mobiliario a partir de sistemáticas Do it Yourself y reciclaje con planos y detalles para que cada uno pueda construirlos en su propio hogar.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Aquí algunas de las Inteligencias Colectivas de Papanek en "Design for a Real World":&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-NC-uMseu18Y/TtNG6gW03dI/AAAAAAAAGBA/LoU8XiCkxvM/s1600/papanek01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://4.bp.blogspot.com/-NC-uMseu18Y/TtNG6gW03dI/AAAAAAAAGBA/LoU8XiCkxvM/s400/papanek01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5679961525976358354" style="cursor: pointer; width: 400px; height: 277px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Cocina portátil de Jalisco hecha a base de matrículas caducadas.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-avF07xPKO94/TtNG6K1xUEI/AAAAAAAAGAw/pyl-fGExg5M/s1600/papanek02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://3.bp.blogspot.com/-avF07xPKO94/TtNG6K1xUEI/AAAAAAAAGAw/pyl-fGExg5M/s400/papanek02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5679961520200568898" style="cursor: pointer; width: 400px; height: 318px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Diseño para bombeo de agua reciclando un neumático.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-zDTmCHMkh90/TtNG55B_FrI/AAAAAAAAGAk/T6_b0X7Hyko/s1600/papanek03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://4.bp.blogspot.com/-zDTmCHMkh90/TtNG55B_FrI/AAAAAAAAGAk/T6_b0X7Hyko/s400/papanek03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5679961515419965106" style="cursor: pointer; width: 400px; height: 312px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Receptor de radio casero fabricado con un bote de zumo y parafina y una mecha como sistema energético.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-t9eyLlBQ96Y/TtNG5U9eYNI/AAAAAAAAGAY/h6nDMpFxCIw/s1600/papanek04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://1.bp.blogspot.com/-t9eyLlBQ96Y/TtNG5U9eYNI/AAAAAAAAGAY/h6nDMpFxCIw/s400/papanek04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5679961505737367762" style="cursor: pointer; width: 400px; height: 274px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Nomadic Furniture [portada y hoja interior]. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;+Info de Inteligencias Colectivas:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://www.inteligenciascolectivas.org/"&gt;http://www.inteligenciascolectivas.org/&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Design for the Real World [1972] Victor Papanek&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Nomadic Furniture [1973] James Hennessey + Victor Papanek&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Nomadic Furniture 2 [1974] James Hennessey + Victor Papanek&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6048125053153580427?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6048125053153580427/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6048125053153580427' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6048125053153580427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6048125053153580427'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/do-it-yourself-catalogo-design-for-real.html' title='DO IT YOURSELF. CATÁLOGO. Design for the Real World [1972] Victor Papanek / Nomadic Furniture I y II [1973] James Hennessey + Victor Papanek'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-NC-uMseu18Y/TtNG6gW03dI/AAAAAAAAGBA/LoU8XiCkxvM/s72-c/papanek01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5996787196212052650</id><published>2011-11-23T13:51:00.002+01:00</published><updated>2011-11-23T13:55:44.186+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='georgesco'/><category scheme='http://www.blogger.com/atom/ns#' term='cambio de escala'/><category scheme='http://www.blogger.com/atom/ns#' term='1967'/><category scheme='http://www.blogger.com/atom/ns#' term='1975'/><category scheme='http://www.blogger.com/atom/ns#' term='robert grosvenor'/><category scheme='http://www.blogger.com/atom/ns#' term='1965'/><title type='text'>Nuevas Estrategias. Recolocando lugares consolidados.</title><content type='html'>&lt;span class="Apple-style-span" &gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;Parece que una de las &lt;b&gt;obsesiones arquitectónicas&lt;/b&gt; más difundidas (en torno a la ciudad) es la de disponer de una totalidad y cambiarla de disposición / lugar / organigrama, como forma de mejorara sus condicionantes… Aquí dejo dos propuestas que operan de esta manera:&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;1975 Removal of Manhattan Island [Robert Grosvenor]&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Texto del autor:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;"The first of a series of projects dealing with:&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;1.The Removal of Manhattan&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;2.Trials to test the seaworthiness of the island&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;3.The reclamation of the island" (Robert Grosvenor)"&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-FLdpIxcEkEY/Tszso71lXfI/AAAAAAAAF_M/DCMT_uWNQpA/s1600/removal01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span" &gt;&lt;img src="http://3.bp.blogspot.com/-FLdpIxcEkEY/Tszso71lXfI/AAAAAAAAF_M/DCMT_uWNQpA/s400/removal01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678173418208714226" style="cursor: pointer; width: 400px; height: 294px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;1965 / 67 Relocation of Los Angeles [Harlan Georgesco]&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Propuesta para acabar con la dicotomía existente en una ciudad como Los Ángeles de centro densificado y periferia hiper-extensiva hasta el punto de destrozar los parajes naturales existentes. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Georgesco propone unas superestructuras de 90x90 metros de base y unos 190 metros de altura con bases multifuncionales y tipologías residenciales parecidas a las suburbiales (con pequeño jardí e incluso piscina), en una adpatación bizarra de los Inmuebles/Villa de Le Corbusier.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-jTWI9LjFQfw/TszsomI33QI/AAAAAAAAF-8/SzDA4m6vevQ/s1600/removal02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span" &gt;&lt;img src="http://4.bp.blogspot.com/-jTWI9LjFQfw/TszsomI33QI/AAAAAAAAF-8/SzDA4m6vevQ/s400/removal02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678173412384038146" style="cursor: pointer; width: 400px; height: 157px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-Bu_gXneHZ_Q/TszsovI9rKI/AAAAAAAAF-0/5eSZgwMTxtk/s1600/removal03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span" &gt;&lt;img src="http://2.bp.blogspot.com/-Bu_gXneHZ_Q/TszsovI9rKI/AAAAAAAAF-0/5eSZgwMTxtk/s400/removal03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678173414800338082" style="cursor: pointer; width: 400px; height: 297px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;UNBUILT AMERICA [1976] Alison Sky + Michelle Stone&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5996787196212052650?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5996787196212052650/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5996787196212052650' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5996787196212052650'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5996787196212052650'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/nuevas-estrategias-recolocando-lugares.html' title='Nuevas Estrategias. Recolocando lugares consolidados.'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-FLdpIxcEkEY/Tszso71lXfI/AAAAAAAAF_M/DCMT_uWNQpA/s72-c/removal01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-1252417851470049662</id><published>2011-11-22T15:42:00.003+01:00</published><updated>2011-11-22T15:46:01.450+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cuba'/><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='1964'/><category scheme='http://www.blogger.com/atom/ns#' term='d&apos;acosta'/><category scheme='http://www.blogger.com/atom/ns#' term='Cápsula Vivienda'/><category scheme='http://www.blogger.com/atom/ns#' term='industrialización'/><category scheme='http://www.blogger.com/atom/ns#' term='alvarez'/><title type='text'>Arquitectura Visionaria en CUBA. 1964 Asbestos Cement Housing System [D’Acosta + Álvarez]</title><content type='html'>&lt;span class="Apple-style-span" &gt;&lt;a href="http://1.bp.blogspot.com/-G5Qtq3T-F5Y/Tsu1BapSvXI/AAAAAAAAF-s/0UXtM4LmVLk/s1600/Asbestos01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 377px;" src="http://1.bp.blogspot.com/-G5Qtq3T-F5Y/Tsu1BapSvXI/AAAAAAAAF-s/0UXtM4LmVLk/s400/Asbestos01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677830791167655282" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;span class="Apple-style-span" &gt;Interesante propuesta nacida tras la proclamación de la &lt;b&gt;Revolución Cubana&lt;/b&gt; de la mano de Fidel Castro. Este &lt;b&gt;prototipo de vivienda&lt;/b&gt; presenta una serie de componentes de fibrocemento (como prototipo barato de lo que podría ser un sistema en GRP) con elementos de mobiliario incluidos con los que configurar una gran variedad de espacios formando una malla reticular ordenada. Su apariencia exterior&lt;b&gt; recuerda algunas propuestas de Haüsermann&lt;/b&gt; convertidas en un&lt;b&gt; sistema industrializado&lt;/b&gt;.Cabe destacar que ganó una mención en un concurso de vivienda organizado por el gobierno cubano, por lo cual &lt;b&gt;se construyó un prototipo de la misma.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;&lt;a href="http://2.bp.blogspot.com/-0FjdBftuKPM/Tsu1BHuMNgI/AAAAAAAAF-Y/qP9h8VUQMuY/s1600/Asbestos02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-0FjdBftuKPM/Tsu1BHuMNgI/AAAAAAAAF-Y/qP9h8VUQMuY/s400/Asbestos02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677830786087925250" style="cursor: pointer; width: 400px; height: 214px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-MSMcLrrufbM/Tsu1AzHMckI/AAAAAAAAF-Q/t3cTdfyl6YU/s1600/Asbestos03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-MSMcLrrufbM/Tsu1AzHMckI/AAAAAAAAF-Q/t3cTdfyl6YU/s400/Asbestos03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677830780555653698" style="cursor: pointer; width: 400px; height: 216px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Home Delivery. Fabricating de Modern Dwelling [Bergdoll + Christensen] 2008 MOMA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Bauwelt Mayo 1969 Número 18&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Bauen + Wohnen 1971 Heft 2 S.38&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-1252417851470049662?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/1252417851470049662/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=1252417851470049662' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1252417851470049662'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1252417851470049662'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/arquitectura-visionaria-en-cuba-1964.html' title='Arquitectura Visionaria en CUBA. 1964 Asbestos Cement Housing System [D’Acosta + Álvarez]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-G5Qtq3T-F5Y/Tsu1BapSvXI/AAAAAAAAF-s/0UXtM4LmVLk/s72-c/Asbestos01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-2342573532725683764</id><published>2011-11-21T09:16:00.003+01:00</published><updated>2011-11-21T09:19:33.420+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades topográficas'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><category scheme='http://www.blogger.com/atom/ns#' term='justus dahinden'/><title type='text'>1970 RADIO CITY [Justus Dahinden]</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://3.bp.blogspot.com/-H61TOicO73k/TsoJIKZCiAI/AAAAAAAAF8s/JFvQE5shwiQ/s1600/radio02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 238px;" src="http://3.bp.blogspot.com/-H61TOicO73k/TsoJIKZCiAI/AAAAAAAAF8s/JFvQE5shwiQ/s400/radio02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677360316086913026" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;Además de su célebre &lt;/span&gt;&lt;b&gt;"Estructuras Urbanas para el Futuro",&lt;/b&gt;&lt;span class="Apple-style-span"&gt; &lt;/span&gt;&lt;b&gt;Justus Dahinden&lt;/b&gt;&lt;span class="Apple-style-span"&gt; presenta un esquema de colinas habitadas en las que lo privado (residencial) construye una serie de laderas que albergan en su interior usoos públicos coronados por enormes cúpulas acristaladas. Este esquema también lo usaron ANT FARM en 1972 para su Convention City al utilizar la sección aterrazada (una de las clasificaciones principales de estructuras para el futuro del propio Dahinden) derivada del Movimiento Moderno.&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-TT-SpUvPzL4/TsoJIUFlsbI/AAAAAAAAF84/Whxn5aoPq7A/s1600/radio01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://3.bp.blogspot.com/-TT-SpUvPzL4/TsoJIUFlsbI/AAAAAAAAF84/Whxn5aoPq7A/s400/radio01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677360318689685938" style="cursor: pointer; width: 400px; height: 274px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-uYiMBv_APb8/TsoJICUpI_I/AAAAAAAAF8g/8t_e0CM7Ux4/s1600/radio03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-uYiMBv_APb8/TsoJICUpI_I/AAAAAAAAF8g/8t_e0CM7Ux4/s400/radio03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677360313920988146" style="cursor: pointer; width: 400px; height: 238px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Topologies. The Urban Utopia in France 196070 Larry Busbea 2007&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Estructuras urbanas para el futuro [1972] Justus Dahinden&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-2342573532725683764?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/2342573532725683764/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=2342573532725683764' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2342573532725683764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2342573532725683764'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/1970-radio-city-justus-dahinden.html' title='1970 RADIO CITY [Justus Dahinden]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-H61TOicO73k/TsoJIKZCiAI/AAAAAAAAF8s/JFvQE5shwiQ/s72-c/radio02blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-1740481099817796348</id><published>2011-11-17T11:28:00.004+01:00</published><updated>2011-11-17T11:38:58.817+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='colaboraciones'/><category scheme='http://www.blogger.com/atom/ns#' term='pkmn'/><category scheme='http://www.blogger.com/atom/ns#' term='eventos'/><title type='text'>Instalaciones Efímeras 2012 [ETSAM / UPM]</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;a href="http://2.bp.blogspot.com/-IO43YoT5HZ4/TsTjM_RU3zI/AAAAAAAAF7o/G47cErAYZoQ/s1600/ef%25C3%25ADmeras.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 299px;" src="http://2.bp.blogspot.com/-IO43YoT5HZ4/TsTjM_RU3zI/AAAAAAAAF7o/G47cErAYZoQ/s400/ef%25C3%25ADmeras.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5675911242675707698" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Si te interesan las&lt;/span&gt; Instalaciones Efímeras&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;… PKMN[pacman] / Arqueología del Futuro estará en el próximo curso de &lt;/span&gt;INSTALACIONES EFÍMERAS de la UPM&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Dirigido por &lt;/span&gt;Carmen Blasco&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;, &lt;/span&gt;Instalaciones Efímeras es un título propio de la UPM con 30ECTS&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; (del 18 de Enero al 31 de Julio de 2012), con 15 semanas de docencia, 6 de proyecto, 8 de prácticas y 1 de evaluación (entre las que se incluye un viaje al festival de Bellastock).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Carmelo Rodríguez  &lt;/span&gt;[PKMN / Arqueología del Futuro]&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; llevará junto a &lt;/span&gt;Jesús San Vicente&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; el Proyecto Fin de carrera de este Título Propio de la Universidad Politécnica de Madrid&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span style="font-weight: normal; "&gt;&lt;span class="Apple-style-span"  &gt;La inscripción al curso estará abierta hasta mediados de Diciembre!!!&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span style="font-weight: normal; "&gt;&lt;span class="Apple-style-span"  &gt;Aquí más información (para ver temas / charlas / iniciativas / profesores):&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://www.instalacionesefimeras.com/"&gt;http://www.instalacionesefimeras.com/&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  &gt;(Exposición en Nuevos Ministerios en el marco del curso):&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://www.efimeras.com/"&gt;http://www.efimeras.com/&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-1740481099817796348?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/1740481099817796348/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=1740481099817796348' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1740481099817796348'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1740481099817796348'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/instalaciones-efimeras-2012-etsam-upm.html' title='Instalaciones Efímeras 2012 [ETSAM / UPM]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-IO43YoT5HZ4/TsTjM_RU3zI/AAAAAAAAF7o/G47cErAYZoQ/s72-c/ef%25C3%25ADmeras.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6387804045091981105</id><published>2011-11-16T16:02:00.002+01:00</published><updated>2011-11-16T16:05:17.176+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='antropomorfismos'/><category scheme='http://www.blogger.com/atom/ns#' term='1972'/><category scheme='http://www.blogger.com/atom/ns#' term='ricardo porro'/><title type='text'>PERVERSIONES NATURALES. ANTROPOMORFISMOS 1972 Ciudad de Vacaciones en Vela Luca [Ricardo Porro]</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/--rHdtGetyk0/TsPQupgeK3I/AAAAAAAAF7Y/ovc09pv4Rls/s1600/porro01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 252px;" src="http://2.bp.blogspot.com/--rHdtGetyk0/TsPQupgeK3I/AAAAAAAAF7Y/ovc09pv4Rls/s400/porro01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5675609455251565426" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Sin duda alguna, el gran arquitecto cubano &lt;b&gt;Ricardo Porro&lt;/b&gt; (autor de la espectacular escuela de Arte de la Habana) ha sido uno de los más perversos en cuanto a &lt;b&gt;Antropomorfismos&lt;/b&gt; se refiere... ya en su proyecto de escuela infantil para Vaduz recrea un cuerpo humano en planta y en esta villa de vacaciones en Yugoslavia, el edificio de ocio principal (con restaurantes, centro comercial y espacios sociales y culturales) del conjunto se estructura como un señor orondo queriendo adentrarse en la bahía sobre la que se asienta todo el conjunto... &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architecture D'Aujourd'Hui [Nº162] [1972]&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/-9Zzq-OUemaE/TsPQuBM7f0I/AAAAAAAAF7M/YCsK3kK2AHE/s1600/porro02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 168px;" src="http://1.bp.blogspot.com/-9Zzq-OUemaE/TsPQuBM7f0I/AAAAAAAAF7M/YCsK3kK2AHE/s400/porro02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5675609444432183106" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-ipMsFCs19iI/TsPQtw7bbfI/AAAAAAAAF7A/XNfL3wjSYcI/s1600/porro03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 227px;" src="http://4.bp.blogspot.com/-ipMsFCs19iI/TsPQtw7bbfI/AAAAAAAAF7A/XNfL3wjSYcI/s400/porro03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5675609440063811058" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6387804045091981105?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6387804045091981105/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6387804045091981105' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6387804045091981105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6387804045091981105'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/perversiones-naturales-antropomorfismos_16.html' title='PERVERSIONES NATURALES. ANTROPOMORFISMOS 1972 Ciudad de Vacaciones en Vela Luca [Ricardo Porro]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/--rHdtGetyk0/TsPQupgeK3I/AAAAAAAAF7Y/ovc09pv4Rls/s72-c/porro01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5570946977331636252</id><published>2011-11-15T20:11:00.003+01:00</published><updated>2011-11-15T20:15:11.027+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mass media'/><category scheme='http://www.blogger.com/atom/ns#' term='metabolismo'/><category scheme='http://www.blogger.com/atom/ns#' term='kurokawa'/><category scheme='http://www.blogger.com/atom/ns#' term='nuevas estrategias'/><title type='text'>NUEVAS ESTRATEGIAS. HiperMEDIA [Kisho Kurokawa]</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1.bp.blogspot.com/-Gz6Log5YmRk/TsK5tTE_a-I/AAAAAAAAF6M/6FdiXF4HlK0/s1600/Kurokawa01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 268px;" src="http://1.bp.blogspot.com/-Gz6Log5YmRk/TsK5tTE_a-I/AAAAAAAAF6M/6FdiXF4HlK0/s400/Kurokawa01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5675302668306705378" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"  &gt;Quién esté interesado en el &lt;b&gt;movimiento metabolista&lt;/b&gt; tiene que comprarse ya el &lt;b&gt;"Project Japan. Metabolism talks..." [2011] de Rem Koolhaas y Hans Ulrich Obrist!!!&lt;/b&gt; Es brutal, sin duda alguna el mejor libro sobre este movimiento japonés que conozca...con material muy interesante proveniente de revistas exclusivamente en japonés que por lo menos en España son imposibles de encontrar...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Uno de los documentos que más me ha interesado ha sido el capítulo dedicado a la &lt;b&gt;imagen pública del gran Kisho Kurokawa &lt;/b&gt;en los mass media: desde reportajes en la &lt;b&gt;versión japonesa de Playboy&lt;/b&gt; hasta entrevistas con &lt;b&gt;Takeshi Kitano&lt;/b&gt; para explicarle su plan de Tokyo para 2025 (Vaya dos cracks!!!)!!! Nuevas estrategias... &lt;b&gt;HIPERMEDIA!!! &lt;/b&gt;(como prolongación de los "modernos", Corbu, Mies y compañía...&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-Zy1w-Dtd0Cs/TsK5tJo9ZBI/AAAAAAAAF6E/I2fQXa-LGQQ/s1600/Kurokawa02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-Zy1w-Dtd0Cs/TsK5tJo9ZBI/AAAAAAAAF6E/I2fQXa-LGQQ/s400/Kurokawa02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5675302665773212690" style="cursor: pointer; width: 400px; height: 312px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Project Japan, Metabolism Talks… [2011] Rem Koolhaas, Hans Ulrich Obrist&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5570946977331636252?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5570946977331636252/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5570946977331636252' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5570946977331636252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5570946977331636252'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/nuevas-estrategias-hipermedia-kisho.html' title='NUEVAS ESTRATEGIAS. HiperMEDIA [Kisho Kurokawa]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Gz6Log5YmRk/TsK5tTE_a-I/AAAAAAAAF6M/6FdiXF4HlK0/s72-c/Kurokawa01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6744431726402503616</id><published>2011-11-14T16:38:00.002+01:00</published><updated>2011-11-14T16:40:41.631+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='1973'/><category scheme='http://www.blogger.com/atom/ns#' term='1974'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='antropomorfismos'/><category scheme='http://www.blogger.com/atom/ns#' term='yamashita'/><title type='text'>Perversiones Naturales // ANTROPOMORFISMOS 1973/74  FACE HOUSE en Tokyo [Kazumasa Yamashita]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-KLHdg0PUhwg/TsE2I8o8LMI/AAAAAAAAF40/WR0aCEarz60/s1600/facehouse.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 226px;" src="http://3.bp.blogspot.com/-KLHdg0PUhwg/TsE2I8o8LMI/AAAAAAAAF40/WR0aCEarz60/s400/facehouse.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5674876532808232130" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-weight: normal; "  &gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;span class="Apple-style-span"  &gt;&lt;strong&gt;&lt;span style="font-weight: normal; "&gt;Vivienda diseñada por&lt;/span&gt;&lt;span&gt; Kazumasa Yamashita&lt;/span&gt;&lt;span style="font-weight: normal; "&gt; para un diseñador gráfica, su mujer y sus dos hijos… En esta ocasión el &lt;/span&gt;&lt;span&gt;antropomorfismo&lt;/span&gt;&lt;span style="font-weight: normal; "&gt; se genera a través de una composición casi gráfica en la disposición de la puerta y las ventanas y una nariz escultórica como chimenea improvisada… Continúan las perversiones naturales...&lt;/span&gt;&lt;/strong&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-weight: normal; "  &gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US"  &gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-weight: normal; "  &gt;Architecture D'Aujourd'Hui [Nº181] [1975]&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight:bold"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6744431726402503616?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6744431726402503616/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6744431726402503616' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6744431726402503616'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6744431726402503616'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/perversiones-naturales-antropomorfismos_14.html' title='Perversiones Naturales // ANTROPOMORFISMOS 1973/74  FACE HOUSE en Tokyo [Kazumasa Yamashita]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-KLHdg0PUhwg/TsE2I8o8LMI/AAAAAAAAF40/WR0aCEarz60/s72-c/facehouse.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5080052349720038940</id><published>2011-11-10T13:08:00.003+01:00</published><updated>2011-11-10T13:10:39.988+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='de feo'/><category scheme='http://www.blogger.com/atom/ns#' term='1971'/><category scheme='http://www.blogger.com/atom/ns#' term='supergráfica'/><category scheme='http://www.blogger.com/atom/ns#' term='nuevas estrategias'/><title type='text'>NUEVAS ESTRATEGIAS. Hipergráfica. 1971 Concurso para una estación de Servicio ESSO [Vittorio de Feo]</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-RXXKLB0xY7A/Tru-6Xc7QoI/AAAAAAAAF3k/gGwE1ogvhbQ/s1600/essoblog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 245px;" src="http://2.bp.blogspot.com/-RXXKLB0xY7A/Tru-6Xc7QoI/AAAAAAAAF3k/gGwE1ogvhbQ/s400/essoblog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5673338065540301442" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;Interesante propuesta de &lt;/span&gt;&lt;b&gt;Vittorio de Feo&lt;/b&gt;&lt;span class="Apple-style-span"&gt; (que olvidados están algunos arquitectos italianos de los sesenta/setenta!!!) en la que utiliza esa estrategia tan POP de&lt;/span&gt;&lt;b&gt; transformar un edificio&lt;/b&gt;&lt;span class="Apple-style-span"&gt; (en este caso una gasolinera) en una &lt;/span&gt;&lt;b&gt;supergráfica&lt;/b&gt;&lt;span class="Apple-style-span"&gt;!!!! Hubo vida en Italia (en los setenta) más allá de Superstudio y Archizoom!! Nuevas estrategias.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Bibliografía:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architecture D'Aujourd'Hui [Nº181] [1975]&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5080052349720038940?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5080052349720038940/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5080052349720038940' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5080052349720038940'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5080052349720038940'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/nuevas-estrategias-hipergrafica-1971.html' title='NUEVAS ESTRATEGIAS. Hipergráfica. 1971 Concurso para una estación de Servicio ESSO [Vittorio de Feo]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-RXXKLB0xY7A/Tru-6Xc7QoI/AAAAAAAAF3k/gGwE1ogvhbQ/s72-c/essoblog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5029436805946761300</id><published>2011-11-07T10:32:00.004+01:00</published><updated>2011-11-07T10:46:26.844+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='john frazer'/><category scheme='http://www.blogger.com/atom/ns#' term='peter colomb'/><category scheme='http://www.blogger.com/atom/ns#' term='AA'/><title type='text'>La Movilidad como opción de futuro. 1969 Unfolding Caravan [Peter Colomb + John Frazer]</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-SFqSKL7RvLc/TremKveNU7I/AAAAAAAAF1Q/X1vYxla2Wik/s1600/unfolding01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 315px;" src="http://1.bp.blogspot.com/-SFqSKL7RvLc/TremKveNU7I/AAAAAAAAF1Q/X1vYxla2Wik/s400/unfolding01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5672184959168500658" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;Los ejercicios de &lt;/span&gt;&lt;b&gt;1968 a 1971&lt;/b&gt;&lt;span class="Apple-style-span"&gt; de la&lt;/span&gt;&lt;b&gt; AA dirigidos por Peter Cook&lt;/b&gt;&lt;span class="Apple-style-span"&gt; presentan una serie de posibilidades de equipamientos móviles (desde viviendas, hospitales a nuevas comunidades) muy interesante. Esta caravana intenta generar nuevas capacidades espaciales partiendo de un estudio de las posibilidades de mercado. En este sentido presenta un esquema de sistemas desplegables y utilización de las instalaciones muy interesante.&lt;/span&gt;&lt;b&gt; La Movilidad como opción de futuro.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://4.bp.blogspot.com/-YIDfWijtjVI/TremJ9IDZaI/AAAAAAAAF1A/NF0dsh1ZRtA/s1600/unfolding02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-YIDfWijtjVI/TremJ9IDZaI/AAAAAAAAF1A/NF0dsh1ZRtA/s400/unfolding02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5672184945653802402" style="cursor: pointer; width: 400px; height: 156px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-o_nvXHYYYQo/TremJ7JtrrI/AAAAAAAAF00/34JO8_5mXH4/s1600/unfolding03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-o_nvXHYYYQo/TremJ7JtrrI/AAAAAAAAF00/34JO8_5mXH4/s400/unfolding03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5672184945123897010" style="cursor: pointer; width: 400px; height: 252px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;PROJECTS ARCHITECTURAL ASSOCIATION 1946-71 (1972) Edited by James Gowan&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5029436805946761300?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5029436805946761300/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5029436805946761300' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5029436805946761300'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5029436805946761300'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/la-movilidad-como-opcion-de-futuro-1969.html' title='La Movilidad como opción de futuro. 1969 Unfolding Caravan [Peter Colomb + John Frazer]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-SFqSKL7RvLc/TremKveNU7I/AAAAAAAAF1Q/X1vYxla2Wik/s72-c/unfolding01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5556844533165988539</id><published>2011-11-04T13:44:00.002+01:00</published><updated>2011-11-04T13:48:25.792+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1979'/><category scheme='http://www.blogger.com/atom/ns#' term='gaetano pesce'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='antropomorfismos'/><category scheme='http://www.blogger.com/atom/ns#' term='1980'/><category scheme='http://www.blogger.com/atom/ns#' term='1978'/><title type='text'>PERVERSIONES NATURALES. Antropomorfismos por Gaetano Pesce II. Concursos de Arquitectura.</title><content type='html'>&lt;span class="Apple-style-span" &gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;Además de su trabajo &lt;/span&gt;&lt;b style="font-family: arial; "&gt;antropomórfico figurativo en relación al mobiliario urbano&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;, &lt;/span&gt;&lt;b style="font-family: arial; "&gt;Gaetano Pesce&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt; también a usado la&lt;/span&gt;&lt;b style="font-family: arial; "&gt; figura humana o partes de ésta en la configuración de partes de sus proyectos&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt; presentados a Concursos Internacionales. Aquí dejo algunos de los más interesantes:&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;1980 Concurso del Chicago Tribune [Gaetano Pesce]&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Pesce usa las concavidades de orejas y bocas para generar espacios intersticiales entre elementos de comunicación que tiene una fuerte presencia en la fachada.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-uUhYJ-2mJPs/TrPe2ztP_vI/AAAAAAAAF0Y/41evVGuSjng/s1600/pesce01proyectos.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span" &gt;&lt;img src="http://4.bp.blogspot.com/-uUhYJ-2mJPs/TrPe2ztP_vI/AAAAAAAAF0Y/41evVGuSjng/s400/pesce01proyectos.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5671121388963888882" style="cursor: pointer; width: 400px; height: 370px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;1979 Concurso para Les Halles [Gaetano Pesce]&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Pesce usa una figura humana para generar la topografía de la plaza (zona superficial de todo un complejo enterrado). Las piernas le servirán para la construcción de los edificios más altos de oficinas y otros servicios.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;&lt;a href="http://3.bp.blogspot.com/-Eucz4V8vrQw/TrPe25r2KEI/AAAAAAAAF0Q/3vdr1fn5W14/s1600/pesce02proyectos.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-Eucz4V8vrQw/TrPe25r2KEI/AAAAAAAAF0Q/3vdr1fn5W14/s400/pesce02proyectos.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5671121390568613954" style="cursor: pointer; width: 400px; height: 307px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/--JsCThg9HH0/TrPe2HVtHEI/AAAAAAAAF0I/J1JJKIz5rWs/s1600/pesce03proyectos.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/--JsCThg9HH0/TrPe2HVtHEI/AAAAAAAAF0I/J1JJKIz5rWs/s400/pesce03proyectos.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5671121377053973570" style="cursor: pointer; width: 400px; height: 140px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;1978 Rascacielos en Nueva York [Gaetano Pesce]&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En este proyecto todo el voolumen se compone como una yuxtaposición de miembros pertenecientes a un cuerpo humano, narices, troncos, brazos... que van a apereciendo a diversas escalas sustituyendo a diferentes elementos arquitectónicos.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;&lt;a href="http://1.bp.blogspot.com/-me_qLrt2Pxg/TrPe1xDwWqI/AAAAAAAAFz0/xPeEgFyUXBQ/s1600/pesce04proyectos.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-me_qLrt2Pxg/TrPe1xDwWqI/AAAAAAAAFz0/xPeEgFyUXBQ/s400/pesce04proyectos.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5671121371073108642" style="cursor: pointer; width: 400px; height: 266px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-CKlCryjCiq0/TrPe1ow5tPI/AAAAAAAAFzs/fZmL8d-6-As/s1600/pesce05proyectos.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-CKlCryjCiq0/TrPe1ow5tPI/AAAAAAAAFzs/fZmL8d-6-As/s400/pesce05proyectos.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5671121368846546162" style="cursor: pointer; width: 400px; height: 209px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architecture D'Aujourd'Hui [Nº241] [1985]&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5556844533165988539?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5556844533165988539/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5556844533165988539' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5556844533165988539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5556844533165988539'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/perversiones-naturales-antropomorfismos_04.html' title='PERVERSIONES NATURALES. Antropomorfismos por Gaetano Pesce II. Concursos de Arquitectura.'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-uUhYJ-2mJPs/TrPe2ztP_vI/AAAAAAAAF0Y/41evVGuSjng/s72-c/pesce01proyectos.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-2549983026639170014</id><published>2011-11-03T10:33:00.002+01:00</published><updated>2011-11-03T10:37:40.146+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cambio de escala'/><category scheme='http://www.blogger.com/atom/ns#' term='gaetano pesce'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='cambio de pensamiento'/><category scheme='http://www.blogger.com/atom/ns#' term='antropomorfismos'/><category scheme='http://www.blogger.com/atom/ns#' term='1980'/><title type='text'>PERVERSIONES NATURALES. Antropomorfismos por Gaetano Pesce I. MOBILIARIO.</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;Una de las &lt;/span&gt;&lt;b&gt;perversiones naturales&lt;/b&gt;&lt;span class="Apple-style-span"&gt; más eficaces!!! El &lt;/span&gt;&lt;b&gt;antropomorfismo!.&lt;/b&gt;&lt;span class="Apple-style-span"&gt; &lt;/span&gt;&lt;b&gt;Gaetano Pesce &lt;/b&gt;&lt;span class="Apple-style-span"&gt;sin duda alguna lo ha practicado en todas sus versiones, aquí dejo sus &lt;/span&gt;&lt;b&gt;objetos de mobiliario basados en partes del cuerpo con distintas variaciones de escala&lt;/b&gt;&lt;span class="Apple-style-span"&gt; por parte de los mismos.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Pugno all'architettura [1980]&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Pequeña lámpara de bronce basado en una mano a escala real.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-3_TRAb5cvWg/TrJgjv6gsYI/AAAAAAAAFyg/e55Mv0qQjbE/s1600/pesce01mobiliario.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://3.bp.blogspot.com/-3_TRAb5cvWg/TrJgjv6gsYI/AAAAAAAAFyg/e55Mv0qQjbE/s400/pesce01mobiliario.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670701048086442370" style="cursor: pointer; width: 400px; height: 330px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Il Pugno [1980]&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Mano aumentada de escala como forma de generar un sillón.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-9D-6kn2TD9o/TrJgjXwwl_I/AAAAAAAAFyU/MwJQeTmLcTg/s1600/pesce02mobiliario.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-9D-6kn2TD9o/TrJgjXwwl_I/AAAAAAAAFyU/MwJQeTmLcTg/s400/pesce02mobiliario.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670701041603090418" style="cursor: pointer; width: 400px; height: 268px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architecture D'Aujourd'Hui [Nº241] [1985]&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-2549983026639170014?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/2549983026639170014/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=2549983026639170014' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2549983026639170014'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2549983026639170014'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/perversiones-naturales-antropomorfismos.html' title='PERVERSIONES NATURALES. Antropomorfismos por Gaetano Pesce I. MOBILIARIO.'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-3_TRAb5cvWg/TrJgjv6gsYI/AAAAAAAAFyg/e55Mv0qQjbE/s72-c/pesce01mobiliario.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3906929804152692052</id><published>2011-11-02T10:28:00.003+01:00</published><updated>2011-11-02T10:36:14.329+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='pop'/><category scheme='http://www.blogger.com/atom/ns#' term='perversión'/><category scheme='http://www.blogger.com/atom/ns#' term='jencks'/><category scheme='http://www.blogger.com/atom/ns#' term='1979'/><category scheme='http://www.blogger.com/atom/ns#' term='bizarro'/><title type='text'>BIZARRE ARCHITECTURE [1979] Charles Jencks</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-Rd4AZhp2mok/TrEOZnK9-DI/AAAAAAAAFyE/WsCVilzkv-w/s1600/bizarre01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 324px;" src="http://3.bp.blogspot.com/-Rd4AZhp2mok/TrEOZnK9-DI/AAAAAAAAFyE/WsCVilzkv-w/s400/bizarre01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670329239010670642" /&gt;&lt;/a&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: small; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En pleno Postmodernismo, tendenzas y demás cuestiones estilíticas, &lt;b&gt;Charles Jencks&lt;/b&gt; se desmarca con su &lt;b&gt;"Bizarre Architecture"&lt;/b&gt; como concepto para definir arquitecturas&lt;b&gt; "distintas", "no convencionales".&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;A partir de las&lt;b&gt; Fantastic Architectures&lt;/b&gt; de &lt;b&gt;Conrad y Sperlich&lt;/b&gt;, Jencks genera una serie de clasificaciones, partiendo del &lt;b&gt;carácter híbrido, heterogéneo y desinhibido&lt;/b&gt; de esatas arquitecturas: &lt;b&gt;Yuxtaposiciones bizarras&lt;/b&gt; (con arquitecturas de Walt Disney, Ferdinand Cheval, Simon Rodia o SITE), &lt;b&gt;Fantasías eclécticas&lt;/b&gt; (desde los rascacielos de Moscú de Stalin a Hotel Megaro Emperor de Tokyo),&lt;b&gt; Fantasías tecnológicas&lt;/b&gt; (con obras de Yoji Watanabe y sus Sky Buildings o el Pompidou), &lt;b&gt;Fantasías geométricas&lt;/b&gt; (con Wright, Paolo Portoghesi y Eisenman como exponentes), &lt;b&gt;Expresionismo animalórfico&lt;/b&gt; (como el del gran Rudolf Stenier o las casa que parecen caras, pasando por Bruce Goff)&lt;b&gt; y los Delirios corporativos&lt;/b&gt; (con zapaterías en forma de zapatos y grandes donuts comoo puertas de entrada). Un paso más del que ya había dado Venturi... hacía el bizarrismo (por cierto a la orden del día en la actualidad!!!!)&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-gC6PmZRaK0M/TrENnFHpRMI/AAAAAAAAFx0/Bz49qYz3naY/s1600/bizarre02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 358px;" src="http://1.bp.blogspot.com/-gC6PmZRaK0M/TrENnFHpRMI/AAAAAAAAFx0/Bz49qYz3naY/s400/bizarre02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670328370876466370" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-RDKOjW3CWTU/TrENmtcyudI/AAAAAAAAFxs/GNOI-bhDECw/s1600/bizarre03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 336px;" src="http://4.bp.blogspot.com/-RDKOjW3CWTU/TrENmtcyudI/AAAAAAAAFxs/GNOI-bhDECw/s400/bizarre03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670328364522715602" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-NQWi9KvcG3s/TrENmICt_4I/AAAAAAAAFxc/iGxHywrfw08/s1600/bizarre04blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 344px;" src="http://1.bp.blogspot.com/-NQWi9KvcG3s/TrENmICt_4I/AAAAAAAAFxc/iGxHywrfw08/s400/bizarre04blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670328354481241986" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-A340UmRfU0Q/TrENl3UC0lI/AAAAAAAAFxM/SSGJM8SXWmU/s1600/bizarre05blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 322px;" src="http://1.bp.blogspot.com/-A340UmRfU0Q/TrENl3UC0lI/AAAAAAAAFxM/SSGJM8SXWmU/s400/bizarre05blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670328349990507090" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-J14dDT5HLNA/TrENloO-8LI/AAAAAAAAFxE/U9KRCNjrMC0/s1600/bizarre06blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 324px;" src="http://4.bp.blogspot.com/-J14dDT5HLNA/TrENloO-8LI/AAAAAAAAFxE/U9KRCNjrMC0/s400/bizarre06blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670328345942749362" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: small; "&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: small; "&gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;BIZARRE ARCHITECTURE [1979] Charles Jencks&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3906929804152692052?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3906929804152692052/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3906929804152692052' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3906929804152692052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3906929804152692052'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/11/bizarre-architecture-1979-charles.html' title='BIZARRE ARCHITECTURE [1979] Charles Jencks'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Rd4AZhp2mok/TrEOZnK9-DI/AAAAAAAAFyE/WsCVilzkv-w/s72-c/bizarre01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4841944557345376191</id><published>2011-10-31T12:02:00.002+01:00</published><updated>2011-10-31T12:06:31.781+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='universidad del futuro'/><category scheme='http://www.blogger.com/atom/ns#' term='ant farm'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><category scheme='http://www.blogger.com/atom/ns#' term='1971'/><category scheme='http://www.blogger.com/atom/ns#' term='movilidad'/><title type='text'>LA MOVILIDAD COMO OPCIÓN DE FUTURO. 1970/71MEDIA VAN</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Usada por los ANT FARM como centro de operaciones para su &lt;b&gt;Truckstop Tour [1970/71],&lt;/b&gt; viaje de cuatro meses por Universidades e Institutos de San Francisco, en los que realizan performances, exposiciones y montan estructuras neumáticas como su famosa ICE-9.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;La Movilidad como opción de futuro&lt;/b&gt; relacionada con usos pedagógicos. Ver también: El &lt;a href="http://arqueologiadelfuturo.blogspot.com/2011/05/la-movilidad-como-opcion-de-futuro.html"&gt;&lt;b&gt;Polyark Tour Bus de la AA&lt;/b&gt;&lt;/a&gt; de 1973. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://3.bp.blogspot.com/-sS62gXseb_M/Tq6BBIzmXmI/AAAAAAAAFvU/6GFtanwJZnY/s1600/mediavan01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-sS62gXseb_M/Tq6BBIzmXmI/AAAAAAAAFvU/6GFtanwJZnY/s400/mediavan01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5669610837449793122" style="cursor: pointer; width: 400px; height: 276px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-k7VRT0Cv21E/Tq6BBHbCizI/AAAAAAAAFvM/GLUPsz0MncA/s1600/mediavan02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-k7VRT0Cv21E/Tq6BBHbCizI/AAAAAAAAFvM/GLUPsz0MncA/s400/mediavan02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5669610837078346546" style="cursor: pointer; width: 400px; height: 283px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;ANT FARM Berkeley Museum HYX Editions [2007]&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4841944557345376191?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4841944557345376191/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4841944557345376191' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4841944557345376191'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4841944557345376191'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/la-movilidad-como-opcion-de-futuro.html' title='LA MOVILIDAD COMO OPCIÓN DE FUTURO. 1970/71MEDIA VAN'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-sS62gXseb_M/Tq6BBIzmXmI/AAAAAAAAFvU/6GFtanwJZnY/s72-c/mediavan01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4777157015855250876</id><published>2011-10-27T18:46:00.001+02:00</published><updated>2011-10-27T18:48:26.177+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='dispositivos domésticos'/><category scheme='http://www.blogger.com/atom/ns#' term='ant farm'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><title type='text'>DISPOSITIVOS DOMÉSTICOS 1969 ELECTRONIC OASIS [Ant Farm]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-E6KKHKmHSEc/TqmLKjXlraI/AAAAAAAAFtk/4qAd2U-7WZg/s1600/oasis01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 258px;" src="http://3.bp.blogspot.com/-E6KKHKmHSEc/TqmLKjXlraI/AAAAAAAAFtk/4qAd2U-7WZg/s400/oasis01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5668214619431611810" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Propuesta no realizada de &lt;b&gt;Ant Farm para la Bienal de París de 1969&lt;/b&gt; denominada como &lt;b&gt;ELECTRONIC OASIS&lt;/b&gt;, un lugar para las &lt;b&gt;nuevas tribus nómadas de la ciudad Global contemporánea. &lt;/b&gt;Una especie de dispositivo doméstico cibernético que se encontraba siempre en construcción... Al final mandaron a la Bienal una Cápsula del tiempo con souvenirs americanos encontrados durante ese año de 1969.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design October 1969&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4777157015855250876?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4777157015855250876/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4777157015855250876' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4777157015855250876'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4777157015855250876'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/dispositivos-domesticos-1969-electronic.html' title='DISPOSITIVOS DOMÉSTICOS 1969 ELECTRONIC OASIS [Ant Farm]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-E6KKHKmHSEc/TqmLKjXlraI/AAAAAAAAFtk/4qAd2U-7WZg/s72-c/oasis01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7291567384127759061</id><published>2011-10-26T11:16:00.002+02:00</published><updated>2011-10-26T11:20:15.819+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades computerizadas'/><category scheme='http://www.blogger.com/atom/ns#' term='AA'/><category scheme='http://www.blogger.com/atom/ns#' term='peter cook'/><title type='text'>1969 Burotel and Dream City [Graham Shane]</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1.bp.blogspot.com/-sRTtWa20EDI/TqfQpEVjVwI/AAAAAAAAFtM/P68lutTzSkk/s1600/Dreamcity01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 321px;" src="http://1.bp.blogspot.com/-sRTtWa20EDI/TqfQpEVjVwI/AAAAAAAAFtM/P68lutTzSkk/s400/Dreamcity01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5667728060026410754" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;El &lt;b&gt;Burotel / Dream City&lt;/b&gt; es un edificio híbrido de estructura neumática que se inserta en el tejido urbano de Farringdon Road en Londres.A partir de una serie de módulos de equipamiento, &lt;b&gt;Graham Shane&lt;/b&gt; va generando diversos programas en este ejercicio de 5ºcurso de la &lt;b&gt;AA [Architectural Association].&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Es notable la influencia de&lt;b&gt; Peter Cook&lt;/b&gt; en gran parte de los ejercicios seleccionados en el catálogo de proyectos. Es interesante la relación de estos con muchos de los proyectos realizados en diversas facultades de arquitectura españolas durante los últimos 5 años. Verdaderamente una &lt;b&gt;Arqueología del Futuro.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://2.bp.blogspot.com/-lrPFdoLURfk/TqfQo-GZmjI/AAAAAAAAFtE/qjQWCJajHek/s1600/Dreamcity02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-lrPFdoLURfk/TqfQo-GZmjI/AAAAAAAAFtE/qjQWCJajHek/s400/Dreamcity02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5667728058352245298" style="cursor: pointer; width: 400px; height: 288px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-hL7YlVWJkFA/TqfQoprpU5I/AAAAAAAAFs4/MqXrTyZNNR8/s1600/Dreamcity03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-hL7YlVWJkFA/TqfQoprpU5I/AAAAAAAAFs4/MqXrTyZNNR8/s400/Dreamcity03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5667728052871320466" style="cursor: pointer; width: 400px; height: 262px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;PROJECTS ARCHITECTURAL ASSOCIATION 1946-71 (1972) Edited by James Gowan&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7291567384127759061?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7291567384127759061/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7291567384127759061' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7291567384127759061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7291567384127759061'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/1969-burotel-and-dream-city-graham.html' title='1969 Burotel and Dream City [Graham Shane]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-sRTtWa20EDI/TqfQpEVjVwI/AAAAAAAAFtM/P68lutTzSkk/s72-c/Dreamcity01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5807375745838335477</id><published>2011-10-25T18:36:00.005+02:00</published><updated>2011-10-25T18:46:52.921+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dispositivos domésticos'/><category scheme='http://www.blogger.com/atom/ns#' term='1967'/><category scheme='http://www.blogger.com/atom/ns#' term='takis zenetos'/><title type='text'>DISPOSITIVOS DOMÉSTICOS. 1967 Body Carrier [Takis Zenetos] Electronic Urbanism 1962/74</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-O_UgEGTRLRk/TqbndFAcsAI/AAAAAAAAFsY/CG9HWpL5bos/s1600/body01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 215px;" src="http://1.bp.blogspot.com/-O_UgEGTRLRk/TqbndFAcsAI/AAAAAAAAFsY/CG9HWpL5bos/s400/body01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5667471667838627842" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;El &lt;b&gt;Body Carrier &lt;/b&gt;es una especie de lugar de interconexión entre el individuo y su entorno utilizado por &lt;b&gt;Takis Zenetos&lt;/b&gt; en alguna de sus propuestas de su famoso &lt;b&gt;Electronic Urbanism.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;A modo de silla que se adapta a las distintas posturas corporales, el &lt;b&gt;Body Carrier&lt;/b&gt; se presenta protegido por una doble membrana transparente que se hace opaca mediante la activación de un líquido que fluye entre ambas. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Dentro de este &lt;b&gt;dispositivo doméstico&lt;/b&gt; aparecen equipos de televisión y transmisión de voz, aire acondicionado, iluminación a partir de activación eléctrica de partículas de fósforo...&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://2.bp.blogspot.com/-6nP5dG1wwMw/TqbncqIn9aI/AAAAAAAAFsM/H2HrUVGWDXE/s1600/body02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-6nP5dG1wwMw/TqbncqIn9aI/AAAAAAAAFsM/H2HrUVGWDXE/s400/body02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5667471660625163682" style="cursor: pointer; width: 400px; height: 228px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/--Y4bvqwid1k/TqbncgFDnmI/AAAAAAAAFsA/LrKB2PaOsjM/s1600/body03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/--Y4bvqwid1k/TqbncgFDnmI/AAAAAAAAFsA/LrKB2PaOsjM/s400/body03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5667471657925844578" style="cursor: pointer; width: 400px; height: 199px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Es interesante la idea primigenia de Zenetos de un habitáculo adaptado a una megaestructura en la que la vegetación parece como protagonista, planteamiento muy similar a algunas de las propuestas habitacionales de Peter Cook... Aquí la &lt;b&gt;&lt;a href="http://arqueologiadelfuturo.blogspot.com/2010/01/1996-veg-house-peter-cook.html"&gt;Vegg House&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-8fEEcg0bWI0/TqbndY7IpoI/AAAAAAAAFso/_L8qLrw_qJQ/s1600/body00.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-8fEEcg0bWI0/TqbndY7IpoI/AAAAAAAAFso/_L8qLrw_qJQ/s400/body00.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5667471673185052290" style="cursor: pointer; width: 400px; height: 251px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Quién quiera profundizar sobre el gran Takis Zenetos y su Electronic Urbanism que no dude en visitar estas dos páginas (trabajos de investigación de Ethel Baraona // dpr-Barcelona):&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://takiszenetos.tumblr.com/"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;http://takiszenetos.tumblr.com/&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://dprbcn.wordpress.com/2010/01/16/takis-zenetos-electronic-urbanism/"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;http://dprbcn.wordpress.com/2010/01/16/takis-zenetos-electronic-urbanism/&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Takis Zenetos. Visioni digitali, architetture costruire [2006]Dimitris Papalexopoulos + Eleni Kalafati&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5807375745838335477?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5807375745838335477/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5807375745838335477' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5807375745838335477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5807375745838335477'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/dispositivos-domesticos-1967-body.html' title='DISPOSITIVOS DOMÉSTICOS. 1967 Body Carrier [Takis Zenetos] Electronic Urbanism 1962/74'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-O_UgEGTRLRk/TqbndFAcsAI/AAAAAAAAFsY/CG9HWpL5bos/s72-c/body01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6155822516316866714</id><published>2011-10-06T11:34:00.002+02:00</published><updated>2011-10-06T12:42:04.764+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1964'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><category scheme='http://www.blogger.com/atom/ns#' term='pelli'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><title type='text'>PERVERSIONES NATURALES. Montañas artificiales. 1964 Sunset Mountain [Pelli + Lumdsen]</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-GhwAhIMl_Lg/To12czgtnvI/AAAAAAAAFkw/SFa8wM5VLXo/s1600/sunset01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 88px;" src="http://4.bp.blogspot.com/-GhwAhIMl_Lg/To12czgtnvI/AAAAAAAAFkw/SFa8wM5VLXo/s400/sunset01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5660310543910412018" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;La reconstrucción de laderas de las montañas con otras arquitecturas a modo de perversión natural es sin duda una de las posturas más utilizadas en este campo. La Sunset Mountain es una ciudad diseñada por Pelli y Lumdsen en la que situan el centro urbano en la zona más elevada y al que llegan todas las comunicaciones, albergando los usos comunitarios (oficinas, hoteles, teatros...) hiperdensificados para generar todo el sistema de viviendas en la ladera de la montaña.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; "&gt;&lt;a href="http://2.bp.blogspot.com/-CdMGMxuxuDs/To12csBgsPI/AAAAAAAAFko/SVOAaImNP_0/s1600/sunset02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-CdMGMxuxuDs/To12csBgsPI/AAAAAAAAFko/SVOAaImNP_0/s400/sunset02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5660310541900493042" style="cursor: pointer; width: 400px; height: 145px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-C6aB48ugQe4/To12cotPzMI/AAAAAAAAFkg/rJ-SnP7rzQc/s1600/sunset03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-C6aB48ugQe4/To12cotPzMI/AAAAAAAAFkg/rJ-SnP7rzQc/s400/sunset03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5660310541010193602" style="cursor: pointer; width: 400px; height: 197px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-dDZ9rOKrq1Q/To12cTOEPtI/AAAAAAAAFkY/cSThvalX5ak/s1600/sunset04blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-dDZ9rOKrq1Q/To12cTOEPtI/AAAAAAAAFkY/cSThvalX5ak/s400/sunset04blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5660310535242268370" style="cursor: pointer; width: 400px; height: 294px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Megaestructuras Futuro Urbano del pasado reciente [1976] Reyner Banham&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Estructuras Urbanas para el Futuro Justus Dahinden [1972]&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;New Directions in American Architecture [1969] Robert A M Stern&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6155822516316866714?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6155822516316866714/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6155822516316866714' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6155822516316866714'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6155822516316866714'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/perversiones-naturales-montanas.html' title='PERVERSIONES NATURALES. Montañas artificiales. 1964 Sunset Mountain [Pelli + Lumdsen]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-GhwAhIMl_Lg/To12czgtnvI/AAAAAAAAFkw/SFa8wM5VLXo/s72-c/sunset01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3062139487003015448</id><published>2011-10-05T10:49:00.003+02:00</published><updated>2011-10-05T10:51:36.683+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='aviones'/><category scheme='http://www.blogger.com/atom/ns#' term='catálogo'/><title type='text'>CATÁLOGOS ENCONTRADOS. 1965 Interiores de avión</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Sin duda alguna, la catalogación es una de las ovbsesiones principales de &lt;b&gt;Arqueología del Futuro.&lt;/b&gt;Esta recopilación de interiores de avión es otro de esos catálogos encontrados que permiten el análisis sistemático a partir de la catalogación exhaustiva de un grupo de elementos.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-I7Bn1Oep7Yg/TowaVn31ZOI/AAAAAAAAFkQ/CHTZaBe-fvM/s1600/plane01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-I7Bn1Oep7Yg/TowaVn31ZOI/AAAAAAAAFkQ/CHTZaBe-fvM/s400/plane01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659927790480614626" style="cursor: pointer; width: 400px; height: 285px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-hwSzsC4b5cI/TowaVSYyY9I/AAAAAAAAFkI/U9z51Wnq-Gs/s1600/plane02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-hwSzsC4b5cI/TowaVSYyY9I/AAAAAAAAFkI/U9z51Wnq-Gs/s400/plane02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659927784713249746" style="cursor: pointer; width: 400px; height: 285px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-J4lb3u2H5Dg/TowaVCKuaSI/AAAAAAAAFkA/tZz-58HMxuU/s1600/plane03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-J4lb3u2H5Dg/TowaVCKuaSI/AAAAAAAAFkA/tZz-58HMxuU/s400/plane03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659927780359301410" style="cursor: pointer; width: 400px; height: 285px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-RK7Ek-0ygrg/TowaVExyISI/AAAAAAAAFj4/e8uKe-kvZRw/s1600/plane04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-RK7Ek-0ygrg/TowaVExyISI/AAAAAAAAFj4/e8uKe-kvZRw/s400/plane04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659927781059993890" style="cursor: pointer; width: 400px; height: 285px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;DESIGN Septiembre 1965&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3062139487003015448?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3062139487003015448/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3062139487003015448' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3062139487003015448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3062139487003015448'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/catalogos-encontrados-1965-interiores.html' title='CATÁLOGOS ENCONTRADOS. 1965 Interiores de avión'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-I7Bn1Oep7Yg/TowaVn31ZOI/AAAAAAAAFkQ/CHTZaBe-fvM/s72-c/plane01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5749827617818920852</id><published>2011-10-04T10:55:00.000+02:00</published><updated>2011-10-04T10:56:01.458+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='Architectural Design'/><category scheme='http://www.blogger.com/atom/ns#' term='dispositivos domésticos'/><category scheme='http://www.blogger.com/atom/ns#' term='inventos'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><title type='text'>DISPOSITIVOS DOMÉSTICOS. 1970 Magic Carpet [Dole Electro System]</title><content type='html'>&lt;span class="Apple-style-span" &gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-NblNo9XjPQU/TorJTmwL-WI/AAAAAAAAFjY/MGXi0EBZUaU/s1600/magicarpet01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-NblNo9XjPQU/TorJTmwL-WI/AAAAAAAAFjY/MGXi0EBZUaU/s400/magicarpet01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659557220401805666" style="cursor: pointer; width: 379px; height: 400px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;span class="Apple-style-span" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;span class="Apple-style-span" &gt;Interesante sistema &lt;b&gt;[Magic Carpet]&lt;/b&gt; en pos de una mayor &lt;b&gt;flexibilidad de los paratos eléctricos en el hogar.&lt;/b&gt;Esta moqueta mágica presenta una lámina de FOAM conductora de bajo voltaje entre dos láminas metálicas que permite conectar un transformador específico que convierte de 25 a 100v y poder así enchufar en él cualquier cacharro eléctrico que se tercie. En la noticia se esperaba que el invento se comercializase en 18 meses!!! Yo no conozco los campos de evolución de este sistema o si algún niño quedó electrocutado en el intento... Si alguien sabe en que desembocó todo esto que lo comente...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; "&gt;&lt;a href="http://3.bp.blogspot.com/-4b8wAB7qb7o/TorJT6Wjm4I/AAAAAAAAFjg/AKafD7l-LaU/s1600/magicarpet02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-4b8wAB7qb7o/TorJT6Wjm4I/AAAAAAAAFjg/AKafD7l-LaU/s400/magicarpet02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659557225663011714" style="cursor: pointer; width: 400px; height: 388px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design January 1970&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5749827617818920852?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5749827617818920852/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5749827617818920852' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5749827617818920852'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5749827617818920852'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/dispositivos-domesticos-1970-magic.html' title='DISPOSITIVOS DOMÉSTICOS. 1970 Magic Carpet [Dole Electro System]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-NblNo9XjPQU/TorJTmwL-WI/AAAAAAAAFjY/MGXi0EBZUaU/s72-c/magicarpet01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-565714944061804979</id><published>2011-10-03T10:23:00.004+02:00</published><updated>2011-10-03T10:29:24.064+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ant farm'/><category scheme='http://www.blogger.com/atom/ns#' term='1975'/><category scheme='http://www.blogger.com/atom/ns#' term='time capsule'/><category scheme='http://www.blogger.com/atom/ns#' term='nuevas estrategias'/><category scheme='http://www.blogger.com/atom/ns#' term='catálogo'/><title type='text'>Nuevas estrategias. 1968 / 2000 TIME CAPSULE [ANT FARM]</title><content type='html'>&lt;span class="Apple-style-span" &gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-oENEdkRzHnc/TolxzRbnJRI/AAAAAAAAFjA/4OZBn5eBcNg/s1600/timecapsule01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 287px;" src="http://4.bp.blogspot.com/-oENEdkRzHnc/TolxzRbnJRI/AAAAAAAAFjA/4OZBn5eBcNg/s400/timecapsule01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659179532434220306" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;Derivadas de las ya famosas &lt;b style="font-family: arial; "&gt;"Cápsulas del Tiempo"&lt;/b&gt;&lt;span class="Apple-style-span" &gt; como la exhibida en la&lt;/span&gt;&lt;b style="font-family: arial; "&gt; Expo Universal de 1939 &lt;/b&gt;&lt;span class="Apple-style-span" &gt;en el pabellón de la &lt;/span&gt;&lt;b style="font-family: arial; "&gt;WestingHouse, &lt;/b&gt;&lt;span class="Apple-style-span" &gt;Ant Farm utiliza en varias ocasiones este formato participativo. En 1975 entierran una cápsula del tiempoo materializada en un icono como era un automóvil Oldsmobile Vista Cruiser del 68 lleno de objetos de todo tipo donados por la gente del lugar. Todo ello es enterrado en el Artpark de Lewiston en el estado de Nueva york a través de un acto ceremonial multitudinario. Otra manera de trabajar con el catálogo!&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; "&gt;&lt;a href="http://3.bp.blogspot.com/-91j_p72Ww0w/TolxtpMtC8I/AAAAAAAAFi4/rSJ39IlBUqQ/s1600/timecapsule02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-91j_p72Ww0w/TolxtpMtC8I/AAAAAAAAFi4/rSJ39IlBUqQ/s400/timecapsule02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659179435734928322" style="cursor: pointer; width: 400px; height: 287px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; "&gt;&lt;a href="http://1.bp.blogspot.com/-lx0mvQpIdN4/TolyEIyxhjI/AAAAAAAAFjI/iDcBCeMqBhg/s1600/timecapsule03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-lx0mvQpIdN4/TolyEIyxhjI/AAAAAAAAFjI/iDcBCeMqBhg/s400/timecapsule03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5659179822173226546" style="cursor: pointer; width: 400px; height: 284px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" &gt;Bibliografía&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;ANT FARM Berkeley Museum HYX Editions [2007]&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-565714944061804979?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/565714944061804979/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=565714944061804979' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/565714944061804979'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/565714944061804979'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/10/nuevas-estrategias-1968-2000-time.html' title='Nuevas estrategias. 1968 / 2000 TIME CAPSULE [ANT FARM]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-oENEdkRzHnc/TolxzRbnJRI/AAAAAAAAFjA/4OZBn5eBcNg/s72-c/timecapsule01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4432906071417827690</id><published>2011-09-29T11:14:00.002+02:00</published><updated>2011-09-29T11:16:26.890+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cambio de escala'/><category scheme='http://www.blogger.com/atom/ns#' term='charles moore'/><category scheme='http://www.blogger.com/atom/ns#' term='1975'/><category scheme='http://www.blogger.com/atom/ns#' term='cambio de pensamiento'/><title type='text'>CAMBIO DE ESCALA. CAMBIO DE PENSAMIENTO. 1975 Piazza d'Italia [Charles Moore]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-_WdhBic4UCs/ToQ3GJWwujI/AAAAAAAAFiQ/rQx3XwwRVSI/s1600/piazza02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 322px;" src="http://3.bp.blogspot.com/-_WdhBic4UCs/ToQ3GJWwujI/AAAAAAAAFiQ/rQx3XwwRVSI/s400/piazza02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5657707610614315570" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Sin duda alguna &lt;b&gt;uno de los cambios de escala más famosos de la historia de la arquitectura.&lt;/b&gt; Además de toda la imaginería postmoderna de columnas dóricas en acabados metálicos y adornos delicado que bien hubiera firmado el mejor Höllein, Moore focaliza esta plaza de Italia en New Orleans en torno a un plano de Italia a escala reducida que convierte en una escalinata...&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://4.bp.blogspot.com/-bB1B_fTLwZE/ToQ3GAFd2FI/AAAAAAAAFiY/8ExTCddAm_8/s1600/piazza01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-bB1B_fTLwZE/ToQ3GAFd2FI/AAAAAAAAFiY/8ExTCddAm_8/s400/piazza01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5657707608125855826" style="cursor: pointer; width: 400px; height: 257px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;New Directions in American Architecture [1969/1977 Revisited] Robert A M Stern&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4432906071417827690?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4432906071417827690/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4432906071417827690' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4432906071417827690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4432906071417827690'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/cambio-de-escala-cambio-de-pensamiento.html' title='CAMBIO DE ESCALA. CAMBIO DE PENSAMIENTO. 1975 Piazza d&apos;Italia [Charles Moore]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-_WdhBic4UCs/ToQ3GJWwujI/AAAAAAAAFiQ/rQx3XwwRVSI/s72-c/piazza02blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3515574820969757821</id><published>2011-09-28T10:57:00.003+02:00</published><updated>2011-09-28T11:01:52.419+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mecanismo'/><category scheme='http://www.blogger.com/atom/ns#' term='1900'/><category scheme='http://www.blogger.com/atom/ns#' term='retrotecnología'/><title type='text'>RETROTECNOLOGÍA. 1900 SITTING MACHINE [J. Grob]</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-AkrsYE2TULA/ToLidQbi50I/AAAAAAAAFiI/G96RxZSn2J8/s1600/sitting00blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 180px;" src="http://4.bp.blogspot.com/-AkrsYE2TULA/ToLidQbi50I/AAAAAAAAFiI/G96RxZSn2J8/s400/sitting00blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5657333074185348930" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En esta sección denominada como &lt;b&gt;Retrotecnología&lt;/b&gt; no podía faltar este prototipo / patente de maquina para sentarse, derivada de una serie de estudios realizados en Suiza en torno a la especialización y euipamiento de las escuelas. &lt;b&gt;Mecanismos&lt;/b&gt; para bajar y subir las piernas y el plano de trabajo con el fin de encontrar las posiciones óptimas en cada situación.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;New Directions in Swiss Architecture [1969] Jul Bachmann + Stanislaus von Moos&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3515574820969757821?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3515574820969757821/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3515574820969757821' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3515574820969757821'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3515574820969757821'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/retrotecnologia-1900-sitting-machine-j.html' title='RETROTECNOLOGÍA. 1900 SITTING MACHINE [J. Grob]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-AkrsYE2TULA/ToLidQbi50I/AAAAAAAAFiI/G96RxZSn2J8/s72-c/sitting00blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6433389897036414881</id><published>2011-09-27T08:23:00.004+02:00</published><updated>2011-09-27T08:29:20.193+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='figura humana'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='antropomorfismos'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><title type='text'>PERVERSIONES NATURALES. ANTROPOMORFISMOS. 1970 LADIES [Allen Jones]</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-B_jZDXwXDLQ/ToFsEa0BZhI/AAAAAAAAFhY/mYiVR16-BZk/s1600/ladiesblog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/-B_jZDXwXDLQ/ToFsEa0BZhI/AAAAAAAAFhY/mYiVR16-BZk/s400/ladiesblog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5656921430126847506" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Sin duda alguna, la figura humana, en todas sus versiones, ha sido remasterizada y convertida a distintos formatos arquitectónicos. Aquí dejo las &lt;b&gt;"Ladies" de Allen Jones,&lt;/b&gt; muñecas de plexiglas en posturas sexuales como forma de configurar todo el mobiliario de la vivienda...&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Ver otro antropomorfismo en este caso craneal!!! &lt;a href="http://arqueologiadelfuturo.blogspot.com/2010/02/v25-arquitectura-parlante-guy-rottier.html"&gt;&lt;b&gt;Aquí &lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Bibliografía:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design January 1970&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6433389897036414881?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6433389897036414881/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6433389897036414881' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6433389897036414881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6433389897036414881'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/perversiones-naturales-antropomorfismos.html' title='PERVERSIONES NATURALES. ANTROPOMORFISMOS. 1970 LADIES [Allen Jones]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-B_jZDXwXDLQ/ToFsEa0BZhI/AAAAAAAAFhY/mYiVR16-BZk/s72-c/ladiesblog.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3861982318762665664</id><published>2011-09-26T11:02:00.001+02:00</published><updated>2011-09-26T11:04:45.083+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='ocio'/><category scheme='http://www.blogger.com/atom/ns#' term='simulación'/><category scheme='http://www.blogger.com/atom/ns#' term='fun palace'/><title type='text'>FUN PALACES CONSTRUIDOS I. SIMULACIÓN. 1969 The Fifth Dimension [Keith Albarn]</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-SkLPc1m7f0A/ToBACKWyvyI/AAAAAAAAFhQ/Igjawzncf6g/s1600/funpalacecon01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 214px;" src="http://1.bp.blogspot.com/-SkLPc1m7f0A/ToBACKWyvyI/AAAAAAAAFhQ/Igjawzncf6g/s400/funpalacecon01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5656591537861213986" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;A partir de la propuesta de Price para un Fun Palace londinense y aprovechando el boom de los parques recreativos, aparecen una serie de nuevos modelos de ocio adaptados a distintas interpretaciones del concepto de &lt;b&gt;"diversión"&lt;/b&gt;. Este &lt;b&gt;FUN PALACE&lt;/b&gt; construido en 1969 en Girvan, Escocia denominado como &lt;b&gt;La Quinta dimensió&lt;/b&gt;n, aparece como una especie de laberinto con pasillos en los que se simulan mediante proyecciones paisajes de todo tipo, así como se estimula el oido y el olfato con sonidos y olores psicodélicos. Construido a partir del sistema en GRP Ekistikit, una de las reinterpretaciones del &lt;b&gt;FUNPALACE como edificio simulador.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-CoTVEusrbdQ/ToBAB5pEsHI/AAAAAAAAFhI/j8NUwyoIlyY/s1600/funpalacecon02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-CoTVEusrbdQ/ToBAB5pEsHI/AAAAAAAAFhI/j8NUwyoIlyY/s400/funpalacecon02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5656591533374484594" style="cursor: pointer; width: 400px; height: 256px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-4PvBPXXV9zo/ToBABsr6TVI/AAAAAAAAFhA/Tt8PxT6VX_M/s1600/funpalacecon03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-4PvBPXXV9zo/ToBABsr6TVI/AAAAAAAAFhA/Tt8PxT6VX_M/s400/funpalacecon03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5656591529896725842" style="cursor: pointer; width: 400px; height: 298px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design July 1969&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;DESIGN November 1969&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3861982318762665664?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3861982318762665664/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3861982318762665664' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3861982318762665664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3861982318762665664'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/fun-palaces-construidos-i-simulacion.html' title='FUN PALACES CONSTRUIDOS I. SIMULACIÓN. 1969 The Fifth Dimension [Keith Albarn]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-SkLPc1m7f0A/ToBACKWyvyI/AAAAAAAAFhQ/Igjawzncf6g/s72-c/funpalacecon01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4668245709318177696</id><published>2011-09-23T12:08:00.003+02:00</published><updated>2011-09-23T12:10:26.754+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='juego'/><category scheme='http://www.blogger.com/atom/ns#' term='1971'/><category scheme='http://www.blogger.com/atom/ns#' term='ecología'/><title type='text'>Nuevas estrategias. 1971 ENVIROMONOPOLY</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;span class="Apple-style-span" &gt;Sorprendente juego (a la manera del &lt;b&gt;monopoly&lt;/b&gt;) para &lt;b&gt;enseñar y concienciar a niños en materias de ecología.&lt;/b&gt; El juego no sólo se limita a simular problemas ecológicos y sus posibles soluciones sino que además incluye purificadores de agua, bolsas para toma de muestras y analizadores de la calidad del aire.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://2.bp.blogspot.com/-2-40qz0-WsQ/TnxaxUL6GgI/AAAAAAAAFgw/pPMElQYDw9I/s1600/enviromon01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-2-40qz0-WsQ/TnxaxUL6GgI/AAAAAAAAFgw/pPMElQYDw9I/s400/enviromon01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5655495035349244418" style="cursor: pointer; width: 400px; height: 292px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;DESIGN October 1971&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4668245709318177696?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4668245709318177696/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4668245709318177696' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4668245709318177696'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4668245709318177696'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/nuevas-estrategias-1971-enviromonopoly.html' title='Nuevas estrategias. 1971 ENVIROMONOPOLY'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-2-40qz0-WsQ/TnxaxUL6GgI/AAAAAAAAFgw/pPMElQYDw9I/s72-c/enviromon01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5956603236188558398</id><published>2011-09-22T11:39:00.003+02:00</published><updated>2011-09-22T11:41:28.557+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dispositivos domésticos'/><category scheme='http://www.blogger.com/atom/ns#' term='robots'/><category scheme='http://www.blogger.com/atom/ns#' term='AA'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><title type='text'>DISPOSITIVOS DOMÉSTICOS. 1970 Aquapad 1 [Peter Cave]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-qcXi49X4BNE/TnsCcWsApSI/AAAAAAAAFgo/uMe2YdGRotQ/s1600/aquapad1blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 241px;" src="http://3.bp.blogspot.com/-qcXi49X4BNE/TnsCcWsApSI/AAAAAAAAFgo/uMe2YdGRotQ/s400/aquapad1blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5655116443243554082" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Ejercicio de 5ºCursos de la AA allá por el año 1970. Dispositivo doméstico diseñado por Pete cave que consiste en un sistema de mobiliario neumático (desde los asientos a la superficie envolvente) equipado con una serie de aparatos electrónicos que lo convierten en lo que el autor denomina como un "Bathing pleasure" que genera en el ususario nuevas experiencias en torno al uso del agua en la vivienda. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Para más info sobre hidrosociología ver el trabajo de investigación de un buen amigo como &lt;b&gt;Matías Nieto&lt;/b&gt;: &lt;a href="http://dphs-madrid.blogspot.com/"&gt;&lt;b&gt;http://dphs-madrid.blogspot.com/&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;PROJECTS ARCHITECTURAL ASSOCIATION 1946-71 (1972) Edited by James Gowan.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5956603236188558398?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5956603236188558398/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5956603236188558398' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5956603236188558398'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5956603236188558398'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/dispositivos-domesticos-1970-aquapad-1.html' title='DISPOSITIVOS DOMÉSTICOS. 1970 Aquapad 1 [Peter Cave]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-qcXi49X4BNE/TnsCcWsApSI/AAAAAAAAFgo/uMe2YdGRotQ/s72-c/aquapad1blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-2293859645536024994</id><published>2011-09-21T12:04:00.004+02:00</published><updated>2011-09-21T12:09:09.331+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='vesnin'/><category scheme='http://www.blogger.com/atom/ns#' term='exposición'/><category scheme='http://www.blogger.com/atom/ns#' term='golosov'/><category scheme='http://www.blogger.com/atom/ns#' term='comunismo'/><category scheme='http://www.blogger.com/atom/ns#' term='cccp'/><category scheme='http://www.blogger.com/atom/ns#' term='Melnikov'/><title type='text'>Construir la revolución. Arte y arquitectura en Rusia 1915-1935 [Caixa Forum] + CCCP [Frédéric Chaubin]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-TI3T1bGnN-c/Tnm2_GYjx3I/AAAAAAAAFgg/I2y9fIIp3Bw/s1600/ruski06.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-TI3T1bGnN-c/Tnm2_GYjx3I/AAAAAAAAFgg/I2y9fIIp3Bw/s400/ruski06.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654752002302003058" /&gt;&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Para el que no pudo asistir a esta muestra del &lt;b&gt;caixaForum&lt;/b&gt; aquí dejo algunas fotos de una exposición que congregaba obras de &lt;b&gt;Melnikov, Tatlin, los hermanos Vesnin o Golosov&lt;/b&gt;, con fotografías de los años de su construcción simultaneadas con otras actuales que demuestran el lamentable estado en el que se encuentran (en un acto tendencioso de simulación de la caida del régimen comunista). A la par (y como regalo) conseguí uno de los ejemplares del maravilloso trabajo de &lt;b&gt;Frédéric Chaubin, Cosmic Communist Constructions Photographed,&lt;/b&gt; en el que fotografía 90 edificios maravillosos construidos en lo que era la antígua &lt;b&gt;CCCP&lt;/b&gt; desde 1977 a 1990... Nuevas texturas, usos imposibles, neometabolismo, combinaciones de dorado y verde...wuooo!!&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://www.taschen.com/pages/es/catalogue/photography/all/05744/facts.frederic_chaubin_cosmic_communist_constructions_photographed.htm"&gt;&lt;b&gt;+INFO:&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://1.bp.blogspot.com/-H-1UGEYZSp0/Tnm2-4k6Z8I/AAAAAAAAFgY/9MJ4EiZadrA/s1600/ruski01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 261px;" src="http://1.bp.blogspot.com/-H-1UGEYZSp0/Tnm2-4k6Z8I/AAAAAAAAFgY/9MJ4EiZadrA/s400/ruski01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654751998595721154" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-9TYgSP3KQC4/Tnm2-2Wp3jI/AAAAAAAAFgQ/3AR-HjdcL5A/s1600/ruski02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 261px;" src="http://4.bp.blogspot.com/-9TYgSP3KQC4/Tnm2-2Wp3jI/AAAAAAAAFgQ/3AR-HjdcL5A/s400/ruski02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654751997999046194" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-sEe4APcdupE/Tnm2-mpIN5I/AAAAAAAAFgI/RlByIEetv_M/s1600/ruski03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 261px;" src="http://2.bp.blogspot.com/-sEe4APcdupE/Tnm2-mpIN5I/AAAAAAAAFgI/RlByIEetv_M/s400/ruski03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654751993781565330" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-EhUab_oEqLI/Tnm2-T4Bx5I/AAAAAAAAFgA/3ggouUQwHPE/s1600/ruski05.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 261px;" src="http://2.bp.blogspot.com/-EhUab_oEqLI/Tnm2-T4Bx5I/AAAAAAAAFgA/3ggouUQwHPE/s400/ruski05.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654751988743784338" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Frédéric Chaubin, Cosmic Communist Constructions Photographed&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-2293859645536024994?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/2293859645536024994/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=2293859645536024994' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2293859645536024994'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2293859645536024994'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/construir-la-revolucion-arte-y.html' title='Construir la revolución. Arte y arquitectura en Rusia 1915-1935 [Caixa Forum] + CCCP [Frédéric Chaubin]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-TI3T1bGnN-c/Tnm2_GYjx3I/AAAAAAAAFgg/I2y9fIIp3Bw/s72-c/ruski06.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7043681153245272456</id><published>2011-09-20T10:33:00.003+02:00</published><updated>2011-09-20T10:36:52.477+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='osaka 70'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura espacial'/><category scheme='http://www.blogger.com/atom/ns#' term='catálogo'/><title type='text'>CATÁLOGOS ENCONTRADOS. Catálogo de eventos y sistemas del FESTIVAL PLAZA [Arata Isozaki]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-PJnLKWdAffg/TnhQNgIOpDI/AAAAAAAAFf4/qRNUZipjaqM/s1600/festival01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 355px;" src="http://3.bp.blogspot.com/-PJnLKWdAffg/TnhQNgIOpDI/AAAAAAAAFf4/qRNUZipjaqM/s400/festival01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654357525056627762" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Interesante manera de representar el rango de acción posible en el Festival Plaza a partir de un catálogo de sistemas tecnológicos (robots, control de iluminación y ambiente...) y eventos a lo largo de un día que este equipamiento posibilitaba. Estos pequeños flashs reproducen un ambiente futuristas, distorsionado y tecnificado. &lt;b&gt;¿Qué pasó en Osaka 70?&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/-cD6H5ABd76c/TnhQNUY_bOI/AAAAAAAAFfw/9_zqdjKKBm0/s1600/festival02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-cD6H5ABd76c/TnhQNUY_bOI/AAAAAAAAFfw/9_zqdjKKBm0/s400/festival02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654357521905708258" style="cursor: pointer; width: 400px; height: 272px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-K2HG5c8N93g/TnhQNJIVrbI/AAAAAAAAFfo/LdQ4D4YJrQM/s1600/festival03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-K2HG5c8N93g/TnhQNJIVrbI/AAAAAAAAFfo/LdQ4D4YJrQM/s400/festival03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654357518883073458" style="cursor: pointer; width: 400px; height: 272px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;The Japan Architect nº164 [1970]&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7043681153245272456?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7043681153245272456/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7043681153245272456' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7043681153245272456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7043681153245272456'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/catalogos-encontrados-catalogo-de.html' title='CATÁLOGOS ENCONTRADOS. Catálogo de eventos y sistemas del FESTIVAL PLAZA [Arata Isozaki]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-PJnLKWdAffg/TnhQNgIOpDI/AAAAAAAAFf4/qRNUZipjaqM/s72-c/festival01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4034893771320020761</id><published>2011-09-19T11:50:00.005+02:00</published><updated>2011-09-19T11:55:24.963+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='osaka 70'/><category scheme='http://www.blogger.com/atom/ns#' term='barbarella'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><category scheme='http://www.blogger.com/atom/ns#' term='sachio otani'/><title type='text'>¿Alguién intentó construir Sogo City de Barbarella? [Osaka 70]</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span"  &gt;Revoloteando entre los pabellones japoneses de la Expo de Osaka 70, &lt;b&gt;Sachio Otani &lt;/b&gt;constuyó para el &lt;b&gt;Sumitomo Fairytale Pavilion &lt;/b&gt;una rèplica dura de lo que alguna vez fue la ciudad de &lt;b&gt;Sogo City&lt;/b&gt; del icono de cine Pop de ciencia ficción &lt;b&gt;"Barbarella".&lt;/b&gt; Basado en el mismo sistema de cúpulas habitables sobre un sistema de ramificaciones tubulares, convierte ese entramado orgánico de Sogo en un sistema mucho más ordenado, tecnificado y concreto.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/-AVKvuujJo2Q/TncQ2m3S1OI/AAAAAAAAFfQ/flBqYVBjjVQ/s1600/sogoblog01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-AVKvuujJo2Q/TncQ2m3S1OI/AAAAAAAAFfQ/flBqYVBjjVQ/s400/sogoblog01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654006387518395618" style="cursor: pointer; width: 400px; height: 290px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span"&gt;1968 Sogo City [Barbarella]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-kvyzYwXOTZU/TncQ2J6FdXI/AAAAAAAAFe4/roROP6E8_7I/s1600/sogoblog04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-kvyzYwXOTZU/TncQ2J6FdXI/AAAAAAAAFe4/roROP6E8_7I/s400/sogoblog04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654006379745473906" style="cursor: pointer; width: 400px; height: 296px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span"  &gt;1970 Suitomo Fairytale Pavillion [Sachio Otani] Osaka 70&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://3.bp.blogspot.com/-zfjAC94I31g/TncQ2RTgECI/AAAAAAAAFfI/stS3-_Osv2g/s1600/sogoblog02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-zfjAC94I31g/TncQ2RTgECI/AAAAAAAAFfI/stS3-_Osv2g/s400/sogoblog02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654006381731123234" style="cursor: pointer; width: 400px; height: 311px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-bpQGifas8bA/TncQ2eqLJcI/AAAAAAAAFfA/7xCIyWZbU3Y/s1600/sogoblog03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-bpQGifas8bA/TncQ2eqLJcI/AAAAAAAAFfA/7xCIyWZbU3Y/s400/sogoblog03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5654006385315882434" style="cursor: pointer; width: 400px; height: 262px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Bibliografía:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;The Japan Architect nº164 [1970]&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Megaestructuras Futuro Urbano del pasado reciente [1976] Reyner Banham&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4034893771320020761?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4034893771320020761/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4034893771320020761' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4034893771320020761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4034893771320020761'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/alguien-intento-construir-sogo-city-de.html' title='¿Alguién intentó construir Sogo City de Barbarella? [Osaka 70]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-AVKvuujJo2Q/TncQ2m3S1OI/AAAAAAAAFfQ/flBqYVBjjVQ/s72-c/sogoblog01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-8927375231891829384</id><published>2011-09-16T11:45:00.002+02:00</published><updated>2011-09-16T11:46:34.247+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1966'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='movilidad'/><title type='text'>Reciclando Infraestructuras. 1966 Itinerant Community Centre [Earl Ferguson]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-Lo--wMEiA6g/TnMayfJE89I/AAAAAAAAFcw/bv9KVrezIMQ/s1600/rtrain01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 278px;" src="http://3.bp.blogspot.com/-Lo--wMEiA6g/TnMayfJE89I/AAAAAAAAFcw/bv9KVrezIMQ/s400/rtrain01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652891411935458258" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-qGLWHb5jol4/TnMayGSYQHI/AAAAAAAAFco/4wMTqByktSY/s1600/rtrain02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 92px;" src="http://2.bp.blogspot.com/-qGLWHb5jol4/TnMayGSYQHI/AAAAAAAAFco/4wMTqByktSY/s400/rtrain02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652891405263585394" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Otra interesante propuesta de reciclaje de infraestructuras, en este caso de un viejo ferrocarril (30 vagones, máquina a vapor y vías) que cruzaba los Apalaches. El proyecto recicla loos vagones para generar un centro itinerante para una comunidad artística que viaje con él (una especie de Instant City ferroviaría) y pueda equipar temporalmente los distintos asentamientos vinculados a la red ya obsoleta de ferrocarril.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Marzo 1967&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Interiors Noviembre 1966&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-8927375231891829384?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/8927375231891829384/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=8927375231891829384' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/8927375231891829384'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/8927375231891829384'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/reciclando-infraestructuras-1966.html' title='Reciclando Infraestructuras. 1966 Itinerant Community Centre [Earl Ferguson]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Lo--wMEiA6g/TnMayfJE89I/AAAAAAAAFcw/bv9KVrezIMQ/s72-c/rtrain01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7985313179475008383</id><published>2011-09-15T10:40:00.002+02:00</published><updated>2011-09-15T10:43:11.839+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='edgar chambless'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='1930'/><category scheme='http://www.blogger.com/atom/ns#' term='automóvil'/><category scheme='http://www.blogger.com/atom/ns#' term='1910'/><title type='text'>El coche como arquitectura [VIII]. 1910 / 1930 ROAD TOWN [Edgar Chambless]</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-6F4TYbtvET8/TnG6M6UbUYI/AAAAAAAAFcg/_amsRSo-sEE/s1600/roadtown01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 246px;" src="http://2.bp.blogspot.com/-6F4TYbtvET8/TnG6M6UbUYI/AAAAAAAAFcg/_amsRSo-sEE/s400/roadtown01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652503738302812546" /&gt;&lt;/a&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Roadtown [versión 1910]&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-7gtjMiu7XnE/TnG6Msm9eHI/AAAAAAAAFcY/AIMdcNH4bQg/s1600/roadtown02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 211px;" src="http://3.bp.blogspot.com/-7gtjMiu7XnE/TnG6Msm9eHI/AAAAAAAAFcY/AIMdcNH4bQg/s400/roadtown02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652503734622451826" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: x-small; "&gt;&lt;b&gt;Roadtown [versión 1930]&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Bastante anterior a la conocidísima Motopía [1959] de G.A. Jellicoe, la Road Town comparte el mismo esquema principal desde su ideación en 1910 hasta su evolución de 1930, una serie de edificios multifuncionales lineales que liberan el suelo y que quedan totalmente supeditados al circuito de automóviles que se generan en sus cubiertas. Un anticipo radical de lo que luego sería el esquema utilizado por la célebre fábrica de la FIAT "Lingotto". El coche de esta manera es el gestor principal de la estructura de la ciudad en una época en la que aún no era el gran protagnista de la misma. El coche como arquitectura!!!.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;UNBUILT AMERICA [1976] Alison Sky + Michelle Stone&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7985313179475008383?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7985313179475008383/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7985313179475008383' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7985313179475008383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7985313179475008383'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/el-coche-como-arquitectura-viii-1910.html' title='El coche como arquitectura [VIII]. 1910 / 1930 ROAD TOWN [Edgar Chambless]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-6F4TYbtvET8/TnG6M6UbUYI/AAAAAAAAFcg/_amsRSo-sEE/s72-c/roadtown01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-1821519244416922818</id><published>2011-09-14T10:22:00.002+02:00</published><updated>2011-09-14T10:26:10.975+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='archigram'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><category scheme='http://www.blogger.com/atom/ns#' term='contenedor'/><category scheme='http://www.blogger.com/atom/ns#' term='catálogo'/><title type='text'>Sobre la importancia del contenedor, envoltorio o paquete [1970] Michael Barnard + David Greene</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;span class="Apple-style-span" &gt;El catálogo como generador arquitectónico...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Divagaciones de Barnard y el archigramero Greene sobre la importancia del "package" en la sociedad de consumo:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;"The pac, packaging, the package, deal... -fundamental- characterístics of the consumer scene- the building together of often diverse items and services to provide a complete dream. The pac is a module, and the meaning of the module is determined by its use. The attraction of a pac lies its completeness in that you don't need any more hardware to operate it, but that the way that you use it is dependent on your own software"&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" &gt;&lt;b&gt;Architectural Design Septiembre 1970&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-tBdnE2RUXr8/TnBknSFuYeI/AAAAAAAAFcQ/2giFbq-7xoU/s1600/package01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-tBdnE2RUXr8/TnBknSFuYeI/AAAAAAAAFcQ/2giFbq-7xoU/s400/package01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652128158383497698" style="cursor: pointer; width: 400px; height: 286px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/-cbp2syZ0BL8/TnBklrneXjI/AAAAAAAAFcI/FKFo1aG1NKE/s1600/package02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 254px;" src="http://3.bp.blogspot.com/-cbp2syZ0BL8/TnBklrneXjI/AAAAAAAAFcI/FKFo1aG1NKE/s400/package02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652128130876202546" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-6ufn0P2idC8/TnBklZcw6eI/AAAAAAAAFcA/d735gxXlfFg/s1600/package03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 272px;" src="http://4.bp.blogspot.com/-6ufn0P2idC8/TnBklZcw6eI/AAAAAAAAFcA/d735gxXlfFg/s400/package03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652128125999442402" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-6un8xq0H66M/TnBkk07pusI/AAAAAAAAFb4/OONbWJxsWP8/s1600/package04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 272px;" src="http://3.bp.blogspot.com/-6un8xq0H66M/TnBkk07pusI/AAAAAAAAFb4/OONbWJxsWP8/s400/package04.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652128116196883138" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Septiembre 1970&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-1821519244416922818?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/1821519244416922818/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=1821519244416922818' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1821519244416922818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1821519244416922818'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/sobre-la-importancia-del-contenedor.html' title='Sobre la importancia del contenedor, envoltorio o paquete [1970] Michael Barnard + David Greene'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-tBdnE2RUXr8/TnBknSFuYeI/AAAAAAAAFcQ/2giFbq-7xoU/s72-c/package01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5675840534575099508</id><published>2011-09-13T16:27:00.003+02:00</published><updated>2011-09-13T16:32:04.785+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='vivienda futura'/><category scheme='http://www.blogger.com/atom/ns#' term='tekhomes'/><category scheme='http://www.blogger.com/atom/ns#' term='industrialización'/><title type='text'>CURSO 2011/2012 Diseño y Tecnología en Viviendas Industriales [UPM] dirigido por JM Reyes</title><content type='html'>&lt;span class="Apple-style-span"  &gt;&lt;a href="http://4.bp.blogspot.com/-u4z2Wo4YI7w/Tm9o1_-_HQI/AAAAAAAAFbo/-kzY7RKQF20/s1600/d21.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 322px;" src="http://4.bp.blogspot.com/-u4z2Wo4YI7w/Tm9o1_-_HQI/AAAAAAAAFbo/-kzY7RKQF20/s400/d21.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5651851334291234050" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Aún quedan plazas disponibles para el &lt;b&gt;curso de postgrado de Diseño y Tecnología en Viviendas Industriales [UPM Universidad Politécnica de Madrid]&lt;/b&gt; capitaneado por &lt;b&gt; JM Reyes&lt;/b&gt;. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Desde &lt;b&gt;Arqueología del Futuro&lt;/b&gt; he colaborado en el curso como alumno primero y como invitado a alguna de las sesiones teóricas después.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En el marco del curso se han hecho coosas tan interesantes como el sistemas &lt;b&gt;d21&lt;/b&gt; (que aparece en la imagen).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Así que para el que esté interesado, puede encontrar más info en alguno de estos links o en el mail que aparece debajo:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://tekhomes.blogspot.com/2011/09/matricula-curso-2011-12.html"&gt;&lt;b&gt;Tekhomes&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://www.arquitecturaalphaproject.org/"&gt;&lt;b&gt;www.arquitecturaalphaproject.org&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Mail:&lt;b&gt; &lt;/b&gt;alpha.arquitectura@upm.es&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;DISEÑO Y TECNOLOGIA EN VIVIENDAS INDUSTRIALES&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Curso de especialización (UPM) con algunas plazas vacantes todavía.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Este es el primer año en que se imparten por primera vez de manera simultanea, y en el 2º cuatrimestre, los 3 cursos de formación continua (FC) de que el curso de especialización se compone (es decir 10 + 10 +10 = 30 ECTS ). El curso dará comienzo el 22 de febrero del 2012 con sesiones miércoles y jueves de 16:00 a 21:30, para terminar la primera quincena de julio.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5675840534575099508?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5675840534575099508/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5675840534575099508' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5675840534575099508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5675840534575099508'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/curso-20112012-diseno-y-tecnologia-en.html' title='CURSO 2011/2012 Diseño y Tecnología en Viviendas Industriales [UPM] dirigido por JM Reyes'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-u4z2Wo4YI7w/Tm9o1_-_HQI/AAAAAAAAFbo/-kzY7RKQF20/s72-c/d21.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7798553445649655396</id><published>2011-09-12T12:01:00.002+02:00</published><updated>2011-09-16T18:12:27.933+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='vivienda futura'/><category scheme='http://www.blogger.com/atom/ns#' term='plástico'/><category scheme='http://www.blogger.com/atom/ns#' term='Cápsula Vivienda'/><category scheme='http://www.blogger.com/atom/ns#' term='1971'/><title type='text'>CEPLASTICA 2000. Habitat capsular español [1972] Miguel Ángel + Rafael Marquina + Juan Sellés</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Cuando los habitats capsulares parecían estar en peligro de extinción y la movilidad se estaba reformulando en otros términos, este ejemplo de adiciones en vivienda a partir de módulos plásticos prefabricados demuestra el retraso existente en España (proyectual y tecnológico) en cuanto a movilidad y flexibilidad en torno a la vivienda.A pesar de ello... una arqueología del futuro española.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"  &gt;&lt;a href="http://4.bp.blogspot.com/-0awV0vsDmdk/Tm3ZUZ5bvYI/AAAAAAAAFbg/4-wAMs8-CjU/s1600/booden01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-0awV0vsDmdk/Tm3ZUZ5bvYI/AAAAAAAAFbg/4-wAMs8-CjU/s400/booden01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5651412051992231298" style="cursor: pointer; width: 400px; height: 263px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-otbebHpK428/Tm3ZUPaO26I/AAAAAAAAFbY/_hbFKZMizHk/s1600/booden02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-otbebHpK428/Tm3ZUPaO26I/AAAAAAAAFbY/_hbFKZMizHk/s400/booden02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5651412049177009058" style="cursor: pointer; width: 400px; height: 293px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Bibliografía:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Boden Nº4 1972&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7798553445649655396?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7798553445649655396/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7798553445649655396' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7798553445649655396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7798553445649655396'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/ceplastica-2000-habitat-capsular.html' title='CEPLASTICA 2000. Habitat capsular español [1972] Miguel Ángel + Rafael Marquina + Juan Sellés'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-0awV0vsDmdk/Tm3ZUZ5bvYI/AAAAAAAAFbg/4-wAMs8-CjU/s72-c/booden01blog.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-6506826613030876940</id><published>2011-09-09T12:32:00.002+02:00</published><updated>2011-09-09T12:34:02.197+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='automóvil'/><category scheme='http://www.blogger.com/atom/ns#' term='eric j roberts'/><category scheme='http://www.blogger.com/atom/ns#' term='1965'/><title type='text'>El coche como arquitectura [VII] 1965 Town Sedan [Eric J.Roberts and associates]</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-FlcjanAKQD4/Tmnreqk2NbI/AAAAAAAAFaI/cOU8ECkIhyQ/s1600/sedan02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 158px;" src="http://4.bp.blogspot.com/-FlcjanAKQD4/Tmnreqk2NbI/AAAAAAAAFaI/cOU8ECkIhyQ/s400/sedan02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5650306119570437554" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;La efusividad con que los arquitectos acogieron la idea de minimzar el impacto del coche en la ciudad queda reflejada en este prototipo de vehículo unipersonal diseñado por Eric Roberts basado en los antiguos porteadores de personajes ilustres.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://4.bp.blogspot.com/-qO88vXNWNDA/Tmnre6R12FI/AAAAAAAAFaQ/hgrlV1Xnqk0/s1600/sedan01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-qO88vXNWNDA/Tmnre6R12FI/AAAAAAAAFaQ/hgrlV1Xnqk0/s400/sedan01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5650306123785689170" style="cursor: pointer; width: 400px; height: 294px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;New Directions in British Architecture [1968] Royston Landau&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-6506826613030876940?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/6506826613030876940/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=6506826613030876940' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6506826613030876940'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/6506826613030876940'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/el-coche-como-arquitectura-vii-1965.html' title='El coche como arquitectura [VII] 1965 Town Sedan [Eric J.Roberts and associates]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-FlcjanAKQD4/Tmnreqk2NbI/AAAAAAAAFaI/cOU8ECkIhyQ/s72-c/sedan02.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-8937845316336018368</id><published>2011-09-05T10:35:00.002+02:00</published><updated>2011-09-05T10:36:35.559+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1973'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='automóvil'/><title type='text'>Perversiones Naturales. El coche cmo arquitectura [VI] 1973 Mens and Cars [Josef Nöbauer]</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-DzYjyu1iGbo/TmSJ7VD9q4I/AAAAAAAAFaA/ksweuRdA3zM/s1600/meanandcarsblog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 212px;" src="http://1.bp.blogspot.com/-DzYjyu1iGbo/TmSJ7VD9q4I/AAAAAAAAFaA/ksweuRdA3zM/s400/meanandcarsblog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5648791484988500866" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En un intento de fusión natural, el coche como objeto hedonista de identidad del hombre queda perfectamente reflejado en este dibujo de Josef Nöbauer, un híbridoo entre un coche y su propietario... una filiación de tuning extremo...&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Mayo 1973&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-8937845316336018368?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/8937845316336018368/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=8937845316336018368' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/8937845316336018368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/8937845316336018368'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/perversiones-naturales-el-coche-cmo.html' title='Perversiones Naturales. El coche cmo arquitectura [VI] 1973 Mens and Cars [Josef Nöbauer]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-DzYjyu1iGbo/TmSJ7VD9q4I/AAAAAAAAFaA/ksweuRdA3zM/s72-c/meanandcarsblog.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4120564784573763113</id><published>2011-09-02T11:35:00.004+02:00</published><updated>2011-09-02T11:41:41.287+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='intercambios de información'/><category scheme='http://www.blogger.com/atom/ns#' term='1972'/><category scheme='http://www.blogger.com/atom/ns#' term='retrotecnología'/><title type='text'>Intercambios de información 1972 TELELIFT [ARTEC]</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-M__qCRpBnEU/TmCjm5GAbBI/AAAAAAAAFZo/c_OYya98IXY/s1600/telelift03.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"&gt;&lt;img src="http://2.bp.blogspot.com/-M__qCRpBnEU/TmCjm5GAbBI/AAAAAAAAFZo/c_OYya98IXY/s400/telelift03.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5647693821278972946" style="cursor: pointer; width: 400px; height: 315px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://2.bp.blogspot.com/-l4IMVvjlavc/TmCjnDun3uI/AAAAAAAAFZ4/UxHKr5db4BQ/s1600/telelift01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-l4IMVvjlavc/TmCjnDun3uI/AAAAAAAAFZ4/UxHKr5db4BQ/s400/telelift01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5647693824133684962" style="cursor: pointer; width: 400px; height: 232px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: arial; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Al leer el otro día una noticia sobre las mejoras de las redes sociales como forma de compartir información en las oficinas en detrimento del correo electrónico, me acordé de este sistema retrotecnológico (aparecida en la publicidad de un número de la revista francesa Techniques et architecture de 1972) que objetualizaba de una manera física o analógica esa necesidad de compartir información, en este caso dentro de una oficina. Un sistema de raíles y carritos permiten a los usuarios de la oficina intercambiarse documentos, libros, carpetas y pequeños objetos tanto en vertical como en horizontal. Muy parecido a los tubos de transporte de personas de Futurama (o de archivos futuristas) pero con documentos de oficina. Intercambios de información ya retrotecnológicos.&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-kkCagmtObqY/TmCjm-skOjI/AAAAAAAAFZw/6gPXdzk2BL8/s1600/telelift02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://2.bp.blogspot.com/-kkCagmtObqY/TmCjm-skOjI/AAAAAAAAFZw/6gPXdzk2BL8/s400/telelift02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5647693822782880306" style="cursor: pointer; width: 400px; height: 309px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  &gt;Bibliografía:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Techniques et architecture 1972 Nº290 Decembre&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4120564784573763113?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4120564784573763113/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4120564784573763113' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4120564784573763113'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4120564784573763113'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/intercambios-de-informacion-1972.html' title='Intercambios de información 1972 TELELIFT [ARTEC]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-M__qCRpBnEU/TmCjm5GAbBI/AAAAAAAAFZo/c_OYya98IXY/s72-c/telelift03.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4116171108027027392</id><published>2011-09-01T10:26:00.001+02:00</published><updated>2011-09-01T10:27:21.123+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='max peintner'/><category scheme='http://www.blogger.com/atom/ns#' term='automóvil'/><category scheme='http://www.blogger.com/atom/ns#' term='Vivienda Móvil'/><title type='text'>El coche como arquitectura [VII] 1969 Lletto-auto [Max Peintner]</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-EejnFu6_N0o/Tl9Bymy2tPI/AAAAAAAAFZg/o9Qs3tHFHjk/s1600/autobettblog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 248px;" src="http://2.bp.blogspot.com/-EejnFu6_N0o/Tl9Bymy2tPI/AAAAAAAAFZg/o9Qs3tHFHjk/s400/autobettblog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5647304795409003762" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Siguiendo con el tema que incide en la relación entre el coche, el usuario y la arquitectura, Max Peintner trabaja sobre la idea de la domesticación del automóvil en esta alegoría de un coche/cama literalmente hablando.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Arquitectura Radical catálogo de la exposición en el CAAM Las Palmas [2002]&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4116171108027027392?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4116171108027027392/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4116171108027027392' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4116171108027027392'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4116171108027027392'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/09/el-coche-como-arquitectura-vii-1969.html' title='El coche como arquitectura [VII] 1969 Lletto-auto [Max Peintner]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-EejnFu6_N0o/Tl9Bymy2tPI/AAAAAAAAFZg/o9Qs3tHFHjk/s72-c/autobettblog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3811325451221986907</id><published>2011-08-31T10:21:00.002+02:00</published><updated>2011-08-31T10:23:51.076+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='automóvil'/><category scheme='http://www.blogger.com/atom/ns#' term='1971'/><category scheme='http://www.blogger.com/atom/ns#' term='mark fisher'/><title type='text'>El coche como arquitectura [V] 1971 Dynamat [Simon Conolly + Mark Fisher]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-kTJU0fVnzxs/Tl3vWoMNRqI/AAAAAAAAFZY/uRF6IvDwu_4/s1600/dynamat01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 243px;" src="http://3.bp.blogspot.com/-kTJU0fVnzxs/Tl3vWoMNRqI/AAAAAAAAFZY/uRF6IvDwu_4/s400/dynamat01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646932679817250466" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-djYpeHC0PfY/Tl3vWfjmDXI/AAAAAAAAFZQ/bV7gXMGE3lQ/s1600/dynamat02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 247px;" src="http://3.bp.blogspot.com/-djYpeHC0PfY/Tl3vWfjmDXI/AAAAAAAAFZQ/bV7gXMGE3lQ/s400/dynamat02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646932677499424114" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-TugS5ZGhVdo/Tl3vWXoZBAI/AAAAAAAAFZI/eS_vkcln8pg/s1600/dynamat03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-TugS5ZGhVdo/Tl3vWXoZBAI/AAAAAAAAFZI/eS_vkcln8pg/s400/dynamat03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646932675372057602" style="cursor: pointer; width: 400px; height: 240px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Interesante propuesta de estos estudiantes ingleses de la AA (hoy megacracks de la arquitectura inglesa) de estructura neumática para equipar un automóvil y convertirlo en una vivienda móvil de vacaciones. La estructura neumática puede cambiar de forma según la presión de cada uno de sus elementos individuales y un pequeño módulo computerizado aprovecha la electricidad del coche para equipar el conjunto. El coche como arquitectura!!!!&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://2.bp.blogspot.com/-4EYJFXuOnzo/Tl3vWDPSv6I/AAAAAAAAFZA/i6HQQPk-OIo/s1600/dynamat04blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-4EYJFXuOnzo/Tl3vWDPSv6I/AAAAAAAAFZA/i6HQQPk-OIo/s400/dynamat04blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646932669898080162" style="cursor: pointer; width: 400px; height: 254px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://2.bp.blogspot.com/-W0XXzrkUGvM/Tl3vV7t7v1I/AAAAAAAAFY4/FXARYHn4eaA/s1600/dynamat05blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-W0XXzrkUGvM/Tl3vV7t7v1I/AAAAAAAAFY4/FXARYHn4eaA/s400/dynamat05blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646932667879112530" style="cursor: pointer; width: 400px; height: 252px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;A+U 74 02 [1974] Vol4 Nº38&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Construcciones neumáticas. Manual de arquitectura hinchable. Thomas Herzog. 1976&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Experimental Architecture [1970] peter Cook&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;PROJECTS ARCHITECTURAL ASSOCIATION 1946-71 (1972) Edited by James Gowan.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3811325451221986907?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3811325451221986907/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3811325451221986907' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3811325451221986907'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3811325451221986907'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/el-coche-como-arquitectura-v-1971.html' title='El coche como arquitectura [V] 1971 Dynamat [Simon Conolly + Mark Fisher]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-kTJU0fVnzxs/Tl3vWoMNRqI/AAAAAAAAFZY/uRF6IvDwu_4/s72-c/dynamat01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3981592827025738436</id><published>2011-08-30T10:16:00.002+02:00</published><updated>2011-08-30T10:21:22.732+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><category scheme='http://www.blogger.com/atom/ns#' term='AA'/><category scheme='http://www.blogger.com/atom/ns#' term='1972'/><category scheme='http://www.blogger.com/atom/ns#' term='playboy'/><title type='text'>PERVERSIONES NATURALES 1972 Playboy Club [Paul Shepheard]</title><content type='html'>&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-EB2ZBhVYYgo/TlycwdiLt9I/AAAAAAAAFYo/pwBCIg2Ruu0/s1600/playboy02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-EB2ZBhVYYgo/TlycwdiLt9I/AAAAAAAAFYo/pwBCIg2Ruu0/s400/playboy02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646560389191415762" style="cursor: pointer; width: 400px; height: 161px; " /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-heYqkG3PSeE/TlycwlL9i1I/AAAAAAAAFYw/2MOAuEdq1ag/s1600/playboy01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-heYqkG3PSeE/TlycwlL9i1I/AAAAAAAAFYw/2MOAuEdq1ag/s400/playboy01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646560391245695826" style="cursor: pointer; width: 385px; height: 400px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Este ejercicio de 5º curso de la AA de Londres explora la capacidad publicitaria de las conejitas Playboy, al generar el club para las mismas a partir de estatuas de gran tamaño (unos 40metros) a la manera de Disney, con cartón piedra y helicópteros sobrevolando entre sus operados traseros. Perversiones naturales y cambio de escala a través de antropomorfismos del icono femenino (en el imaginario colectivo masculino) clásico que marco una época:las conejitas Playboy.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;PROJECTS ARCHITECTURAL ASSOCIATION 1946-71 (1972) Edited by James Gowan.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3981592827025738436?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3981592827025738436/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3981592827025738436' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3981592827025738436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3981592827025738436'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/perversiones-naturales-1972-playboy.html' title='PERVERSIONES NATURALES 1972 Playboy Club [Paul Shepheard]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-EB2ZBhVYYgo/TlycwdiLt9I/AAAAAAAAFYo/pwBCIg2Ruu0/s72-c/playboy02.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-1312970576748382754</id><published>2011-08-29T11:23:00.002+02:00</published><updated>2011-08-29T11:25:55.994+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cambio de escala'/><category scheme='http://www.blogger.com/atom/ns#' term='participación'/><category scheme='http://www.blogger.com/atom/ns#' term='cambio de pensamiento'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><category scheme='http://www.blogger.com/atom/ns#' term='haus-rucker-co'/><title type='text'>CAMBIO DE ESCALA. CAMBIO DE PENSAMIENTO 1970 Billar Gigante [Haus Rucker Co]</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  &gt;El cambio de escala les sirve en este caso a Haus Rucker-Co para crear un billar gigante. Ya sea en un museo de Viena o las calles de Nueva York, la idea del cambio de escala de un juego popular e interactivo, les sirve a los austríacos para dejar claro que la ciudad es participación e interacción (aunque tengan que aumentar la escala de juegos más pequeños para adecuarla a la de la ciudad).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://2.bp.blogspot.com/-kw-K9P33cGo/Tltaym_G1gI/AAAAAAAAFYY/nNSozGGwiq0/s1600/billar01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-kw-K9P33cGo/Tltaym_G1gI/AAAAAAAAFYY/nNSozGGwiq0/s400/billar01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646206383344244226" style="cursor: pointer; width: 400px; height: 200px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://2.bp.blogspot.com/-bNc0lhqHULw/TltaykFOc2I/AAAAAAAAFYQ/Lhe_YwYYmk8/s1600/billar02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-bNc0lhqHULw/TltaykFOc2I/AAAAAAAAFYQ/Lhe_YwYYmk8/s400/billar02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5646206382564602722" style="cursor: pointer; width: 400px; height: 256px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Julio 1970&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-1312970576748382754?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/1312970576748382754/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=1312970576748382754' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1312970576748382754'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/1312970576748382754'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/cambio-de-escala-cambio-de-pensamiento.html' title='CAMBIO DE ESCALA. CAMBIO DE PENSAMIENTO 1970 Billar Gigante [Haus Rucker Co]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-kw-K9P33cGo/Tltaym_G1gI/AAAAAAAAFYY/nNSozGGwiq0/s72-c/billar01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3696861296324520673</id><published>2011-08-26T13:42:00.003+02:00</published><updated>2011-08-26T13:48:24.781+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='cedric price'/><category scheme='http://www.blogger.com/atom/ns#' term='universidad del futuro'/><category scheme='http://www.blogger.com/atom/ns#' term='1968'/><title type='text'>Intercambios de información 1968 Átomo [Cedric Price] Diseño de enseñanza nueva para una nueva ciudad</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: small; "&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://4.bp.blogspot.com/-B-XIOxGlUcI/TleHYKcao_I/AAAAAAAAFYI/Ri-ljRG-9k8/s1600/II05.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-B-XIOxGlUcI/TleHYKcao_I/AAAAAAAAFYI/Ri-ljRG-9k8/s400/II05.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5645129507122357234" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: small; "&gt;Ya había escrito de este proyecto de Cedric Price en un post anterior. Puedes leerlo si quieres conocer mejor lo que propone el proyecto:&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: arial; font-size: small; "&gt;&lt;a href="http://arqueologiadelfuturo.blogspot.com/2010/12/1968-atomo-cedric-price-diseno-de.html"&gt;http://arqueologiadelfuturo.blogspot.com/2010/12/1968-atomo-cedric-price-diseno-de.html&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"  &gt;  &lt;p class="MsoNormal"&gt;Átomo surge como modelo educacional global que propone trasladar la educación a cualquiera de las esferas de la sociedad a través del diseño de protocolos para el intercambio de información. Son muy interesantes las imágenes que presenta Cedric Price en la que una fábrica “transparenta” el contenido de sus silos o las capacidades de carga de sus puentes-grúa, un autobús es equipado con toda clase de juegos educativos de rutas y su propia vivienda presenta dispositivos para conocer cosas de la misma (podría reducirse a una serie de iphones que están dando información sobre todos los procesos y objetos existentes). Price vuelve a ser ese “capo” visionario.&lt;/p&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/-GoArzfxiWSM/TleHYM-JCSI/AAAAAAAAFYA/g_vXaEvJEYA/s1600/II06.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-GoArzfxiWSM/TleHYM-JCSI/AAAAAAAAFYA/g_vXaEvJEYA/s400/II06.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5645129507800680738" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-NjdQyPHhfLg/TleHX93aKYI/AAAAAAAAFX4/PZJVo_l5stE/s1600/II07.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-NjdQyPHhfLg/TleHX93aKYI/AAAAAAAAFX4/PZJVo_l5stE/s400/II07.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5645129503745911170" style="cursor: pointer; width: 400px; height: 267px; " /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  &gt;&lt;p class="MsoNormal"&gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Cuadernos SUMMA-NUEVA VISIÓN [nº44][1970]&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Architectural Design Mayo 1968&lt;span class="Apple-style-span"  style="font-size: 9pt; font-weight: bold; "&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3696861296324520673?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3696861296324520673/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3696861296324520673' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3696861296324520673'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3696861296324520673'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/intercambios-de-informacion-1968-atomo.html' title='Intercambios de información 1968 Átomo [Cedric Price] Diseño de enseñanza nueva para una nueva ciudad'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-B-XIOxGlUcI/TleHYKcao_I/AAAAAAAAFYI/Ri-ljRG-9k8/s72-c/II05.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-186538440098346423</id><published>2011-08-25T13:02:00.002+02:00</published><updated>2011-08-25T13:08:21.657+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1950'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades acorazadas'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades utópicas'/><category scheme='http://www.blogger.com/atom/ns#' term='atomville'/><category scheme='http://www.blogger.com/atom/ns#' term='paul laszlo'/><title type='text'>1950 ATOMVILLE [Paul Laszlo]</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-Tx-5MaWbBmM/TlYsLraF6vI/AAAAAAAAFXo/EOqCvH620aA/s1600/Atomville02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-Tx-5MaWbBmM/TlYsLraF6vI/AAAAAAAAFXo/EOqCvH620aA/s400/Atomville02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5644747762097842930" style="cursor: pointer; width: 400px; height: 198px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Tras la psicosis de la II Guerra Mundial surgieron en EEUU propuestas como ésta para la creación de comunidades o ciudades con viviendas equipadas o preparadas para un posible ataque nuclear. Los estadounidenses, que habían sido los primeros en utilizar esta tecnología en la guerra fueron los primeros también en temerla hasta el punto de convertirse en un parámetro más a tener en cuenta en el diseño arquitectónico.Atomville de Paul Laszlo, se entierra y presenta un sistema hidráulico de compuertas que convierten a toda la ciudad en un recinto estanco antinuclear (Laszlo era un arquitecto húngaro que había tenido que huir de la Alemania nazi).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-8xGNrWKSfew/TlYsL80sMKI/AAAAAAAAFXw/rs8Yw9kA5m8/s1600/Atomville01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span class="Apple-style-span"  &gt;&lt;img src="http://4.bp.blogspot.com/-8xGNrWKSfew/TlYsL80sMKI/AAAAAAAAFXw/rs8Yw9kA5m8/s400/Atomville01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5644747766772805794" style="cursor: pointer; width: 400px; height: 131px; " /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;UNBUILT AMERICA [1976] Alison Sky + Michelle Stone&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-186538440098346423?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/186538440098346423/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=186538440098346423' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/186538440098346423'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/186538440098346423'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/1950-atomville-paul-laszlo.html' title='1950 ATOMVILLE [Paul Laszlo]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Tx-5MaWbBmM/TlYsLraF6vI/AAAAAAAAFXo/EOqCvH620aA/s72-c/Atomville02blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5766936898975515947</id><published>2011-08-24T14:01:00.002+02:00</published><updated>2011-08-24T14:04:22.107+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='intercambios de información'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudades computerizadas'/><category scheme='http://www.blogger.com/atom/ns#' term='AA'/><title type='text'>INTERCAMBIOS DE INFORMACIÓN. 1969 Computer Community [Dolan Conway + Brian Mitchenere]</title><content type='html'>&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-0hTvT6jfIMM/TlToY0ESQ9I/AAAAAAAAFXQ/atvyTFBW_As/s1600/computer03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 180px;" src="http://4.bp.blogspot.com/-0hTvT6jfIMM/TlToY0ESQ9I/AAAAAAAAFXQ/atvyTFBW_As/s400/computer03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5644391745993196498" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;La idea de generar comunidades computerizadas es esbozada en este estudio para la AA de Dolan Conway y Brian Mitchenere. Ya sea a escala de barrio o más global (en una psible comuniadd virtual que genere links entre las escuelas del Reino Unido), estos arquitectos ingleses anticipan las necesidades de intercambios de información a través de comunidades que aprvovechen las (en ese momento) incipientes tecnlogías en materia de comunicaciones. Para ello proponen unos centros móviles que puedan ir de barrio a barrio a modo de centros de comunicación hipertecnologizados (una especie de obsoletos locutorios).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://1.bp.blogspot.com/-ETdmcyrmS1I/TlToZC4WSZI/AAAAAAAAFXg/HUeNyUyON0Y/s1600/computer01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-ETdmcyrmS1I/TlToZC4WSZI/AAAAAAAAFXg/HUeNyUyON0Y/s400/computer01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5644391749969660306" style="cursor: pointer; width: 400px; height: 369px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-ly0_OHKzdSY/TlToZAOm_BI/AAAAAAAAFXY/BIBNxrh7MLc/s1600/computer02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-ly0_OHKzdSY/TlToZAOm_BI/AAAAAAAAFXY/BIBNxrh7MLc/s400/computer02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5644391749257722898" style="cursor: pointer; width: 400px; height: 288px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Marzo 1969&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5766936898975515947?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5766936898975515947/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5766936898975515947' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5766936898975515947'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5766936898975515947'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/intercambios-de-informacion-1969_24.html' title='INTERCAMBIOS DE INFORMACIÓN. 1969 Computer Community [Dolan Conway + Brian Mitchenere]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-0hTvT6jfIMM/TlToY0ESQ9I/AAAAAAAAFXQ/atvyTFBW_As/s72-c/computer03blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-8148729560824457997</id><published>2011-08-22T18:05:00.002+02:00</published><updated>2011-08-22T18:09:11.617+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='hacia una arquitectura virtual'/><category scheme='http://www.blogger.com/atom/ns#' term='1968'/><category scheme='http://www.blogger.com/atom/ns#' term='9999'/><title type='text'>Hacia una arquitectura Virtual 1968 Arredo Urbano [9999]</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-SYTLN7524Fw/TlJ-0u0yNXI/AAAAAAAAFXI/JCUmD5yN17Q/s1600/Arredo-rubano-01-blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 244px;" src="http://1.bp.blogspot.com/-SYTLN7524Fw/TlJ-0u0yNXI/AAAAAAAAFXI/JCUmD5yN17Q/s400/Arredo-rubano-01-blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5643712727436375410" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En 1968, el grupo 9999 ya reivindicaba la arquitectura virtual a través de una transformación profunda del Ponte Vecchio mediante proyecciones varias utilizándolo de fondo. De esta maner cambiaban el paisaje urbano de una ciudad histórica como Florencia para transformarla completamente mediante lo que ellos denominan como Arredo urbano (o Mobiliario urbano).&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Superarchitecture. Le Futur de l'architecture 1950-1970&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-8148729560824457997?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/8148729560824457997/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=8148729560824457997' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/8148729560824457997'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/8148729560824457997'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/hacia-una-arquitectura-virtual-1968.html' title='Hacia una arquitectura Virtual 1968 Arredo Urbano [9999]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-SYTLN7524Fw/TlJ-0u0yNXI/AAAAAAAAFXI/JCUmD5yN17Q/s72-c/Arredo-rubano-01-blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5724943624919167328</id><published>2011-08-20T16:56:00.003+02:00</published><updated>2011-08-20T17:01:22.610+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='strum'/><category scheme='http://www.blogger.com/atom/ns#' term='superstudio'/><category scheme='http://www.blogger.com/atom/ns#' term='expo 72 moma'/><category scheme='http://www.blogger.com/atom/ns#' term='archizoom'/><category scheme='http://www.blogger.com/atom/ns#' term='perversiones naturales'/><title type='text'>PERVERSIONES NATURALES 1972 Italia New Domestic Landscapes [MOMA.comisariada por Emilio Ambasz]</title><content type='html'>&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;Siguiendo con el concepto de &lt;b&gt;“PERVERSIONES NATURALES”, &lt;/b&gt;las simulaciones espaciales de entornos naturales, los sistemas de control e incluso los intercambios de información entre “hombre y naturaleza” fueron siendo poco a poco desplazadas por simulaciones más básicas formales relacionadas con el ámbito del mobiliario (prados a modo de alfombras, nubes y soles como luminarias o palmeras lámpara) (muy cachondas eso sí). En este sentido destacan estas piezas exhibidas en &lt;b&gt;la expo del 72 del MOMA “The new domestic landscapes”,&lt;/b&gt; comisariada por Emilio Ambasz (de la que ya he hablado en post anteriores). Dejo aquí algunas de las más interesantes: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;a href="http://1.bp.blogspot.com/-dM1eVdxCf8U/Tk_LzkMtCaI/AAAAAAAAFVg/1P34BZ_D6ho/s1600/perver02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-dM1eVdxCf8U/Tk_LzkMtCaI/AAAAAAAAFVg/1P34BZ_D6ho/s400/perver02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5642952944869247394" style="cursor: pointer; width: 400px; height: 283px; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;o:p&gt;&lt;span class="Apple-style-span"  &gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bracciodiferro [1968] Archizoom&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Il Pratone [1970] Grupo Strum&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;a href="http://1.bp.blogspot.com/-wX0GV9AFcqM/Tk_LzyqkPYI/AAAAAAAAFVo/Dhu6xe3KiLM/s1600/perver01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-wX0GV9AFcqM/Tk_LzyqkPYI/AAAAAAAAFVo/Dhu6xe3KiLM/s400/perver01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5642952948752596354" style="cursor: pointer; width: 400px; height: 193px; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Nuvola [1966] Marcello Pietroantoni y Roberto Lucci&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span" &gt;&lt;b&gt;&lt;span class="Apple-style-span" &gt;Dalia [1968] Gino Marotta&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;o:p&gt;&lt;span class="Apple-style-span"  &gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;a href="http://1.bp.blogspot.com/-pwhduJmvWuM/Tk_LzmlpBZI/AAAAAAAAFVY/MTrwipJI7HQ/s1600/perver03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-pwhduJmvWuM/Tk_LzmlpBZI/AAAAAAAAFVY/MTrwipJI7HQ/s400/perver03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5642952945510712722" style="cursor: pointer; width: 400px; height: 210px; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Cirro [1970] Giuseppe Raimondi&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span" &gt;&lt;b&gt;&lt;span class="Apple-style-span" &gt;Passiflora [Superstudio]&lt;/span&gt;&lt;span class="Apple-style-span" &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;o:p&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;o:p&gt;&lt;span class="Apple-style-span"  &gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; "&gt;&lt;span&gt;&lt;span class="Apple-style-span"  &gt;Italia The new domestic Landscape [1972] MOMA edited by Emilio Ambasz&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5724943624919167328?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5724943624919167328/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5724943624919167328' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5724943624919167328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5724943624919167328'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/perversiones-naturales-1972-italia-new.html' title='PERVERSIONES NATURALES 1972 Italia New Domestic Landscapes [MOMA.comisariada por Emilio Ambasz]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-dM1eVdxCf8U/Tk_LzkMtCaI/AAAAAAAAFVg/1P34BZ_D6ho/s72-c/perver02blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7677113603530775849</id><published>2011-08-08T15:20:00.003+02:00</published><updated>2011-08-08T15:21:54.540+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='intercambios de información'/><category scheme='http://www.blogger.com/atom/ns#' term='intersex'/><title type='text'>INTERCAMBIOS DE INFORMACIÓN. 1969 InterSEX [Billy Whistle / Dad Studios]</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-rEi3ZZFloW4/Tj_ivo25N7I/AAAAAAAAFVQ/ea5X3AHHj84/s1600/Intersex01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 213px;" src="http://1.bp.blogspot.com/-rEi3ZZFloW4/Tj_ivo25N7I/AAAAAAAAFVQ/ea5X3AHHj84/s400/Intersex01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5638474566540539826" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Aparato de medida de estímulos sexuales como arquitectura. A través de unas pantallas aparecen una serie de imágenes estimulantes generando en los espectadores una serie de estímulos que son monitorizados por un aparato denominado&lt;b&gt; INTERSEX.&lt;/b&gt; Los intercambios de información se complejizan en un ámbito de arquitectura invisibilizada.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Septiembre 1969&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7677113603530775849?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7677113603530775849/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7677113603530775849' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7677113603530775849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7677113603530775849'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/08/intercambios-de-informacion-1969.html' title='INTERCAMBIOS DE INFORMACIÓN. 1969 InterSEX [Billy Whistle / Dad Studios]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-rEi3ZZFloW4/Tj_ivo25N7I/AAAAAAAAFVQ/ea5X3AHHj84/s72-c/Intersex01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5107874714439033601</id><published>2011-07-19T20:33:00.003+02:00</published><updated>2011-07-19T20:38:59.466+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='cambio de escala'/><category scheme='http://www.blogger.com/atom/ns#' term='TANGE'/><category scheme='http://www.blogger.com/atom/ns#' term='cambio de pensamiento'/><category scheme='http://www.blogger.com/atom/ns#' term='luigi colani'/><category scheme='http://www.blogger.com/atom/ns#' term='1957'/><title type='text'>Cambio de escala. Cambio de pensamiento. 1957 Centro de comunicaciones Yamanishi [Kenzo Tange] VS 1969 Stacking Chairs [Luigi Colani]</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-bEBHJKLXy9Y/TiXPLjSSFWI/AAAAAAAAFVI/ZocgPCZHkic/s1600/metabol01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 201px;" src="http://4.bp.blogspot.com/-bEBHJKLXy9Y/TiXPLjSSFWI/AAAAAAAAFVI/ZocgPCZHkic/s400/metabol01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5631134706454107490" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-c2q2OA5c_ss/TiXPLaSX-gI/AAAAAAAAFVA/9dLOGUVKW6A/s1600/metabol02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 203px;" src="http://4.bp.blogspot.com/-c2q2OA5c_ss/TiXPLaSX-gI/AAAAAAAAFVA/9dLOGUVKW6A/s400/metabol02.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5631134704038574594" /&gt;&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;A partir de principio de los 60 comienza a haber un cambio de pensamiento en torno a la escala. Si Höllein y Oldenburg comienzan a transponer imágenes de objetos cotidianos para ser insertados en todo tipo de situaciones urbanas y paisajes con un considerable aumento de su escala, existe un movimiento contrario en el que ideologías, sistemas y estrategias globales se objetualizan a través de experimentos semánticos a menor escala.&lt;b&gt; La objetualización de la ideología acababa de empezar!!!!!!&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En este caso, el  Centro de comunicaciones Yamanishi [Kenzo Tange] (1957) es convertido por Luigi Colani en sus 1969 Stacking Chairs, utilizando la misma sistemática de espacios servidos y servidos así como una misma imagen representativa de cilindros portantes y bandejas.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Noviembre 1969&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5107874714439033601?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5107874714439033601/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5107874714439033601' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5107874714439033601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5107874714439033601'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/07/cambio-de-escala-cambio-de-pensamiento.html' title='Cambio de escala. Cambio de pensamiento. 1957 Centro de comunicaciones Yamanishi [Kenzo Tange] VS 1969 Stacking Chairs [Luigi Colani]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-bEBHJKLXy9Y/TiXPLjSSFWI/AAAAAAAAFVI/ZocgPCZHkic/s72-c/metabol01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-2304775875437759858</id><published>2011-07-14T06:47:00.001+02:00</published><updated>2011-07-14T06:49:51.686+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='perversión'/><category scheme='http://www.blogger.com/atom/ns#' term='1967'/><category scheme='http://www.blogger.com/atom/ns#' term='konrad frey'/><category scheme='http://www.blogger.com/atom/ns#' term='natural'/><title type='text'>PERVERSIONES NATURALES 1967 CowCicle//Kuhwickel [Konrad Frey]</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-Ts1BiHlngLY/Th51PmOh8jI/AAAAAAAAFU4/r9XHNMhEG3U/s1600/Cowcicle01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 226px;" src="http://4.bp.blogspot.com/-Ts1BiHlngLY/Th51PmOh8jI/AAAAAAAAFU4/r9XHNMhEG3U/s400/Cowcicle01.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5629065495079678514" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;En este interesante proyecto, Konrad Frey propone el control fisiológico de las vacas como forma de arquitectura en lo que podría considerarse una de las perversiones naturales derivadas de la Píldora Arquitectónica de Höllein. Controlar la el intercambio higrotérmico de las vacas permite La erradicación de los lugares arquitectónicos dónde éstas se cobijan. "Todo es arquitectura".&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Architectural Design Febrero 1970&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-2304775875437759858?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/2304775875437759858/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=2304775875437759858' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2304775875437759858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2304775875437759858'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/07/perversiones-naturales-1967.html' title='PERVERSIONES NATURALES 1967 CowCicle//Kuhwickel [Konrad Frey]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Ts1BiHlngLY/Th51PmOh8jI/AAAAAAAAFU4/r9XHNMhEG3U/s72-c/Cowcicle01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3746001289677738533</id><published>2011-07-12T06:21:00.003+02:00</published><updated>2011-07-12T06:27:22.576+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='acción'/><category scheme='http://www.blogger.com/atom/ns#' term='funco'/><title type='text'>Nuevas actitudes 1969 Funeral for the DON [Funco]</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-wbp0VbvVXp0/ThvM1CRYioI/AAAAAAAAFUg/4Nv_WMJ_UdE/s1600/don03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 320px;" src="http://2.bp.blogspot.com/-wbp0VbvVXp0/ThvM1CRYioI/AAAAAAAAFUg/4Nv_WMJ_UdE/s400/don03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5628317370844482178" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;Utilizando herramientas teatrales (FUNCO es originariamente un grupo de teatro de arquitectos), este grupo canadiense revindica la contaminación del río principal de su ciudad a través de una serie de performances como su entierro o anuncios en prensa ("¿quieres un vaso de agua del río DON?). Es bastante interesante la mezcla entre una situación urbana controvertida y un nuevo uso de la publicidad y los medios de comunicación relacionados con la acción urbana y la arquitectura.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/-CsuMDhrspdg/ThvM1X6Nf-I/AAAAAAAAFUo/SPysl1olXM4/s1600/don02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-CsuMDhrspdg/ThvM1X6Nf-I/AAAAAAAAFUo/SPysl1olXM4/s400/don02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5628317376652869602" style="cursor: pointer; width: 400px; height: 289px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;&lt;b&gt;Bibliografía:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  &gt;ARTHROPODS New design futures [1971] Jim Burns Academy&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3746001289677738533?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3746001289677738533/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3746001289677738533' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3746001289677738533'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3746001289677738533'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/07/nuevas-actitudes-1969-funeral-for-don.html' title='Nuevas actitudes 1969 Funeral for the DON [Funco]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-wbp0VbvVXp0/ThvM1CRYioI/AAAAAAAAFUg/4Nv_WMJ_UdE/s72-c/don03blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-4591008549444961273</id><published>2011-07-09T18:21:00.001+02:00</published><updated>2011-07-09T18:25:00.990+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><category scheme='http://www.blogger.com/atom/ns#' term='automóvil'/><category scheme='http://www.blogger.com/atom/ns#' term='movilidad'/><title type='text'>La Movilidad como opción de futuro 1970 Aktion 20.000Km [HA Schult]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-t0Zi6IjHfaY/ThiAulbqhJI/AAAAAAAAFUY/qfrVEQ5vK-4/s1600/aktion00blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 201px;" src="http://3.bp.blogspot.com/-t0Zi6IjHfaY/ThiAulbqhJI/AAAAAAAAFUY/qfrVEQ5vK-4/s400/aktion00blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627389272209917074" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;En 1970 HA Schult realizó un viaje por toda Alemania registrando en cintas todas las conversaciones mantenidas en el mismo y vendiendo los objetos que recogía así como planos del mismo, fotografías tomadas… trabajando sobre la idea del Movilidad y del “Mundo como gran ambiente personal”…&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;a href="http://3.bp.blogspot.com/-7FKByGYxpfU/ThiAthKeecI/AAAAAAAAFUQ/np6olpM1_CE/s1600/aktion01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-7FKByGYxpfU/ThiAthKeecI/AAAAAAAAFUQ/np6olpM1_CE/s400/aktion01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627389253884213698" style="cursor: pointer; width: 400px; height: 312px; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;a href="http://2.bp.blogspot.com/-z03CQqu8d_E/ThiAthfRZnI/AAAAAAAAFUI/qqwgKl_7O8M/s1600/aktion02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-z03CQqu8d_E/ThiAthfRZnI/AAAAAAAAFUI/qqwgKl_7O8M/s400/aktion02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5627389253971437170" style="cursor: pointer; width: 400px; height: 316px; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US; font-weight:normal"&gt;ARTHROPODS New design futures [1971] Jim Burns Academy&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language: EN-US;font-weight:normal;mso-bidi-font-weight:bold"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-4591008549444961273?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/4591008549444961273/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=4591008549444961273' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4591008549444961273'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/4591008549444961273'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/07/la-movilidad-como-opcion-de-futuro-1970.html' title='La Movilidad como opción de futuro 1970 Aktion 20.000Km [HA Schult]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-t0Zi6IjHfaY/ThiAulbqhJI/AAAAAAAAFUY/qfrVEQ5vK-4/s72-c/aktion00blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5479998522466233199</id><published>2011-07-08T18:38:00.004+02:00</published><updated>2011-07-08T18:40:59.599+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='arqueología del futuro'/><category scheme='http://www.blogger.com/atom/ns#' term='movilidad'/><category scheme='http://www.blogger.com/atom/ns#' term='Vivienda Móvil'/><category scheme='http://www.blogger.com/atom/ns#' term='catálogo'/><title type='text'>La Movilidad como opción de futuro. Artículo en la revista Arquitectos 1/2011 Movilidad</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Arqueología del Futuro en la revista Arquitectos Movilidad 1/2011 del Consejo Superior de Arquitectos de España dirigida por Ignacio Borrego, Lina Toro y Néstor Montenegro.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;object style="width: 420px; height: 295px;"&gt;&lt;param name="movie" value="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=110708163401-b5508813d9804732a5c8c5b26af5ae40&amp;amp;docName=arquitectos_1_2011_movilidad__arqueologia_del_futu&amp;amp;username=pkmn&amp;amp;loadingInfoText=Arquitectos%201%2F2011%20Movilidad%20%5BArqueolog%C3%ADa%20del%20Futuro%5D&amp;amp;et=1310143125779&amp;amp;er=83"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="menu" value="false"&gt;&lt;embed src="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf" type="application/x-shockwave-flash" allowfullscreen="true" menu="false" style="width: 420px; height: 295px;" flashvars="mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=110708163401-b5508813d9804732a5c8c5b26af5ae40&amp;amp;docName=arquitectos_1_2011_movilidad__arqueologia_del_futu&amp;amp;username=pkmn&amp;amp;loadingInfoText=Arquitectos%201%2F2011%20Movilidad%20%5BArqueolog%C3%ADa%20del%20Futuro%5D&amp;amp;et=1310143125779&amp;amp;er=83"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div style="width: 420px; text-align: left;"&gt;&lt;a href="http://issuu.com/pkmn/docs/arquitectos_1_2011_movilidad__arqueologia_del_futu?mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true" target="_blank"&gt;Open publication&lt;/a&gt; - Free &lt;a href="http://issuu.com/" target="_blank"&gt;publishing&lt;/a&gt; - &lt;a href="http://issuu.com/search?q=movilidad" target="_blank"&gt;More movilidad&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5479998522466233199?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5479998522466233199/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5479998522466233199' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5479998522466233199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5479998522466233199'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/07/la-movilidad-como-opcion-de-futuro.html' title='La Movilidad como opción de futuro. Artículo en la revista Arquitectos 1/2011 Movilidad'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5637698463313839565</id><published>2011-06-21T15:12:00.003+02:00</published><updated>2011-06-21T15:15:18.412+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='ciudad móvil'/><title type='text'>LA MOVILIDAD COMO OPCIÓN DE FUTURO. 1969 MEDIKIT [Tony Dougdale + Bill Busfield + Dolan Conway]</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-rSCgUnMIgyc/TgCZBHI5fzI/AAAAAAAAFUA/sUixgeIm_jk/s1600/medikit01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 148px;" src="http://4.bp.blogspot.com/-rSCgUnMIgyc/TgCZBHI5fzI/AAAAAAAAFUA/sUixgeIm_jk/s400/medikit01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620660579333668658" /&gt;&lt;/a&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/-nk3R17qyCRg/TgCZA2Ag_EI/AAAAAAAAFT4/Fnaip9uZTMI/s1600/medikit02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-nk3R17qyCRg/TgCZA2Ag_EI/AAAAAAAAFT4/Fnaip9uZTMI/s400/medikit02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620660574735105090" style="cursor: pointer; width: 400px; height: 208px; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Medikit &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;(proyecto incluido en la sección oficial británica de la &lt;/span&gt;&lt;span style="font-size: 9pt; font-family: Cambria, serif; "&gt;Bienal de París de 1969&lt;/span&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;) es otro ejemplo de la importancia de la movilidad (en este caso dentro del sistema sanitario) (así como de la arquitectura experimental a pequeña escala) acaecida en la arquitectura británica de finales de los 60, influenciada totalmente por el peso de Price y Cook (entre otros) en la AA (en breve haré un post de mejores trabajos de esos años en la Architectural Association) y sus proyectos de equipamientos de catálogo que hacen de la movilidad una opción de futuro al intentar buscar una “arquitectura flexible” para el usuario. (Es patente también la influencia estética de cómo representar esa &lt;/span&gt;&lt;span style="font-size: 9pt; font-family: Cambria, serif; "&gt;“MOVILIDAD”&lt;/span&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;). Y todo ello cargado de tecnología (claro está)!!!!&lt;/span&gt;&lt;/strong&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:&amp;quot;Georgia&amp;quot;,&amp;quot;serif&amp;quot;; color:black"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;a href="http://4.bp.blogspot.com/-BHWpIzuNB-I/TgCZAuFP9gI/AAAAAAAAFTw/71unMlbmr0s/s1600/medikit03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://4.bp.blogspot.com/-BHWpIzuNB-I/TgCZAuFP9gI/AAAAAAAAFTw/71unMlbmr0s/s400/medikit03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5620660572607477250" style="cursor: pointer; width: 400px; height: 230px; " /&gt;&lt;/a&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US"&gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US; font-weight:normal;mso-bidi-font-weight:bold"&gt;Architectural Design [Octubre 1969]&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US; font-weight:normal;mso-bidi-font-weight:bold"&gt;Experimental Architecture [1970] Peter Cook&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5637698463313839565?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5637698463313839565/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5637698463313839565' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5637698463313839565'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5637698463313839565'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/06/la-movilidad-como-opcion-de-futuro-1969.html' title='LA MOVILIDAD COMO OPCIÓN DE FUTURO. 1969 MEDIKIT [Tony Dougdale + Bill Busfield + Dolan Conway]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-rSCgUnMIgyc/TgCZBHI5fzI/AAAAAAAAFUA/sUixgeIm_jk/s72-c/medikit01blog.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-398497747146468203</id><published>2011-06-16T12:48:00.001+02:00</published><updated>2011-06-16T12:50:39.752+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cambio de escala'/><category scheme='http://www.blogger.com/atom/ns#' term='1977'/><category scheme='http://www.blogger.com/atom/ns#' term='reciclaje'/><category scheme='http://www.blogger.com/atom/ns#' term='christo'/><title type='text'>RECICLING. THE MASTABA [1977] Christo</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-TIvB-vcgR14/Tfnf3Kv5yoI/AAAAAAAAFTo/4Tw2d4OH6Cg/s1600/mastaba01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 316px;" src="http://1.bp.blogspot.com/-TIvB-vcgR14/Tfnf3Kv5yoI/AAAAAAAAFTo/4Tw2d4OH6Cg/s400/mastaba01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618768148992477826" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-zZtItU1cFiE/Tfnf29_zGvI/AAAAAAAAFTg/h7sfAbiN7E8/s1600/mastaba02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 124px;" src="http://2.bp.blogspot.com/-zZtItU1cFiE/Tfnf29_zGvI/AAAAAAAAFTg/h7sfAbiN7E8/s400/mastaba02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618768145569487602" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;span class="Apple-style-span" &gt;&lt;span class="Apple-style-span" style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;Proyecto del artista Christo para la construcción de una mastaba con 2,000,000 millones de barriles de petróleo vacíos (sujetos a una estructura interna portante. Como si de la construcción de una antigua civilización se tratase, la pirámide truncada de 300metros de lado mayor, 225 el menor y 150 metros de altura aparecería en el desierto de los Emiratos Árabes. Christo ya había explotado la capacidad escultórica de los barriles petroleros en otros proyectos y en este caso lo refuerza con su idea de gran escala. Podría haber sido una de las ciudades utópicas más maravillosas!!!!&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US"&gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US; font-weight:normal;mso-bidi-font-weight:bold"&gt;Fantastic Architecture [1980] George R Collins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-398497747146468203?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/398497747146468203/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=398497747146468203' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/398497747146468203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/398497747146468203'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/06/recicling-mastaba-1977-christo.html' title='RECICLING. THE MASTABA [1977] Christo'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-TIvB-vcgR14/Tfnf3Kv5yoI/AAAAAAAAFTo/4Tw2d4OH6Cg/s72-c/mastaba01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5675972796889712448</id><published>2011-06-15T14:44:00.001+02:00</published><updated>2011-06-15T14:46:09.699+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cambio de escala'/><category scheme='http://www.blogger.com/atom/ns#' term='1960'/><category scheme='http://www.blogger.com/atom/ns#' term='cambio de pensamiento'/><category scheme='http://www.blogger.com/atom/ns#' term='bruce goff'/><title type='text'>Cambio de escala. Cambio de pensamiento. 1960 Cowboy Hall of Fame [Bruce Goff]</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-6-OF0h3j5R8/Tfipebz3ewI/AAAAAAAAFTY/K8fsmbowPKI/s1600/cowboy01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 164px;" src="http://3.bp.blogspot.com/-6-OF0h3j5R8/Tfipebz3ewI/AAAAAAAAFTY/K8fsmbowPKI/s400/cowboy01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618426875471166210" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;Sin duda alguna, &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt; font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Bruce Goff&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt; nunca debió haber perdido el concurso para el Salón &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;de la Fama del Cowboy de Oklahoma City&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;. Como si de un &lt;span style="mso-spacerun:yes"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;monumento COWBOY &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;se tratase&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;,&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt; todo el programa lo resuelve en seis edificios a modo de herraduras en torno a un pilono / mirador como si del juego de la herraduras se tratase. Años después, muchos otros arquitectos ganaron concursos con analogías similares asociadas a un cambio de escala de objetos de identidad del programa o el emplazamiento propuesto. &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Cambio de escala / Cambio de pensamiento&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;. Como dicen los yankees &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;“ In Goff we trust”.&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;a href="http://1.bp.blogspot.com/-iGaEWhkm2K8/Tfipd9_rvgI/AAAAAAAAFTQ/_XTvgT90Fwg/s1600/cowboy02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-iGaEWhkm2K8/Tfipd9_rvgI/AAAAAAAAFTQ/_XTvgT90Fwg/s400/cowboy02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618426867467664898" style="cursor: pointer; width: 400px; height: 284px; " /&gt;&lt;/a&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US"&gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US; font-weight:normal;mso-bidi-font-weight:bold"&gt;UNBUILT AMERICA [1976] Alison Sky + Michelle Stone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5675972796889712448?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5675972796889712448/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5675972796889712448' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5675972796889712448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5675972796889712448'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/06/cambio-de-escala-cambio-de-pensamiento.html' title='Cambio de escala. Cambio de pensamiento. 1960 Cowboy Hall of Fame [Bruce Goff]'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-6-OF0h3j5R8/Tfipebz3ewI/AAAAAAAAFTY/K8fsmbowPKI/s72-c/cowboy01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-5967864159972938424</id><published>2011-06-14T15:33:00.002+02:00</published><updated>2011-06-14T15:35:47.601+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1973'/><category scheme='http://www.blogger.com/atom/ns#' term='survival scrapbook'/><category scheme='http://www.blogger.com/atom/ns#' term='reciclaje'/><category scheme='http://www.blogger.com/atom/ns#' term='legalidad'/><category scheme='http://www.blogger.com/atom/ns#' term='do it yourself'/><title type='text'>El Do It Yourself como opción de futuro. En los márgenes de la legalidad. Survival Scrapbook One Shelter [1973] Szczelkun</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-lA3hvBVXgHw/TfdjfKPReXI/AAAAAAAAFTI/xLC1UsP3lhY/s1600/Survival01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://3.bp.blogspot.com/-lA3hvBVXgHw/TfdjfKPReXI/AAAAAAAAFTI/xLC1UsP3lhY/s400/Survival01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618068447143491954" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;Es muy interesante el catálogo de asentamientos que aparecen la publicación de 1973 “&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Survival Scrapbook One Shelter” &lt;span style="mso-spacerun:yes"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;de Stefan A. Szczelkun, en la que reivindica incluso temas tan contemporáneos como trabajar en los márgenes de la legalidad urbanística (encontrar fisuras legales, indefiniciones jurídicas… a la manera de Gordon Matta-Clark y su compra de resquicios de terrenos en Nueva York por cantidades oscilantes entre 25 y 75$). De esta manera Szczelkun realiza una serie de anotaciones sobre las dificultades de tramitación de licencias de edificios como antiguas capillas o graneros (pare el reciclaje efectivo de los mismos), los límites legales entre construcción e instalación (&lt;i style="mso-bidi-font-style: normal"&gt;“una caravana sin ruedas sigue siendo todavía una vivienda móvil&lt;/i&gt;”) o las maneras de generar añadidos aparentemente ilegales. &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;El Do It Yourself como opción de futuro!!!&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt; font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight:bold"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;a href="http://3.bp.blogspot.com/-4MrPG-xJ14U/Tfdjeo5TD_I/AAAAAAAAFTA/uoP7rBDF7ZM/s1600/Survival02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-4MrPG-xJ14U/Tfdjeo5TD_I/AAAAAAAAFTA/uoP7rBDF7ZM/s400/Survival02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5618068438192951282" style="cursor: pointer; width: 400px; height: 271px; " /&gt;&lt;/a&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US"&gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;Survival Scrapbook One Shelter [1973] Szczelkun&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-5967864159972938424?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/5967864159972938424/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=5967864159972938424' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5967864159972938424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/5967864159972938424'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/06/el-do-it-yourself-como-opcion-de-futuro.html' title='El Do It Yourself como opción de futuro. En los márgenes de la legalidad. Survival Scrapbook One Shelter [1973] Szczelkun'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-lA3hvBVXgHw/TfdjfKPReXI/AAAAAAAAFTI/xLC1UsP3lhY/s72-c/Survival01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-2996990018848428531</id><published>2011-05-27T17:45:00.003+02:00</published><updated>2011-05-27T18:02:07.124+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='pop'/><category scheme='http://www.blogger.com/atom/ns#' term='2011'/><category scheme='http://www.blogger.com/atom/ns#' term='arqueología del futuro'/><category scheme='http://www.blogger.com/atom/ns#' term='andrés Jaque'/><category scheme='http://www.blogger.com/atom/ns#' term='Richard Levene'/><title type='text'>Arqueología del Futuro en “ARQUITECTURAS EN LAS DERIVAS DEL POP” [Del 4 al 8 de Julio] Curso en la UIMP dirigido por Andrés Jaque y Richard Levene</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-T91LNythlzA/Td_KTr3WLuI/AAAAAAAAFRU/-fOYG1MkNA4/s1600/Derivasblog.jpg"&gt;&lt;img style="cursor: pointer; 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   &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt; 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font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt; tendrá el honor de participar en el curso de verano de la UIMP [Universidad Internacional Menéndez Pelayo] &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;“Arquitecturas en las Derivas del POP”&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt; dirigido por &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Andrés Jaque&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt; y &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Richard Levene&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt;. [Del 4 al 8 de Julio].&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;El curso se plantea como un recuento de algunas de las vías en que la arquitectura de la contemporaneidad opera en el contexto cultural que ha surgido como derivación de las culturas pop, reuniendo a arquitectos, artistas y pensadores que exploran la constitución material de lo social, la manera en que lo político se encarna en el día a día y la transición de la cultura moderna a la ecosistémica.&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;i style=""&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt;“Habitamos en lo que empezó siendo pop. Si en un principio las arquitecturas de la cultura pop fueron entendidas como la traslación a la ciudad y al territorio de las lógicas, ideologías y sensibilidades de la producción masiva, del desarrollo de los medios de comunicación de masas y de las técnicas de mercadotecnia; ha sido más tarde cuando se entendió cómo en las apropiaciones particulares de lo genérico encontraba acomodo lo marginal, lo underground, la disputa y ciertas formas de emancipación y disidencia. La cotidianeidad pop fue el arma con que uno de los bloques intentaba ganar la Guerra Fría, pero también la arena en que se desarrollaron técnicas específicas para desafiar en la base sus hegemonías. Es esta la cualidad que precisamente ahora toma protagonismo.&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;i style=""&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;i style=""&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt;Justo en el momento en que tomamos conciencia de la imposibilidad de colocarnos fuera de lo popular y justo cuando muchos pensadores afirman que ‘la verdad es aquello que llega a difundirse’, la evolución y los nuevos grados de interacción en los canales de comunicación dan un renovado protagonismo a las técnicas por las que lo singular se inscribe en lo colectivo. Si para la arquitectura fue importante ‘aprender de lo popular’, ¿qué técnicas arquitectónicas han emergido cuando todo y, al mismo tiempo, nada es popular? ¿Y qué formas de lo político, de la innovación, de la construcción social quedan ahora embebidas en las arquitecturas del presente?”&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;i style=""&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Puedes ver los participantes y el programa completo aquí:&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt; &lt;br /&gt;&lt;div&gt;&lt;object style="width: 420px; height: 306px;"&gt;&lt;param name="movie" value="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=110527145304-eca491dcd153463f869cb6c2d6fe15e1&amp;amp;docName=10621programa.largo&amp;amp;username=pkmn&amp;amp;loadingInfoText=Programa%20curso%20UIMP%20%22Arquitecturas%20de%20las%20derivas%20del%20POP%22&amp;amp;et=1306511941918&amp;amp;er=53"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="menu" value="false"&gt;&lt;embed src="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf" type="application/x-shockwave-flash" allowfullscreen="true" menu="false" style="width: 420px; 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&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-2996990018848428531?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/2996990018848428531/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=2996990018848428531' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2996990018848428531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/2996990018848428531'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/05/arqueologia-del-futuro-en-arquitecturas.html' title='Arqueología del Futuro en “ARQUITECTURAS EN LAS DERIVAS DEL POP” [Del 4 al 8 de Julio] Curso en la UIMP dirigido por Andrés Jaque y Richard Levene'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-T91LNythlzA/Td_KTr3WLuI/AAAAAAAAFRU/-fOYG1MkNA4/s72-c/Derivasblog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-7976851953215341702</id><published>2011-05-25T18:32:00.001+02:00</published><updated>2011-05-25T18:36:12.659+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='farallones'/><category scheme='http://www.blogger.com/atom/ns#' term='1971'/><category scheme='http://www.blogger.com/atom/ns#' term='do it yourself'/><category scheme='http://www.blogger.com/atom/ns#' term='catálogo'/><title type='text'>DO IT YOURSELF como opción de futuro 1971 FARALLONES SCRAPBOOK</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-USqdIkeEOLc/Td0vn1tilsI/AAAAAAAAFRE/YoSxpqzkpa4/s1600/farallones01blog.jpg"&gt;&lt;img style="cursor: pointer; 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text-decoration: none;"&gt;http://www.ecoredux.com/&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;"&gt;y su &lt;span style=""&gt; &lt;/span&gt;búsqueda de proyectos experimentales del pasado que utilizan materiales ecológicos (fundamentalmente publicados en Cosmorama de Architectural Design y pequeños fanzines), encontré referenciado este libro de DIY denominado Farallones Scrapbook (de un grupo de diseñadores del mismo nombre) parecido a otros trabajos de publicaciones DIY (ya sean los Domebook, Inflatocookbook de ANT FRAM o, “ How to build your own living structures “, 1974, de Ken Isaacs) aunque de una manera más enfocada al espacio semipúblico (el subtítulo del libro era: “A Momento and Manual of Our Apprenticeship in Making Places and Changing Spaces in Schools at Home and Within Ourselves”) generado en el hogar o el colegio. Es interesante como presentan catálogos de materiales técnicas y objetos diversos (entre los que no faltan por supuesto estructuras neumáticas ni cúpulas geodésicas), así como consejos constructivos relacionados con el reciclaje y con materiales de bajo impacto ecológico. Sin duda alguna este movimiento DIY es deudor de la gran aceptación del mismo en las revistas populares americanas y reivindica la capacidad del usuario para transformar su ciudad, desde su vivienda hasta el espacio público. Sin duda alguna presenta una clara línea de continuidad en la actualidad (con la intercesión de algunas de las nuevas tecnologías) en nuevos catálogos de soluciones constructivas que de alguna manera mantienen ese espíritu de capacidad de cambio por parte del usuario (ya sean trabajos de Santiago Cirugeda a través de sus Recetas Urbanas &lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;a href="http://www.recetasurbanas.net/"&gt;http://www.recetasurbanas.net/&lt;/a&gt; , el recetario de MAKEA &lt;a href="http://www.el-recetario.net/"&gt;http://www.el-recetario.net/&lt;/a&gt;, patentes abiertas de Basurama &lt;a href="http://basurama.org/index.htm"&gt;http://basurama.org/index.htm&lt;/a&gt; o el catálogo libre de soluciones constructivas colectivas generado como Inteligencias Colectivas &lt;a href="http://www.inteligenciascolectivas.org/"&gt;http://www.inteligenciascolectivas.org/&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoFootnoteText"&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;En la página 12 del Farallones Scrapbook, este grupo de diseño define con esta frase parte de su filosofía:&lt;/span&gt;&lt;/p&gt;    &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;i style=""&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;" lang="EN-US"&gt;“Marshall McLuhan uses books to tell us books are obsolete”&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;" lang="EN-US"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;" lang="EN-US"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;" lang="EN-US"&gt;&lt;/span&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-19wRX_oXjcY/Td0vnp1txvI/AAAAAAAAFQ8/JRleU20ISGU/s1600/farallones02blog.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 202px;" src="http://3.bp.blogspot.com/-19wRX_oXjcY/Td0vnp1txvI/AAAAAAAAFQ8/JRleU20ISGU/s400/farallones02blog.jpg" alt="" id="BLOGGER_PHOTO_ID_5610693069066061554" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-QCJQgR-SY-I/Td0vnNgAOOI/AAAAAAAAFQ0/b2r6J76BvCw/s1600/farallones03blog.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 202px;" src="http://4.bp.blogspot.com/-QCJQgR-SY-I/Td0vnNgAOOI/AAAAAAAAFQ0/b2r6J76BvCw/s400/farallones03blog.jpg" alt="" id="BLOGGER_PHOTO_ID_5610693061458802914" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;Bibliografía:&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;   &lt;p style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-weight: normal;" lang="EN-US"&gt;Farallones Scrapbook.&lt;span style=""&gt;  &lt;/span&gt;Momento and Manual of Our Apprenticeship in Making Places and Changing Spaces in Schools at Home and Within Ourselves [1971]&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;ES&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-7976851953215341702?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/7976851953215341702/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=7976851953215341702' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7976851953215341702'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/7976851953215341702'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/05/do-it-yourself-como-opcion-de-futuro_25.html' title='DO IT YOURSELF como opción de futuro 1971 FARALLONES SCRAPBOOK'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-USqdIkeEOLc/Td0vn1tilsI/AAAAAAAAFRE/YoSxpqzkpa4/s72-c/farallones01blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3324797750123908396</id><published>2011-05-24T11:19:00.002+02:00</published><updated>2011-05-24T11:21:48.172+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1969'/><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='john mchale'/><category scheme='http://www.blogger.com/atom/ns#' term='predicciones'/><category scheme='http://www.blogger.com/atom/ns#' term='futuro'/><category scheme='http://www.blogger.com/atom/ns#' term='robots'/><title type='text'>Cuando el futuro eran los ROBOTS.  MAN PLUS “The Future of the Future” [1969] John McHale</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-mqVOPqLV_Fg/Tdt4VkSl43I/AAAAAAAAFQk/unZhg6q_Zjo/s1600/manplus02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 292px;" src="http://1.bp.blogspot.com/-mqVOPqLV_Fg/Tdt4VkSl43I/AAAAAAAAFQk/unZhg6q_Zjo/s400/manplus02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5610210072734327666" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language:EN-US;font-weight:normal;mso-bidi-font-weight:bold"&gt;“The automated factory is not only a series of augmented hands but also of extra eyes, brains, and other sensing and control capacities”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language:EN-US;font-weight:normal;mso-bidi-font-weight:bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;John McHale,&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt; uno de los más importantes arquitectos futurólogos, vaticina un futuro robótico que pueda extender las capacidades humanas (ya sea a través de exoesqueletos que mejoren nuestra fuerza y movilidad / sistemas de satélites para una mejor percepción…) que deriven en la generación de un nuevo Super/Hombre. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: Cambria, serif; "&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; font-weight: normal; "&gt;&lt;a href="http://1.bp.blogspot.com/-O9Ve31OQWyY/Tdt4VXiCmTI/AAAAAAAAFQc/Gkr0KJwbCEA/s1600/manplus03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://1.bp.blogspot.com/-O9Ve31OQWyY/Tdt4VXiCmTI/AAAAAAAAFQc/Gkr0KJwbCEA/s400/manplus03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5610210069309462834" style="cursor: pointer; width: 400px; height: 176px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;strong&gt;&lt;span style="font-size: 9pt; font-family: Cambria, serif; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;Fascinado por el concepto de &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;cyborg&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt; (término creado por el científico Manfred Clynes), mitad humano / mitad máquina, advierte de la pérdida de diferenciación entre &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;NATURAL o ARTIFICIAL&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt;. En su capítulo &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;“MAN PLUS”&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt; (dentro del ya citado The Future of the Future [1969]), hace un repaso de las innovaciones robóticas, los nuevos brazos industriales &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;i style="mso-bidi-font-style:normal"&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;VERSATRAN&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt; (1963 AMF Thermatool Corporation) y &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;i style="mso-bidi-font-style:normal"&gt;&lt;span style="font-size:9.0pt;font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;UNIMATE&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;, Unimation Inc., los sistemas de movimiento HARDIMAN y WALKING TRUCK (sistema que ilustró varios libros de arquitectura (desde publicaciones de Archigram hasta un libro de Prada Poole, y del cual derivan algunos de los primeros trabajos de Stelarc) y nuevas tecnologías de comunicación. Obsesionado también por los riesgos éticos de un futuro robótico e incluso biónico (ver : Henry D.Block y Herbert Ginsberg, “The Psychology of Robots”, Pschycology Today, Communications / Research / Machines / Inc, 1967), advierte del desarrollo de esta tecnología a partir de las necesidades bélicas durante la II Guerra Mundial:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language:EN-US;font-weight:normal;mso-bidi-font-weight:bold"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language:EN-US;font-weight:normal;mso-bidi-font-weight:bold"&gt;“Considered under the heading of “Man Plus”, it may be placed as an extension of the human nervous system and intelligence. Significantly, basic principles originated during the World War Two period: (1) in developing self-correcting guidance and control, feedback, and mechanisms for antiaircraft guns; (2) in the operations research methods of applying logicomathematical techniques, network theory, and similar systems to problems of military logistics.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US; font-weight:normal;mso-bidi-font-weight:bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;A pesar de ello predice un futuro en el que Hombre y Máquina comiencen un período de &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;NUEVA SIMBIOSIS&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal; mso-bidi-font-weight:bold"&gt; en pos de un mejor aprovechamiento de los recursos. &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;CUANDO EL FUTURO ERAN LOS ROBOTS!!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; font-weight: normal; "&gt;&lt;a href="http://2.bp.blogspot.com/-BXAn_yJx5nc/Tdt4V7sB7EI/AAAAAAAAFQs/ZMP7yVqdHhU/s1600/manplus01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-BXAn_yJx5nc/Tdt4V7sB7EI/AAAAAAAAFQs/ZMP7yVqdHhU/s400/manplus01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5610210079015038018" style="cursor: pointer; width: 400px; height: 254px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;span class="Apple-style-span" &gt;&lt;span class="Apple-style-span" style="font-size: 12px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Bibliografía:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="font-size:9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;mso-ansi-language:EN-US; font-weight:normal;mso-bidi-font-weight:bold"&gt;John McHale, &lt;i style="mso-bidi-font-style: normal"&gt;“The Future of the Future”&lt;/i&gt;, New York, 1969&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2634109004886959016-3324797750123908396?l=arqueologiadelfuturo.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://arqueologiadelfuturo.blogspot.com/feeds/3324797750123908396/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2634109004886959016&amp;postID=3324797750123908396' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3324797750123908396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2634109004886959016/posts/default/3324797750123908396'/><link rel='alternate' type='text/html' href='http://arqueologiadelfuturo.blogspot.com/2011/05/cuando-el-futuro-eran-los-robots-man.html' title='Cuando el futuro eran los ROBOTS.  MAN PLUS “The Future of the Future” [1969] John McHale'/><author><name>PKMN [pac-man] www.pkmn.es</name><uri>http://www.blogger.com/profile/18335392908591983344</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-mqVOPqLV_Fg/Tdt4VkSl43I/AAAAAAAAFQk/unZhg6q_Zjo/s72-c/manplus02blog.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2634109004886959016.post-3859593889662923829</id><published>2011-05-23T10:28:00.002+02:00</published><updated>2011-05-23T10:29:51.122+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='visionario'/><category scheme='http://www.blogger.com/atom/ns#' term='arquitectura movil'/><category scheme='http://www.blogger.com/atom/ns#' term='1970'/><category scheme='http://www.blogger.com/atom/ns#' term='movilidad'/><category scheme='http://www.blogger.com/atom/ns#' term='educación'/><title type='text'>La Movilidad como opción de futuro. 1970 CONCEPTS OF EDUCATIONAL MOBILITY</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-Vf67Y6Lngak/Tdoav5r0VHI/AAAAAAAAFQU/JdsEhqF2IWc/s1600/education01blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 121px;" src="http://4.bp.blogspot.com/-Vf67Y6Lngak/Tdoav5r0VHI/AAAAAAAAFQU/JdsEhqF2IWc/s400/education01blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5609825696084153458" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;Publicación compilada por el &lt;/span&gt;&lt;span style="font-size: 9pt; font-family: Cambria, serif; "&gt;New Learning Technologies Program&lt;/span&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt; sobre sistemas, conceptos, herramientas para aplicar la movilidad en el ámbito de la educación, aplicando las nuevas tecnologías al aprendizaje. En el número de Marzo 1973 de Architectural Design hacen una pequeña reseña de alguna de estas aplicaciones, como un pequeño camión con remolque equipado con sistemas de construcción modular, monitores, generadores de energía, control climático…sistemas tecnológicos para reforzar el concepto de educación a distancia. La Movilidad como opción de futuro.&lt;/span&gt;&lt;/strong&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:&amp;quot;Georgia&amp;quot;,&amp;quot;serif&amp;quot;;color:black"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://3.bp.blogspot.com/-Z_T0Ate7aAM/TdoavwELSAI/AAAAAAAAFQM/_r13E5auatA/s1600/education02blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-Z_T0Ate7aAM/TdoavwELSAI/AAAAAAAAFQM/_r13E5auatA/s400/education02blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5609825693501966338" style="cursor: pointer; width: 400px; height: 147px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px; "&gt;&lt;a href="http://3.bp.blogspot.com/-3GrXnU-GGgE/Tdoav7k_XjI/AAAAAAAAFQE/t_d1t02nF3o/s1600/education03blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-3GrXnU-GGgE/Tdoav7k_XjI/AAAAAAAAFQE/t_d1t02nF3o/s400/education03blog.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5609825696592387634" style="cursor: pointer; width: 400px; height: 199px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;  &lt;p style="margin:0cm;margin-bottom:.0001pt"&gt;&lt;strong&gt;&lt;span style="font-size: 9.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;;font-weight:normal;mso-bidi-font-weight: bold"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt; 
